Characters |
|
Isabel Archer |
The novel's protagonist, the Lady of the title. Isabel is a young woman
from Albany, New York, who travels to Europe with her aunt, Mrs. Touchett.
Isabel's experiences in Europe—she is wooed by an English lord, inherits
a fortune, and falls prey to a villainous scheme to marry her to the sinister
Gilbert Osmond—force her to confront the conflict between her desire for
personal independence and her commitment to social propriety. Isabel is
the main focus of Portrait of a Lady, and most of the thematic exploration
of the novel occurs through her actions, thoughts, and experiences. |
Gilbert Osmond |
A cruel, narcissistic gentleman of no particular social standing or wealth,
who seduces Isabel and marries her for her money. An art collector, Osmond
poses as a disinterested aesthete, but in reality he is desperate for the
recognition and admiration of those around him. He treats everyone who
loves him as simply an object to be used to fulfill his desires. Isabel's
marriage to Osmond forces her to confront the conflict between her desire
for independence and the painful social proprieties that force her to remain
in her marriage. |
Madame Merle |
An accomplished, graceful, and manipulative woman, Madame Merle is a popular
lady who does not have a husband or a fortune. Motivated by her love for
Gilbert Osmond, Merle manipulates Isabel into marrying Osmond, delivering
Isabel's fortune into his hands and ruining Isabel's life in the process. |
Ralph Touchett |
Isabel's wise, funny cousin, who is ill with lung disease throughout the
entire novel. Ralph loves life, but he is kept from participating in it
vigorously by his ailment; as a result, he acts as a dedicated spectator,
resolving to live vicariously through his beloved cousin Isabel. It is
Ralph who convinces Mr. Touchett to leave Isabel her fortune, and it is
Ralph who is the staunchest advocate of Isabel remaining independent. Ralph
serves as the moral center of Portrait of a Lady. |
Lord Warburton |
An aristocratic neighbor of the Touchetts who falls in love with Isabel during her first visit to Gardencourt. Warburton remains in love with Isabel even after she rejects his proposal and later tries to marry Pansy simply to bring himself closer to Isabel's life. |
Casper Goodwood |
The son of a prominent Boston mill owner, Isabel's most dedicated suitor
in America. Goodwood's charisma, simplicity, capability, and lack of sophistication
make him the book's purest symbol of James's conception of America. |
Henrietta Stackpole |
Isabel's fiercely independent friend, a feminist journalist who does not believe that women need men in order to be happy. Like Caspar, Henrietta is a symbol of America's democratic values throughout he book. After Isabel leaves for Europe, Henrietta fights a losing battle to keep her true to her American outlook, constantly encouraging her to marry Caspar Goodwood. At the end of the book, Henrietta disappoints Isabel by giving up her independence in order to marry Mr. Bantling |
Mrs. Touchett |
Isabel's aunt. Mrs. Touchett is an indomitable, independent old woman who first brings Isabel to Europe. The wife of Mr. Touchett and the mother of Ralph, Mrs. Touchett is separated from her husband, residing in Florence while he stays at Gardencourt. After Isabel inherits her fortune and falls under the sway of Merle and Osmond, Mrs. Touchett's importance in her life gradually declines. |
Pansy Osmond |
Gilbert Osmond's placid, submissive daughter, raised in a convent to guarantee
her obedience and docility. When Isabel becomes Pansy's stepmother, she
learns to love the girl.. |
Edward Rosier |
A hapless American art collector who lives in Paris, Rosier falls in love
with Pansy Osmond and does his best to win Osmond's permission to marry
her. But though he sells his art collection and appeals to Madame Merle,
Isabel, and the Countess Gemini, Rosier is unable to change Gilbert's mind
that Pansy should marry a high-born, wealthy nobleman, not an obscure American
with little money and no social standing to speak of.. |
Mr. Touchett |
An elderly American banker who has made his life and his vast fortune in
England who is Ralph's father and the proprietor of Gardencourt. Before
Mr. Touchett dies, Ralph convinces him to leave half his fortune to his
niece Isabel, which will enable her to preserve her independence and avoid
having to marry for money. |
Mr. Bantling |
The game Englishman who acts as Henrietta's escort across Europe, eventually
persuading her to marry him at the end of the novel. |
Countess Gemini |
Osmond's vapid sister, who covers up her own marital infidelities by gossipping
constantly about the affairs of other married women. The Countess seems
to have a good heart, however, opposing Merle's scheme to marry Osmond
and Isabel. |
Under certain circumstances there are few hours in life more
agreeable than the hour dedicated to the ceremony known as
afternoon tea. There are circumstances in which, whether you
partake of the tea or not--some people of course never do,--
the situation is in itself delightful. Those that I have in mind in
beginning to unfold this simple history offered an admirable
setting to an innocent pastime. The implements of the little
feast had been disposed upon the lawn of an old English
country-house, in what I should call the perfect middle of a
splendid summer afternoon. Part of the afternoon had waned, but
much of it was left, and what was left was of the finest and
rarest quality. Real dusk would not arrive for many hours; but
the flood of summer light had begun to ebb, the air had grown
mellow, the shadows were long upon the smooth, dense turf. They
lengthened slowly, however, and the scene expressed that sense of
leisure still to come which is perhaps the chief source of one's
enjoyment of such a scene at such an hour. From five o'clock to
eight is on certain occasions a little eternity; but on such an
occasion as this the interval could be only an eternity of
pleasure. The persons concerned in it were taking their pleasure
quietly, and they were not of the sex which is supposed to
furnish the regular votaries of the ceremony I have mentioned.
The shadows on the perfect lawn were straight and angular; they
were the shadows of an old man sitting in a deep wicker-chair
near the low table on which the tea had been served, and of two
younger men strolling to and fro, in desultory talk, in front of
him. The old man had his cup in his hand; it was an unusually
large cup, of a different pattern from the rest of the set and
painted in brilliant colours. He disposed of its contents with much
circumspection, holding it for a long time close to his chin, with
his face turned to the house. His companions had either finished
their tea or were indifferent to their privilege; they smoked cig-
arettes as they continued to stroll. One of them, from time to
time, as he passed, looked with a certain attention at the elder
man, who, unconscious of observation, rested his eyes upon the
rich red front of his dwelling. The house that rose beyond the
lawn was a structure to repay such consideration and was the
most characteristic object in the peculiarly English picture I have
attempted to sketch.
It stood upon a low hill, above the river--the river being the
Thames at some forty miles from London. A long gabled front of
red brick, with the complexion of which time and the weather had
played all sorts of pictorial tricks, only, however, to improve and
refine it, presented to the lawn its patches of ivy, its clustered
chimneys, its windows smothered in creepers. The house had a
name and a history; the old gentleman taking his tea would have
been delighted to tell you these things: how it had been built un-
der Edward the Sixth, had offered a night’s hospitality to the great
Elizabeth (whose august person had extended itself upon a huge,
magnificent and terribly angular bed which still formed the princi-
pal honour of the sleeping apartments), had been a good deal
bruised and defaced in Cromwell’s wars, and then, under the
Restoration, repaired and much enlarged; and how, finally, after
having been remodelled and disfigured in the eighteenth century,
it had passed into the careful keeping of a shrewd American banker,
who had bought it originally because (owing to circumstances too
complicated to set forth) it was offered at a great bargain: ....
bought it with much grumbling at its ugliness, its antiquity, its
incommodity, and who now, at the end of twenty years, had be-
come conscious of a real aesthetic passion for it, so that he knew
all its points and would tell you just where to stand to see them
in combination and just the hour when the shadows of its various
protuberances --which fell so softly upon the warm, weary brick-
work --were of the right measure. Besides this, as I have said, he
could have counted off most of the successive owners and occu-
pants, several of whom were known to general fame; doing so, how-
ever, with an undemonstrative conviction that the latest phase of
its destiny was not the least honourable. The front of the house
overlooking that portion of the lawn with which we are concerned
was not the entrance-front; this as in quite another quarter. Priv-
acy here reigned supreme, and the wide carpet of turf that covered
the level hill-top seemed but the extension of a luxurious interior.
The great still oaks and beeches flung down a shade as dense as
that of velvet curtains; and the place was furnished, like a room,
with cushioned seats, with rich-coloured rugs, with the books and
papers that lay upon the grass. The river was at some distance;
where the ground began to slope the lawn, properly speaking, ceas-
ed. But it was none the less a charming walk down to the water.
The old gentleman at the tea-table, who had come from America
thirty years before, had brought with him, at the top of his
baggage, his American physiognomy; and he had not only brought it
with him, but he had kept it in the best order, so that, if
necessary, he might have taken it back to his own country with
perfect confidence. At present, obviously, nevertheless, he was
not likely to displace himself; his journeys were over and he was
taking the rest that precedes the great rest. He had a narrow,
clean-shaven face, with features evenly distributed and an
expression of placid acuteness. He had certainly had a great
experience of men, but there was an almost rustic simplicity
in the faint smile that played upon his lean, spacious cheek
and lighted up his humorous eye as he at last slowly and care-
fully deposited his big tea-cup upon the table. He was neatly
dressed, in well-brushed black; but a shawl was folded upon his
knees, and his feet were encased in thick, embroidered slippers.
A beautiful collie dog lay upon the grass near his chair, watching
the master's face almost as tenderly as the master took in the
still more magisterial physiognomy of the house; and a little
bristling, bustling terrier bestowed a desultory attendance upon
the other gentlemen. It was evidently a face in which the range
of representation was not large, so that the air of contented
shrewdness was all the more of a merit. It seemed to tell that he
had been successful in life, yet it seemed to tell also that his
success had not been exclusive and invidious, but had had much
of the inoffensiveness of failure.
One of these was a remarkably well-made man of five-and-thirty,
with a face as English as that of the old gentleman I have just
sketched was something else; a noticeably handsome face, fresh-
coloured, fair and frank, with firm, straight features, a lively grey
eye and the rich adornment of a chestnut beard. This person
had a certain fortunate, brilliant exceptional look--the air of a
happy temperament fertilised by a high civilisation--which would
have made almost any observer envy him at a venture.He was
booted and spurred, as if he had dismounted from a long ride; he
wore a white hat, which looked too large for him; he held his two
ands behind him, and in one of them--a large, white, well-shaped
fist--was crumpled a pair of soiled dog-skin gloves.
His companion, measuring the length of the lawn beside him, was
a person of quite a different pattern, who, although he might
have excited grave curiosity, would not, like the other, have
provoked you to wish yourself, almost blindly, in his place.
Tall, lean, loosely and feebly put together, he had an ugly,
sickly, witty, charming face, furnished, but by no means
decorated, with a straggling moustache and whisker. He looked
clever and ill--a combination by no means felicitous; and he
wore a brown velvet jacket. He carried his hands in his pockets,
and there was something in the way he did it that showed the
habit was inveterate. His gait had a shambling, wandering
quality; he was not very firm on his legs. As I have said, when-
ever he passed the old man in the chair he rested his eyes
upon him; and at this moment, with their faces brought into
relation, you would easily have seen they were father and son.
The father caught his son’s eye at last and gave him a mild,
responsive smile.
“I’m getting on very well,” he said.
“Have you drunk your tea?” asked the son.
“Yes, and enjoyed it.”
“Shall I give you some more?”
The old man considered, placidly. “Well, I guess I’ll wait and
see.” He had, in speaking, the American tone.
"Are you cold?" the son enquired.
The father slowly rubbed his legs. "Well, I don't know. I can't
tell till I feel."
"Perhaps some one might feel for you," said the younger man,
laughing.
"Oh, I hope some one will always feel for me! Don't you feel for
me, Lord Warburton?"
“Oh yes, immensely,” said the gentleman addressed as Lord War-
burton, promptly. “I’m bound to say you look wonderfully comfort-
able.”
“Well, I suppose I am, in most respects.” And the old man looked
down at his green shawl and smoothed it over his knees."The fact
is I've been comfortable so many years that I suppose I've got so
used to it I don't know it."
"Yes, that's the bore of comfort," said Lord Warburton. "We
only
know when we're uncomfortable."
“It strikes me we’re rather particular,” his companion remarked.
“Oh yes, there’s no doubt we’re particular,” Lord Warburton mur-
mured. And then the three men remained silent a while; the two
younger ones standing looking down at the other, who presently
asked for more tea. “I should think you would be very unhappy with
that shawl,” Lord Warburton resumed while his companion filled
the old man’s cup again.
“Oh no, he must have the shawl!” cried the gentleman in the vel-
vet coat. “Don’t put such ideas as that into his head.”
“It belongs to my wife,” said the old man simply.
“Oh, if it’s for sentimental reasons--” And Lord Warburton made a
gesture of apology.
“I suppose I must give it to her when she comes,” the old man
went on.
“You’ll please to do nothing of the kind. You’ll keep it to cover
your poor old legs.”
“Well, you mustn’t abuse my legs,” said the old man. “I guess they
are as good as yours.”
“Oh, you’re perfectly free to abuse mine,” his son replied, giving
him his tea.
“Well, we’re two lame ducks; I don’t think there’s much difference.”
“I’m much obliged to you for calling me a duck. How’s your tea?”
“Well, it’s rather hot.”
“That’s intended to be a merit.”
“Ah, there’s a great deal of merit,” murmured the old man, kindly.
“He’s a very good nurse, Lord Warburton.”
“Isn’t he a bit clumsy?” asked his lordship.
“Oh no, he’s not clumsy--considering that he’s an invalid himself.
He’s a very good nurse--for a sick-nurse. I call him my sick-nurse
because he’s sick himself.”
“Oh, come, daddy!” the ugly young man exclaimed.
“Well, you are; I wish you weren’t. But I suppose you can’t help it.”
“I might try: that’s an idea,” said the young man.
“Were you ever sick, Lord Warburton?” his father asked.
Lord Warburton considered a moment. “Yes, sir, once, in the Persian
Gulf.”
“He’s making light of you, daddy,” said the other young man. “That’s
a sort of joke.”
“Well, there seem to be so many sorts now,” daddy replied, serenely.
“You don’t look as if you had been sick, anyway, Lord Warburton.”
“He’s sick of life; he was just telling me so; going on fearfully about
it,” said Lord Warburton’s friend.
“Is that true, sir?” asked the old man gravely.
“If it is, your son gave me no consolation. He’s a wretched fellow to
talk to--a regular cynic. He doesn’t seem to believe in anything.”
“That’s another sort of joke,” said the person accused of cynicism.
“It’s because his health is so poor,” his father explained to Lord
Warburton. “It affects his mind and colours his way of looking at
things; he seems to feel as if he had never had a chance. But it’s
almost entirely theoretical, you know; it doesn’t seem to affect his
spirits. I’ve hardly ever seen him when he wasn’t cheerful--about as
he is at present. He often cheers me up.”
The young man so described looked at Lord Warburton and laughed.
“Is it a glowing eulogy or an accusation of levity? Should you like me
to carry out my theories, daddy?”
“By Jove, we should see some queer things!” cried Lord Warburton.
“I hope you haven’t taken up that sort of tone,” said the old man.
“Warburton’s tone is worse than mine; he pretends to be bored. I’m
not in the least bored; I find life only too interesting.”
“Ah, too interesting; you shouldn’t allow it to be that, you know!”
“I’m never bored when I come here,” said Lord Warburton. “One gets
such uncommonly good talk.”
"Is that another sort of joke?" asked the old man. "You've
no
excuse for being bored anywhere. When I was your age I had never
heard of such a thing."
"You must have developed very late."
"No, I developed very quick; that was just the reason. When I was
twenty years old I was very highly developed indeed. I was
working tooth and nail. You wouldn't be bored if you had
something to do; but all you young men are too idle. You think
too much of your pleasure. You're too fastidious, and too
indolent, and too rich."
"Oh, I say," cried Lord Warburton, "you're hardly the person to
accuse a fellow-creature of being too rich!"
“Do you mean because I’m a banker?” asked the old man.
“Because of that, if you like; and because you have--haven’t
you?--such unlimited means.”
“He isn’t very rich,” the other young man mercifully pleaded.
“He has given away an immense deal of money.”
“Well, I suppose it was his own,” said Lord Warburton; “and in
that case could there be a better proof of wealth? Let not a pub-
lic benefactor talk of one’s being too fond of pleasure.”
“Daddy’s very fond of pleasure--of other people’s.”
The old man shook his head. “I don’t pretend to have contributed
anything to the amusement of my contemporaries.”
“My dear father, you’re too modest!”
“That’s a kind of joke, sir,” said Lord Warburton.
"You young men have too many jokes. When there are no jokes
you've nothing left."
"Fortunately there are always more jokes," the ugly young man
remarked.
"I don't believe it--I believe things are getting more serious.
You young men will find that out."
"The increasing seriousness of things, then that's the great
opportunity of jokes."
"They'll have to be grim jokes," said the old man. "I'm convinced
there will be great changes, and not all for the better."
“I quite agree with you, sir,” Lord Warburton declared. “I’m very
sure there will be great changes, and that all sorts of queer things
will happen.
"That's why I find so much difficulty in applying your advice;
you know you told me the other day that I ought to 'take hold'
of something. One hesitates to take hold of a thing that may
the next moment be knocked sky-high."
"You ought to take hold of a pretty woman," said his companion.
"He's trying hard to fall in love," he added, by way of
explanation, to his father.
"The pretty women themselves may be sent flying!" Lord Warburton
exclaimed.
"No, no, they'll be firm," the old man rejoined; "they'll
not be
affected by the social and political changes I just referred to."
"You mean they won't be abolished? Very well, then, I'll lay
hands on one as soon as possible and tie her round my neck as a
life-preserver."
“The ladies will save us,” said the old man; “that is the best of them
will--for I make a difference between them. Make up to a good one
and marry her, and your life will become much more interesting.”
A momentary silence marked perhaps on the part of his auditors a
sense of the magnanimity of this speech, for it was a secret neither
for his son nor for his visitor that his own experiment in matrimony
had not been a happy one. As he said, however, he made a difference;
and these words may have been intended as a confession of personal
error; though of course it was not in place for either of his compan-
ions to remark that apparently the lady of his choice had not been
one of the best.
“If I marry an interesting woman I shall be interested: is that what you
say?” Lord Warburton asked. “I’m not at all keen about marrying--your
son misrepresented me; but there’s no knowing what an interesting
woman might do with me.”
“I should like to see your idea of an interesting woman,” said his
friend.
“My dear fellow, you can’t see ideas--especially such highly ethereal
ones as mine. If I could only see it myself--that would be a great step
in advance.”
“Well, you may fall in love with whomsoever you please; but you
mustn’t fall in love with my niece,” said the old man.
His son broke into a laugh. “He’ll think you mean that as a provoca-
tion! My dear father, you’ve lived with the English for thirty years,
and you’ve picked up a good many of the things they say. But
you’ve never learned the things they don’t say!”
“I say what I please,” the old man returned with all his serenity.
“I haven’t the honour of knowing your niece,” Lord Warburton said.
“I think it’s the first time I’ve heard of her.”
“She’s a niece of my wife’s; Mrs. Touchett brings her to England.”
Then young Mr. Touchett explained. “My mother, you know, has been
spending the winter in America, and we’re expecting her back. She
writes that she has discovered a niece and that she has invited her
to come out with her.”
“I see,--very kind of her,” said Lord Warburton. Is the young lady
interesting?”
“We hardly know more about her than you; my mother has not gone
into details. She chiefly communicates with us by means of telegrams,
and her telegrams are rather inscrutable. They say women don’t know
how to write them, but my mother has thoroughly mastered the art of
condensation. ‘Tired America, hot weather awful, return England with
niece, first steamer decent cabin.’ That’s the sort of message we
get from her--that was the last that came. But there had been ano-
ther before, which I think contained the first mention of the niece.
‘Changed hotel, very bad, impudent clerk, address here. Taken sis-
ter’s girl, died last year, go to Europe, two sisters, quite independent.’
Over that my father and I have scarcely stopped puzzling; it seems
to admit of so many interpretations.”
“There’s one thing very clear in it,” said the old man; “she has given
the hotel-clerk a dressing.”
“I’m not sure even of that, since he has driven her from the field. We
thought at first that the sister mentioned might be the sister of the
clerk; but the subsequent mention of a niece seems to prove that the
allusion is to one of my aunts. Then there was a question as to whose
the two other sisters were; they are probably two of my late aunt’s
daughters. But who’s ‘quite independent,’ and in what sense is the
term used?--that point’s not yet settled. Does the expression apply
more particularly to the young lady my mother has adopted, or does it
characterise her sisters equally?--and is it used in a moral or in a
financial sense? Does it mean that they’ve been left well off, or
that they wish to be under no obligations? or does it simply mean that
they’re fond of their own way?”
“Whatever else it means, it’s pretty sure to mean that,” Mr. Touchett
remarked.
“You’ll see for yourself,” said Lord Warburton. “When does Mrs. Tou-
chett arrive?”
“We’re quite in the dark; as soon as she can find a decent cabin.
She may be waiting for it yet; on the other hand she may already have
disembarked in England.”
“In that case she would probably have telegraphed to you.”
“She never telegraphs when you would expect it--only when you don’t,”
said the old man. “She likes to drop on me suddenly; she thinks she’ll
find me doing something wrong. She has never done so yet, but she’s
not discouraged.”
“It’s her share in the family trait, the independence she speaks of.”
Her son’s appreciation of the matter was more favourable. “Whatever
the high spirit of those young ladies may be, her own is a match for it.
She likes to do everything for herself and has no belief in any one’s
power to help her. She thinks me of no more use than a postage-stamp
without gum, and she would never forgive me if I should presume to go
to Liverpool to meet her.”
“Will you at least let me know when your cousin arrives?” Lord Warburton
asked.
“Only on the condition I’ve mentioned--that you don’t fall in love with
her!” Mr. Touchett replied.
“That strikes me as hard, don’t you think me good enough?”
“I think you too good--because I shouldn’t like her to marry you. She
hasn’t come here to look for a husband, I hope; so many young ladies are
doing that, as if there were no good ones at home. Then she’s probably
engaged; American girls are usually engaged, I believe. Moreover I’m not
sure, after all, that you’d be a remarkable husband.”
“Very likely she’s engaged; I’ve known a good many American girls, and
they always were; but I could never see that it made any difference,
upon my word!
"As for my being a good husband," Mr. Touchett's visitor pursued,
"I'm not sure of that either. One can but try!"
"Try as much as you please, but don't try on my niece," smiled
the old man, whose opposition to the idea was broadly humorous.
"Ah, well," said Lord Warburton with a humour broader still,
"perhaps, after all, she's not worth trying on!"
While this exchange of pleasantries took place between the two
Ralph Touchett wandered away a little, with his usual slouching
gait, his hands in his pockets and his little rowdyish terrier
at his heels. His face was turned toward the house, but his eyes
were bent musingly on the lawn; so that he had been an object of
observation to a person who had just made her appearance in the
ample doorway for some moments before he perceived her. His at-
tention was called to her by the conduct of his dog, who had sud-
denly darted forward with a little volley of shrill barks, in
which the note of welcome, however, was more sensible than that
of defiance. The person in question was a young lady, who seemed
immediately to interpret the greeting of the small beast. He ad-
vanced with great rapidity and stood at her feet, looking up and
barking hard; whereupon, without hesitation, she stooped and
caught him in her hands, holding him face to face while he con-
tinued his quick chatter. His master now had had time to follow
and to see that Bunchie's new friend was a tall girl in a black
dress, who at first sight looked pretty. She was bareheaded, as
if she were staying in the house--a fact which conveyed perplex-
ity to the son of its master, conscious of that immunity from
visitors which had for some time been rendered necessary by the
latter's ill-health. Meantime the two other gentlemen had also
taken note of the new-comer.
"Dear me, who's that strange woman?" Mr. Touchett had asked.
"Perhaps it's Mrs. Touchett's niece--the independent young
lady," Lord Warburton suggested. "I think she must be, from
the way she handles the dog."
The collie, too, had now allowed his attention to be diverted,
and he trotted toward the young lady in the doorway, slowly set-
ting his tail in motion as he went.
"But where's my wife then?" murmured the old man.
"I suppose the young lady has left her somewhere: that's a
part of the independence."
The girl spoke to Ralph, smiling, while she still held up the
terrier. "Is
this your little dog, sir?"
"He was mine a moment ago; but you've suddenly acquired a
remarkable air of property in him."
"Couldn't we share him?" asked the girl. "He's such a perfect
little
darling."
Ralph looked at her a moment; she was unexpectedly pretty. "You
may have him altogether," he then replied.
The young lady seemed to have a great deal of confidence, both
in herself and in others; but this abrupt generosity made her
blush. "I ought to tell you that I'm probably your cousin,"
she brought out, putting down the dog. "And here's another!"
she added quickly, as the collie came up.
"Probably?" the young man exclaimed, laughing. "I supposed
it was quite settled! Have you arrived with my mother?"
"Yes, half an hour ago."
"And has she deposited you and departed again?"
"No, she went straight to her room, and she told me that, if
I should see you, I was to say to you that you must come to her
there at a quarter to seven."
The young man looked at his watch. "Thank you very much; I
shall be punctual." And then he looked at his cousin. "You're
very welcome here. I'm delighted to see you."
She was looking at everything, with an eye that denoted clear
perception--at her companion, at the two dogs, at the two
gentlemen under the trees, at the beautiful scene that sur-
rounded her. "I've never seen anything so lovely as this
place. I've been all over the house; it's too enchanting."
"I'm sorry you should have been here so long without our
knowing it."
"Your mother told me that in England people arrived very
quietly; so I thought it was all right. Is one of those
gentlemen your father?"
"Yes, the elder one--the one sitting down," said Ralph.
The girl gave a laugh. "I don't suppose it's the other. Who's
the other?"
"He's a friend of ours--Lord Warburton."
"Oh, I hoped there would be a lord; it's just like a novel!"
And then, "Oh you adorable creature!" she suddenly cried,
stooping down and picking up the small dog again.
She remained standing where they had met, making no offer to
advance or to speak to Mr. Touchett, and while she lingered so
near the threshold, slim and charming, her interlocutor wondered
if she expected the old man to come and pay her his respects.
American girls were used to a great deal of deference, and it had
been intimated that this one had a high spirit. Indeed Ralph
could see that in her face.
"Won't you come and make acquaintance with my father?" he
nevertheless ventured to ask. "He's old and infirm--he doesn't
leave his chair."
"Ah, poor man, I'm very sorry!" the girl exclaimed, immediately
moving forward. "I got the impression from your mother that he
was rather intensely active."
Ralph Touchett was silent a moment. "She hasn’t seen him for a
year."
"Well, he has a lovely place to sit. Come along, little hound."
"It’s a dear old place," said the young man, looking sidewise
at
his neighbour.
"What’s his name?" she asked, her attention having again revert-
ed to the terrier.
"My father’s name?"
"Yes," said the young lady with amusement; "but don’t tell him I
asked you."
They had come by this time to where old Mr. Touchett was sit-
ting, and he slowly got up from his chair to introduce himself.
"My mother has arrived," said Ralph, "and this is Miss Archer."
The old man placed his two hands on her shoulders, looked at
her a moment with extreme benevolence and then gallantly kiss-
ed her. "It’s a great pleasure to me to see you here; but I wish
you had given us a chance to receive you."
"Oh, we were received," said the girl. "There were about a dozen
servants in the hall. And there was an old woman curtseying at the
gate."
"We can do better than that--if we have notice!" And the old
man
stood there smiling, rubbing his hands and slowly shaking his head
at her. "But Mrs. Touchett doesn’t like receptions."
"She went straight to her room."
"Yes--and locked herself in. She always does that. Well, I suppose
I shall see her next week." And Mrs. Touchett’s husband slowly re-
sumed his former posture.
"Before that," said Miss Archer. "She’s coming down to dinner--at
eight o’clock. Don’t you forget a quarter to seven," she added,
turning with a smile to Ralph.
"What’s to happen at a quarter to seven?"
"I’m to see my mother," said Ralph.
"Ah, happy boy!" the old man commented. "You must sit down--
you must have some tea," he observed to his wife’s niece.
"They gave me some tea in my room the moment I got there," this
young lady answered. "I’m sorry you’re out of health," she added,
resting her eyes upon her venerable host.
"Oh, I’m an old man, my dear; it’s time for me to be old. But I
shall be the better for having you here."
She had been looking all round her again--at the lawn, the great
trees, the reedy, silvery Thames, the beautiful old house; and
while engaged in this survey she had made room in it for her
companions; a comprehensiveness of observation easily conceivable
on the part of a young woman who was evidently both intelligent
and excited. She had seated herself and had put away the little
dog; her white hands, in her lap, were folded upon her black
dress; her head was erect, her eye lighted, her flexible figure
turned itself easily this way and that, in sympathy with the
alertness with which she evidently caught impressions. Her
impressions were numerous, and they were all reflected in a
clear, still smile.
“It's looking very well,” said Mr. Touchett. “I know the way
it strikes you. I've been through all that. But you're very beau-
tiful yourself,” he added with a politeness by no means crudely
jocular and with the happy consciousness that his advanced age
gave him the privilege of saying such things--even to young per-
sons who might possibly take alarm at them.
What degree of alarm this young person took need not be exactly
measured; she instantly rose, however, with a blush which was not
a refutation. “Oh yes, of course I'm lovely!” she returned with
a quick laugh. “How old is your house? Is it Elizabethan?”
“It's early Tudor,” said Ralph Touchett.
She turned toward him, watching his face. “Early Tudor? How very
delightful! And I suppose there are a great many others.”
“There are many much better ones.”
“Don't say that, my son!” the old man protested. “There's
nothing better than this.”
“I've got a very good one; I think in some respects it's rather
better,” said Lord Warburton, who as yet had not spoken, but who
had kept an attentive eye upon Miss Archer. He slightly inclined
himself, smiling; he had an excellent manner with women. The girl
appreciated it in an instant; she had not forgotten that this was
Lord Warburton. “I should like very much to show it to you,” he
added.
“Don't believe him,” cried the old man; “don't look at it!
It's a wretched old barrack--not to be compared with this.”
“I don't know--I can't judge,” said the girl, smiling at Lord
Warburton.
In this discussion Ralph Touchett took no interest whatever; he
stood with his hands in his pockets, looking greatly as if he
should like to renew his conversation with his new-found cousin.
"Are you very fond of dogs?" he enquired by way of beginning. He
seemed to recognise that it was an awkward beginning for a clever
man.
"Very fond of them indeed."
"You must keep the terrier, you know," he went on, still
awkwardly.
"I'll keep him while I'm here, with pleasure."
"That will be for a long time, I hope."
"You're very kind. I hardly know. My aunt must settle that."
"I'll settle it with her--at a quarter to seven." And Ralph
looked at his watch again.
"I'm glad to be here at all," said the girl.
"I don't believe you allow things to be settled for you."
"Oh yes; if they're settled as I like them."
"I shall settle this as I like it," said Ralph. It's most
unaccountable that we should never have known you."
"I was there--you had only to come and see me."
"There? Where do you mean?"
"In the United States: in New York and Albany and other American
places."
"I've been there--all over, but I never saw you. I can't make it
out."
Miss Archer just hesitated. “It was because there had been some
disagreement between your mother and my father, after my mother’s
death, which took place when I was a child. In consequence of it we
never expected to see you.”
"Ah, but I don’t embrace all my mother’s quarrels--heaven forbid!"
the young man cried. “You’ve lately lost your father?” he went on
more gravely.
"Yes; more than a year ago. After that my aunt was very kind to me;
she came to see me and proposed that I should come with her to Eu-
rope."
"I see," said Ralph. "She has adopted you."
"Adopted me?" The girl stared, and her blush came back to her,
together with a momentary look of pain which gave her
interlocutor some alarm. He had underestimated the effect of his
words. Lord Warburton, who appeared constantly desirous of a
nearer view of Miss Archer, strolled toward the two cousins at
the moment, and as he did so she rested her wider eyes on him.
"Oh no; she has not adopted me. I'm not a candidate for adoption."
"I beg a thousand pardons," Ralph murmured. "I meant--I meant--"
He hardly knew what he meant.
"You meant she has taken me up. Yes; she likes to take people up.
She has been very kind to me; but," she added with a certain
visible eagerness of desire to be explicit, "I'm very fond of my
liberty."
"Are you talking about Mrs. Touchett?" the old man called out
from
his chair. "Come here, my dear, and tell me about her. I'm always
thank-
ful for information."
The girl hesitated again, smiling. "She's really very benevolent,"
she answered; after which she went over to her uncle, whose mirth
was excited by her words.
Lord Warburton was left standing with Ralph Touchett, to whom in a
moment he said: "You wished a while ago to see my idea of an inte-
resting woman. There it is!"
Some fortnight after this Madame Merle drove up in a hansom cab to
the house in Winchester Square. As she descended from her vehicle she
observed, suspended between the dining-room windows, a large, neat,
wooden tablet, on whose fresh black ground were inscribed in white paint
the words--"This noble freehold mansion to be sold"; with the name of
the agent to whom application should be made. "They certainly lose no
time," said the visitor as, after sounding the big brass knocker, she
waited to be admitted; "it's a practical country!" And within the house,
as she ascended to the drawing-room, she perceived numerous signs of
abdication; pictures removed from the walls and placed upon sofas,
windows undraped and floors laid bare. Mrs. Touchett presently received
her and intimated in a few words that condolences might be taken for
granted.
"I know what you're going to say--he was a very good man. But I know it
better than any one, because I gave him more chance to show it. In that
I think I was a good wife." Mrs. Touchett added that at the end her
husband apparently recognised this fact. "He has treated me most
liberally," she said; "I won't say more liberally than I expected,
because I didn't expect. You know that as a general thing I don't
expect. But he chose, I presume, to recognise the fact that though I
lived much abroad and mingled--you may say freely--in foreign life, I
never exhibited the smallest preference for any one else."
"For any one but yourself," Madame Merle mentally observed; but the
reflexion was perfectly inaudible.
"I never sacrificed my husband to another," Mrs. Touchett continued with
her stout curtness.
"Oh no," thought Madame Merle; "you never did anything for another!"
There was a certain cynicism in these mute comments which demands an
explanation; the more so as they are not in accord either with the
view--somewhat superficial perhaps--that we have hitherto enjoyed of
Madame Merle's character or with the literal facts of Mrs. Touchett's
history; the more so, too, as Madame Merle had a well-founded conviction
that her friend's last remark was not in the least to be construed as a
side-thrust at herself. The truth is that the moment she had crossed the
threshold she received an impression that Mr. Touchett's death had had
subtle consequences and that these consequences had been profitable to
a little circle of persons among whom she was not numbered. Of course
it was an event which would naturally have consequences; her imagination
had more than once rested upon this fact during her stay at Gardencourt.
But it had been one thing to foresee such a matter mentally and another
to stand among its massive records. The idea of a distribution of
property--she would almost have said of spoils--just now pressed upon
her senses and irritated her with a sense of exclusion. I am far from
wishing to picture her as one of the hungry mouths or envious hearts of
the general herd, but we have already learned of her having desires
that had never been satisfied. If she had been questioned, she would
of course have admitted--with a fine proud smile--that she had not the
faintest claim to a share in Mr. Touchett's relics. "There was never
anything in the world between us," she would have said. "There was never
that, poor man!"--with a fillip of her thumb and her third finger. I
hasten to add, moreover, that if she couldn't at the present moment keep
from quite perversely yearning she was careful not to betray herself.
She had after all as much sympathy for Mrs. Touchett's gains as for her
losses.
"He has left me this house," the newly-made widow said; "but of course
I shall not live in it; I've a much better one in Florence. The will
was opened only three days since, but I've already offered the house for
sale. I've also a share in the bank; but I don't yet understand if I'm
obliged to leave it there. If not I shall certainly take it out. Ralph,
of course, has Gardencourt; but I'm not sure that he'll have means to
keep up the place. He's naturally left very well off, but his father has
given away an immense deal of money; there are bequests to a string of
third cousins in Vermont. Ralph, however, is very fond of Gardencourt
and would be quite capable of living there--in summer--with a
maid-of-all-work and a gardener's boy. There's one remarkable clause
in my husband's will," Mrs. Touchett added. "He has left my niece a
fortune."
"A fortune!" Madame Merle softly repeated.
"Isabel steps into something like seventy thousand pounds." Madame
Merle's hands were clasped in her lap; at this she raised them, still
clasped, and held them a moment against her bosom while her eyes, a
little dilated, fixed themselves on those of her friend. "Ah," she
cried, "the clever creature!"
Mrs. Touchett gave her a quick look. "What do you mean by that?"
For an instant Madame Merle's colour rose and she dropped her eyes. "It
certainly is clever to achieve such results--without an effort!"
"There assuredly was no effort. Don't call it an achievement."
Madame Merle was seldom guilty of the awkwardness of retracting what she
had said; her wisdom was shown rather in maintaining it and placing it
in a favourable light. "My dear friend, Isabel would certainly not
have had seventy thousand pounds left her if she had not been the most
charming girl in the world. Her charm includes great cleverness."
"She never dreamed, I'm sure, of my husband's doing anything for her;
and I never dreamed of it either, for he never spoke to me of his
intention," Mrs. Touchett said. "She had no claim upon him whatever; it
was no great recommendation to him that she was my niece. Whatever she
achieved she achieved unconsciously."
"Ah," rejoined Madame Merle, "those are the greatest strokes!" Mrs.
Touchett reserved her opinion. "The girl's fortunate; I don't deny that.
But for the present she's simply stupefied."
"Do you mean that she doesn't know what to do with the money?"
"That, I think, she has hardly considered. She doesn't know what to
think about the matter at all. It has been as if a big gun were suddenly
fired off behind her; she's feeling herself to see if she be hurt. It's
but three days since she received a visit from the principal executor,
who came in person, very gallantly, to notify her. He told me afterwards
that when he had made his little speech she suddenly burst into tears.
The money's to remain in the affairs of the bank, and she's to draw the
interest."
Madame Merle shook her head with a wise and now quite benignant smile.
"How very delicious! After she has done that two or three times she'll
get used to it." Then after a silence, "What does your son think of it?"
she abruptly asked.
"He left England before the will was read--used up by his fatigue and
anxiety and hurrying off to the south. He's on his way to the Riviera
and I've not yet heard from him. But it's not likely he'll ever object
to anything done by his father."
"Didn't you say his own share had been cut down?"
"Only at his wish. I know that he urged his father to do something for
the people in America. He's not in the least addicted to looking after
number one."
"It depends upon whom he regards as number one!" said Madame Merle. And
she remained thoughtful a moment, her eyes bent on the floor.
"Am I not to see your happy niece?" she asked at last as she raised
them.
"You may see her; but you'll not be struck with her being happy. She
has looked as solemn, these three days, as a Cimabue Madonna!" And Mrs.
Touchett rang for a servant.
Isabel came in shortly after the footman had been sent to call her; and
Madame Merle thought, as she appeared, that Mrs. Touchett's comparison
had its force. The girl was pale and grave--an effect not mitigated by
her deeper mourning; but the smile of her brightest moments came into
her face as she saw Madame Merle, who went forward, laid her hand on our
heroine's shoulder and, after looking at her a moment, kissed her as if
she were returning the kiss she had received from her at Gardencourt.
This was the only allusion the visitor, in her great good taste, made
for the present to her young friend's inheritance.
Mrs. Touchett had no purpose of awaiting in London the sale of her
house. After selecting from among its furniture the objects she wished
to transport to her other abode, she left the rest of its contents to be
disposed of by the auctioneer and took her departure for the Continent.
She was of course accompanied on this journey by her niece, who now had
plenty of leisure to measure and weigh and otherwise handle the windfall
on which Madame Merle had covertly congratulated her. Isabel thought
very often of the fact of her accession of means, looking at it in a
dozen different lights; but we shall not now attempt to follow her train
of thought or to explain exactly why her new consciousness was at first
oppressive. This failure to rise to immediate joy was indeed but brief;
the girl presently made up her mind that to be rich was a virtue because
it was to be able to do, and that to do could only be sweet. It was
the graceful contrary of the stupid side of weakness--especially the
feminine variety. To be weak was, for a delicate young person, rather
graceful, but, after all, as Isabel said to herself, there was a larger
grace than that. Just now, it is true, there was not much to do--once
she had sent off a cheque to Lily and another to poor Edith; but she was
thankful for the quiet months which her mourning robes and her aunt's
fresh widowhood compelled them to spend together. The acquisition of
power made her serious; she scrutinised her power with a kind of tender
ferocity, but was not eager to exercise it. She began to do so during
a stay of some weeks which she eventually made with her aunt in Paris,
though in ways that will inevitably present themselves as trivial. They
were the ways most naturally imposed in a city in which the shops are
the admiration of the world, and that were prescribed unreservedly by
the guidance of Mrs. Touchett, who took a rigidly practical view of the
transformation of her niece from a poor girl to a rich one. "Now that
you're a young woman of fortune you must know how to play the part--I
mean to play it well," she said to Isabel once for all; and she added
that the girl's first duty was to have everything handsome. "You don't
know how to take care of your things, but you must learn," she went on;
this was Isabel's second duty. Isabel submitted, but for the present
her imagination was not kindled; she longed for opportunities, but these
were not the opportunities she meant.
Mrs. Touchett rarely changed her plans, and, having intended before her
husband's death to spend a part of the winter in Paris, saw no reason to
deprive herself--still less to deprive her companion--of this advantage.
Though they would live in great retirement she might still present
her niece, informally, to the little circle of her fellow countrymen
dwelling upon the skirts of the Champs Elysees. With many of these
amiable colonists Mrs. Touchett was intimate; she shared their
expatriation, their convictions, their pastimes, their ennui. Isabel
saw them arrive with a good deal of assiduity at her aunt's hotel, and
pronounced on them with a trenchancy doubtless to be accounted for by
the temporary exaltation of her sense of human duty. She made up her
mind that their lives were, though luxurious, inane, and incurred some
disfavour by expressing this view on bright Sunday afternoons, when the
American absentees were engaged in calling on each other. Though her
listeners passed for people kept exemplarily genial by their cooks and
dressmakers, two or three of them thought her cleverness, which was
generally admitted, inferior to that of the new theatrical pieces. "You
all live here this way, but what does it lead to?" she was pleased to
ask. "It doesn't seem to lead to anything, and I should think you'd get
very tired of it."
Mrs. Touchett thought the question worthy of Henrietta Stackpole. The
two ladies had found Henrietta in Paris, and Isabel constantly saw her;
so that Mrs. Touchett had some reason for saying to herself that if her
niece were not clever enough to originate almost anything, she might be
suspected of having borrowed that style of remark from her journalistic
friend. The first occasion on which Isabel had spoken was that of
a visit paid by the two ladies to Mrs. Luce, an old friend of Mrs.
Touchett's and the only person in Paris she now went to see. Mrs. Luce
had been living in Paris since the days of Louis Philippe; she used to
say jocosely that she was one of the generation of 1830--a joke of
which the point was not always taken. When it failed, Mrs. Luce used to
explain--"Oh yes, I'm one of the romantics;" her French had never
become quite perfect. She was always at home on Sunday afternoons and
surrounded by sympathetic compatriots, usually the same. In fact she
was at home at all times, and reproduced with wondrous truth in her
well-cushioned little corner of the brilliant city, the domestic tone of
her native Baltimore. This reduced Mr. Luce, her worthy husband, a tall,
lean, grizzled, well-brushed gentleman who wore a gold eye-glass and
carried his hat a little too much on the back of his head, to mere
platonic praise of the "distractions" of Paris--they were his great
word--since you would never have guessed from what cares he escaped to
them. One of them was that he went every day to the American banker's,
where he found a post-office that was almost as sociable and colloquial
an institution as in an American country town. He passed an hour (in
fine weather) in a chair in the Champs Elysees, and he dined uncommonly
well at his own table, seated above a waxed floor which it was Mrs.
Luce's happiness to believe had a finer polish than any other in the
French capital. Occasionally he dined with a friend or two at the Cafe
Anglais, where his talent for ordering a dinner was a source of felicity
to his companions and an object of admiration even to the headwaiter
of the establishment. These were his only known pastimes, but they had
beguiled his hours for upwards of half a century, and they doubtless
justified his frequent declaration that there was no place like Paris.
In no other place, on these terms, could Mr. Luce flatter himself that
he was enjoying life. There was nothing like Paris, but it must be
confessed that Mr. Luce thought less highly of this scene of his
dissipations than in earlier days. In the list of his resources his
political reflections should not be omitted, for they were doubtless the
animating principle of many hours that superficially seemed vacant.
Like many of his fellow colonists Mr. Luce was a high--or rather a
deep--conservative, and gave no countenance to the government lately
established in France. He had no faith in its duration and would assure
you from year to year that its end was close at hand. "They want to be
kept down, sir, to be kept down; nothing but the strong hand--the iron
heel--will do for them," he would frequently say of the French people;
and his ideal of a fine showy clever rule was that of the superseded
Empire. "Paris is much less attractive than in the days of the Emperor;
he knew how to make a city pleasant," Mr. Luce had often remarked to
Mrs. Touchett, who was quite of his own way of thinking and wished to
know what one had crossed that odious Atlantic for but to get away from
republics.
"Why, madam, sitting in the Champs Elysees, opposite to the Palace of
Industry, I've seen the court-carriages from the Tuileries pass up and
down as many as seven times a day. I remember one occasion when they
went as high as nine. What do you see now? It's no use talking, the
style's all gone. Napoleon knew what the French people want, and
there'll be a dark cloud over Paris, our Paris, till they get the Empire
back again."
Among Mrs. Luce's visitors on Sunday afternoons was a young man with
whom Isabel had had a good deal of conversation and whom she found
full of valuable knowledge. Mr. Edward Rosier--Ned Rosier as he was
called--was native to New York and had been brought up in Paris, living
there under the eye of his father who, as it happened, had been an early
and intimate friend of the late Mr. Archer. Edward Rosier remembered
Isabel as a little girl; it had been his father who came to the rescue
of the small Archers at the inn at Neufchatel (he was travelling that
way with the boy and had stopped at the hotel by chance), after their
bonne had gone off with the Russian prince and when Mr. Archer's
whereabouts remained for some days a mystery. Isabel remembered
perfectly the neat little male child whose hair smelt of a delicious
cosmetic and who had a bonne all his own, warranted to lose sight of him
under no provocation. Isabel took a walk with the pair beside the lake
and thought little Edward as pretty as an angel--a comparison by no
means conventional in her mind, for she had a very definite conception
of a type of features which she supposed to be angelic and which her
new friend perfectly illustrated. A small pink face surmounted by a blue
velvet bonnet and set off by a stiff embroidered collar had become the
countenance of her childish dreams; and she had firmly believed for some
time afterwards that the heavenly hosts conversed among themselves in
a queer little dialect of French-English, expressing the properest
sentiments, as when Edward told her that he was "defended" by his bonne
to go near the edge of the lake, and that one must always obey to one's
bonne. Ned Rosier's English had improved; at least it exhibited in a
less degree the French variation. His father was dead and his _bonne_
dismissed, but the young man still conformed to the spirit of their
teaching--he never went to the edge of the lake. There was still
something agreeable to the nostrils about him and something not
offensive to nobler organs. He was a very gentle and gracious youth,
with what are called cultivated tastes--an acquaintance with old china,
with good wine, with the bindings of books, with the Almanach de Gotha,
with the best shops, the best hotels, the hours of railway-trains. He
could order a dinner almost as well as Mr. Luce, and it was probable
that as his experience accumulated he would be a worthy successor to
that gentleman, whose rather grim politics he also advocated in a soft
and innocent voice. He had some charming rooms in Paris, decorated with
old Spanish altar-lace, the envy of his female friends, who declared
that his chimney-piece was better draped than the high shoulders of many
a duchess. He usually, however, spent a part of every winter at Pau, and
had once passed a couple of months in the United States.
He took a great interest in Isabel and remembered perfectly the walk at
Neufchatel, when she would persist in going so near the edge. He seemed
to recognise this same tendency in the subversive enquiry that I quoted
a moment ago, and set himself to answer our heroine's question with
greater urbanity than it perhaps deserved. "What does it lead to, Miss
Archer? Why Paris leads everywhere. You can't go anywhere unless you
come here first. Every one that comes to Europe has got to pass through.
You don't mean it in that sense so much? You mean what good it does you?
Well, how can you penetrate futurity? How can you tell what lies ahead?
If it's a pleasant road I don't care where it leads. I like the road,
Miss Archer; I like the dear old asphalte. You can't get tired of
it--you can't if you try. You think you would, but you wouldn't;
there's always something new and fresh. Take the Hotel Drouot, now;
they sometimes have three and four sales a week. Where can you get such
things as you can here? In spite of all they say I maintain they're
cheaper too, if you know the right places. I know plenty of places,
but I keep them to myself. I'll tell you, if you like, as a particular
favour; only you mustn't tell any one else. Don't you go anywhere
without asking me first; I want you to promise me that. As a general
thing avoid the Boulevards; there's very little to be done on the
Boulevards. Speaking conscientiously--sans blague--I don't believe
any one knows Paris better than I. You and Mrs. Touchett must come and
breakfast with me some day, and I'll show you my things; je ne vous dis
que ca! There has been a great deal of talk about London of late; it's
the fashion to cry up London. But there's nothing in it--you can't
do anything in London. No Louis Quinze--nothing of the First Empire;
nothing but their eternal Queen Anne. It's good for one's bed-room,
Queen Anne--for one's washing-room; but it isn't proper for a salon. Do
I spend my life at the auctioneer's?" Mr. Rosier pursued in answer to
another question of Isabel's. "Oh no; I haven't the means. I wish I
had. You think I'm a mere trifler; I can tell by the expression of your
face--you've got a wonderfully expressive face. I hope you don't mind
my saying that; I mean it as a kind of warning. You think I ought to do
something, and so do I, so long as you leave it vague. But when you
come to the point you see you have to stop. I can't go home and be
a shopkeeper. You think I'm very well fitted? Ah, Miss Archer, you
overrate me. I can buy very well, but I can't sell; you should see when
I sometimes try to get rid of my things. It takes much more ability to
make other people buy than to buy yourself. When I think how clever they
must be, the people who make me buy! Ah no; I couldn't be a shopkeeper.
I can't be a doctor; it's a repulsive business. I can't be a clergyman;
I haven't got convictions. And then I can't pronounce the names right in
the Bible. They're very difficult, in the Old Testament particularly. I
can't be a lawyer; I don't understand--how do you call it?--the American
procedure. Is there anything else? There's nothing for a gentleman
in America. I should like to be a diplomatist; but American
diplomacy--that's not for gentlemen either. I'm sure if you had seen the
last min--"
Henrietta Stackpole, who was often with her friend when Mr. Rosier,
coming to pay his compliments late in the afternoon, expressed himself
after the fashion I have sketched, usually interrupted the young man at
this point and read him a lecture on the duties of the American citizen.
She thought him most unnatural; he was worse than poor Ralph Touchett.
Henrietta, however, was at this time more than ever addicted to fine
criticism, for her conscience had been freshly alarmed as regards
Isabel. She had not congratulated this young lady on her augmentations
and begged to be excused from doing so.
"If Mr. Touchett had consulted me about leaving you the money," she
frankly asserted, "I'd have said to him 'Never!"
"I see," Isabel had answered. "You think it will prove a curse in
disguise. Perhaps it will."
"Leave it to some one you care less for--that's what I should have
said."
"To yourself for instance?" Isabel suggested jocosely. And then, "Do you
really believe it will ruin me?" she asked in quite another tone.
"I hope it won't ruin you; but it will certainly confirm your dangerous
tendencies."
"Do you mean the love of luxury--of extravagance?"
"No, no," said Henrietta; "I mean your exposure on the moral side. I
approve of luxury; I think we ought to be as elegant as possible. Look
at the luxury of our western cities; I've seen nothing over here to
compare with it. I hope you'll never become grossly sensual; but I'm not
afraid of that. The peril for you is that you live too much in the world
of your own dreams. You're not enough in contact with reality--with
the toiling, striving, suffering, I may even say sinning, world
that surrounds you. You're too fastidious; you've too many graceful
illusions. Your newly-acquired thousands will shut you up more and
more to the society of a few selfish and heartless people who will be
interested in keeping them up."
Isabel's eyes expanded as she gazed at this lurid scene. "What are my
illusions?" she asked. "I try so hard not to have any."
"Well," said Henrietta, "you think you can lead a romantic life, that
you can live by pleasing yourself and pleasing others. You'll find
you're mistaken. Whatever life you lead you must put your soul in it--to
make any sort of success of it; and from the moment you do that it
ceases to be romance, I assure you: it becomes grim reality! And you
can't always please yourself; you must sometimes please other people.
That, I admit, you're very ready to do; but there's another thing that's
still more important--you must often displease others. You must always
be ready for that--you must never shrink from it. That doesn't suit you
at all--you're too fond of admiration, you like to be thought well
of. You think we can escape disagreeable duties by taking romantic
views--that's your great illusion, my dear. But we can't. You must be
prepared on many occasions in life to please no one at all--not even
yourself."
Isabel shook her head sadly; she looked troubled and frightened. "This,
for you, Henrietta," she said, "must be one of those occasions!"
It was certainly true that Miss Stackpole, during her visit to Paris,
which had been professionally more remunerative than her English
sojourn, had not been living in the world of dreams. Mr. Bantling, who
had now returned to England, was her companion for the first four weeks
of her stay; and about Mr. Bantling there was nothing dreamy. Isabel
learned from her friend that the two had led a life of great personal
intimacy and that this had been a peculiar advantage to Henrietta,
owing to the gentleman's remarkable knowledge of Paris. He had
explained everything, shown her everything, been her constant guide and
interpreter. They had breakfasted together, dined together, gone to
the theatre together, supped together, really in a manner quite lived
together. He was a true friend, Henrietta more than once assured our
heroine; and she had never supposed that she could like any Englishman
so well. Isabel could not have told you why, but she found something
that ministered to mirth in the alliance the correspondent of the
Interviewer had struck with Lady Pensil's brother; her amusement
moreover subsisted in face of the fact that she thought it a credit to
each of them. Isabel couldn't rid herself of a suspicion that they were
playing somehow at cross-purposes--that the simplicity of each had
been entrapped. But this simplicity was on either side none the less
honourable. It was as graceful on Henrietta's part to believe that Mr.
Bantling took an interest in the diffusion of lively journalism and in
consolidating the position of lady-correspondents as it was on the
part of her companion to suppose that the cause of the Interviewer--a
periodical of which he never formed a very definite conception--was, if
subtly analysed (a task to which Mr. Bantling felt himself quite equal),
but the cause of Miss Stackpole's need of demonstrative affection. Each
of these groping celibates supplied at any rate a want of which the
other was impatiently conscious. Mr. Bantling, who was of rather a slow
and a discursive habit, relished a prompt, keen, positive woman, who
charmed him by the influence of a shining, challenging eye and a kind of
bandbox freshness, and who kindled a perception of raciness in a mind
to which the usual fare of life seemed unsalted. Henrietta, on the other
hand, enjoyed the society of a gentleman who appeared somehow, in his
way, made, by expensive, roundabout, almost "quaint" processes, for
her use, and whose leisured state, though generally indefensible, was a
decided boon to a breathless mate, and who was furnished with an easy,
traditional, though by no means exhaustive, answer to almost any social
or practical question that could come up. She often found Mr. Bantling's
answers very convenient, and in the press of catching the American post
would largely and showily address them to publicity. It was to be feared
that she was indeed drifting toward those abysses of sophistication as
to which Isabel, wishing for a good-humoured retort, had warned her.
There might be danger in store for Isabel; but it was scarcely to be
hoped that Miss Stackpole, on her side, would find permanent rest in any
adoption of the views of a class pledged to all the old abuses. Isabel
continued to warn her good-humouredly; Lady Pensil's obliging brother
was sometimes, on our heroine's lips, an object of irreverent and
facetious allusion. Nothing, however, could exceed Henrietta's
amiability on this point; she used to abound in the sense of Isabel's
irony and to enumerate with elation the hours she had spent with this
perfect man of the world--a term that had ceased to make with her, as
previously, for opprobrium. Then, a few moments later, she would forget
that they had been talking jocosely and would mention with impulsive
earnestness some expedition she had enjoyed in his company. She would
say: "Oh, I know all about Versailles; I went there with Mr. Bantling. I
was bound to see it thoroughly--I warned him when we went out there that
I was thorough: so we spent three days at the hotel and wandered all
over the place. It was lovely weather--a kind of Indian summer, only not
so good. We just lived in that park. Oh yes; you can't tell me anything
about Versailles." Henrietta appeared to have made arrangements to meet
her gallant friend during the spring in Italy.
Mrs. Touchett, before arriving in Paris, had fixed the day for her
departure and by the middle of February had begun to travel southward.
She interrupted her journey to pay a visit to her son, who at San Remo,
on the Italian shore of the Mediterranean, had been spending a dull,
bright winter beneath a slow-moving white umbrella. Isabel went with her
aunt as a matter of course, though Mrs. Touchett, with homely, customary
logic, had laid before her a pair of alternatives.
"Now, of course, you're completely your own mistress and are as free as
the bird on the bough. I don't mean you were not so before, but you're
at present on a different footing--property erects a kind of barrier.
You can do a great many things if you're rich which would be severely
criticised if you were poor. You can go and come, you can travel alone,
you can have your own establishment: I mean of course if you'll take
a companion--some decayed gentlewoman, with a darned cashmere and dyed
hair, who paints on velvet. You don't think you'd like that? Of course
you can do as you please; I only want you to understand how much you're
at liberty. You might take Miss Stackpole as your dame de compagnie;
she'd keep people off very well. I think, however, that it's a great
deal better you should remain with me, in spite of there being no
obligation. It's better for several reasons, quite apart from your
liking it. I shouldn't think you'd like it, but I recommend you to make
the sacrifice. Of course whatever novelty there may have been at first
in my society has quite passed away, and you see me as I am--a dull,
obstinate, narrow-minded old woman."
"I don't think you're at all dull," Isabel had replied to this.
"But you do think I'm obstinate and narrow-minded? I told you so!" said
Mrs. Touchett with much elation at being justified.
Isabel remained for the present with her aunt, because, in spite of
eccentric impulses, she had a great regard for what was usually deemed
decent, and a young gentlewoman without visible relations had always
struck her as a flower without foliage. It was true that Mrs. Touchett's
conversation had never again appeared so brilliant as that first
afternoon in Albany, when she sat in her damp waterproof and sketched
the opportunities that Europe would offer to a young person of taste.
This, however, was in a great measure the girl's own fault; she had
got a glimpse of her aunt's experience, and her imagination constantly
anticipated the judgements and emotions of a woman who had very little
of the same faculty. Apart from this, Mrs. Touchett had a great merit;
she was as honest as a pair of compasses. There was a comfort in her
stiffness and firmness; you knew exactly where to find her and were
never liable to chance encounters and concussions. On her own ground
she was perfectly present, but was never over-inquisitive as regards
the territory of her neighbour. Isabel came at last to have a kind of
undemonstrable pity for her; there seemed something so dreary in
the condition of a person whose nature had, as it were, so little
surface--offered so limited a face to the accretions of human contact.
Nothing tender, nothing sympathetic, had ever had a chance to fasten
upon it--no wind-sown blossom, no familiar softening moss. Her offered,
her passive extent, in other words, was about that of a knife-edge.
Isabel had reason to believe none the less that as she advanced in life
she made more of those concessions to the sense of something obscurely
distinct from convenience--more of them than she independently exacted.
She was learning to sacrifice consistency to considerations of that
inferior order for which the excuse must be found in the particular
case. It was not to the credit of her absolute rectitude that she should
have gone the longest way round to Florence in order to spend a few
weeks with her invalid son; since in former years it had been one of her
most definite convictions that when Ralph wished to see her he was at
liberty to remember that Palazzo Crescentini contained a large apartment
known as the quarter of the signorino.
"I want to ask you something," Isabel said to this young man the day
after her arrival at San Remo--"something I've thought more than once
of asking you by letter, but that I've hesitated on the whole to write
about. Face to face, nevertheless, my question seems easy enough. Did
you know your father intended to leave me so much money?"
Ralph stretched his legs a little further than usual and gazed a little
more fixedly at the Mediterranean.
"What does it matter, my dear Isabel, whether I knew? My father was very
obstinate."
"So," said the girl, "you did know."
"Yes; he told me. We even talked it over a little." "What did he do it
for?" asked Isabel abruptly. "Why, as a kind of compliment."
"A compliment on what?"
"On your so beautifully existing."
"He liked me too much," she presently declared.
"That's a way we all have."
"If I believed that I should be very unhappy. Fortunately I don't
believe it. I want to be treated with justice; I want nothing but that."
"Very good. But you must remember that justice to a lovely being is
after all a florid sort of sentiment."
"I'm not a lovely being. How can you say that, at the very moment when
I'm asking such odious questions? I must seem to you delicate!"
"You seem to me troubled," said Ralph.
"I am troubled."
"About what?"
For a moment she answered nothing; then she broke out: "Do you think it
good for me suddenly to be made so rich? Henrietta doesn't."
"Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted
at it."
"Is that why your father did it--for your amusement?"
"I differ with Miss Stackpole," Ralph went on more gravely. "I think it
very good for you to have means."
Isabel looked at him with serious eyes. "I wonder whether you know
what's good for me--or whether you care."
"If I know depend upon it I care. Shall I tell you what it is? Not to
torment yourself."
"Not to torment you, I suppose you mean."
"You can't do that; I'm proof. Take things more easily. Don't ask
yourself so much whether this or that is good for you. Don't question
your conscience so much--it will get out of tune like a strummed
piano. Keep it for great occasions. Don't try so much to form your
character--it's like trying to pull open a tight, tender young rose.
Live as you like best, and your character will take care of itself. Most
things are good for you; the exceptions are very rare, and a comfortable
income's not one of them." Ralph paused, smiling; Isabel had listened
quickly. "You've too much power of thought--above all too much
conscience," Ralph added. "It's out of all reason, the number of things
you think wrong. Put back your watch. Diet your fever. Spread your
wings; rise above the ground. It's never wrong to do that."
She had listened eagerly, as I say; and it was her nature to understand
quickly. "I wonder if you appreciate what you say. If you do, you take a
great responsibility."
"You frighten me a little, but I think I'm right," said Ralph,
persisting in cheer.
"All the same what you say is very true," Isabel pursued. "You could say
nothing more true. I'm absorbed in myself--I look at life too much as
a doctor's prescription. Why indeed should we perpetually be thinking
whether things are good for us, as if we were patients lying in a
hospital? Why should I be so afraid of not doing right? As if it
mattered to the world whether I do right or wrong!"
"You're a capital person to advise," said Ralph; "you take the wind out
of my sails!"
She looked at him as if she had not heard him--though she was following
out the train of reflexion which he himself had kindled. "I try to
care more about the world than about myself--but I always come back to
myself. It's because I'm afraid." She stopped; her voice had trembled
a little. "Yes, I'm afraid; I can't tell you. A large fortune means
freedom, and I'm afraid of that. It's such a fine thing, and one should
make such a good use of it. If one shouldn't one would be ashamed. And
one must keep thinking; it's a constant effort. I'm not sure it's not a
greater happiness to be powerless."
"For weak people I've no doubt it's a greater happiness. For weak people
the effort not to be contemptible must be great."
"And how do you know I'm not weak?" Isabel asked.
"Ah," Ralph answered with a flush that the girl noticed, "if you are I'm
awfully sold!"
The charm of the Mediterranean coast only deepened for our heroine
on acquaintance, for it was the threshold of Italy, the gate of
admirations. Italy, as yet imperfectly seen and felt, stretched before
her as a land of promise, a land in which a love of the beautiful might
be comforted by endless knowledge. Whenever she strolled upon the shore
with her cousin--and she was the companion of his daily walk--she looked
across the sea, with longing eyes, to where she knew that Genoa lay. She
was glad to pause, however, on the edge of this larger adventure; there
was such a thrill even in the preliminary hovering. It affected her
moreover as a peaceful interlude, as a hush of the drum and fife in a
career which she had little warrant as yet for regarding as agitated,
but which nevertheless she was constantly picturing to herself by
the light of her hopes, her fears, her fancies, her ambitions, her
predilections, and which reflected these subjective accidents in
a manner sufficiently dramatic. Madame Merle had predicted to Mrs.
Touchett that after their young friend had put her hand into her pocket
half a dozen times she would be reconciled to the idea that it had been
filled by a munificent uncle; and the event justified, as it had so
often justified before, that lady's perspicacity. Ralph Touchett had
praised his cousin for being morally inflammable, that is for being
quick to take a hint that was meant as good advice. His advice had
perhaps helped the matter; she had at any rate before leaving San Remo
grown used to feeling rich. The consciousness in question found a
proper place in rather a dense little group of ideas that she had about
herself, and often it was by no means the least agreeable. It took
perpetually for granted a thousand good intentions. She lost herself in
a maze of visions; the fine things to be done by a rich, independent,
generous girl who took a large human view of occasions and obligations
were sublime in the mass. Her fortune therefore became to her mind a
part of her better self; it gave her importance, gave her even, to her
own imagination, a certain ideal beauty. What it did for her in the
imagination of others is another affair, and on this point we must also
touch in time. The visions I have just spoken of were mixed with other
debates. Isabel liked better to think of the future than of the past;
but at times, as she listened to the murmur of the Mediterranean waves,
her glance took a backward flight. It rested upon two figures which, in
spite of increasing distance, were still sufficiently salient; they were
recognisable without difficulty as those of Caspar Goodwood and Lord
Warburton. It was strange how quickly these images of energy had fallen
into the background of our young lady's life. It was in her disposition
at all times to lose faith in the reality of absent things; she could
summon back her faith, in case of need, with an effort, but the effort
was often painful even when the reality had been pleasant. The past was
apt to look dead and its revival rather to show the livid light of a
judgement-day. The girl moreover was not prone to take for granted that
she herself lived in the mind of others--she had not the fatuity to
believe she left indelible traces. She was capable of being wounded by
the discovery that she had been forgotten; but of all liberties the one
she herself found sweetest was the liberty to forget. She had not given
her last shilling, sentimentally speaking, either to Caspar Goodwood or
to Lord Warburton, and yet couldn't but feel them appreciably in debt
to her. She had of course reminded herself that she was to hear from Mr.
Goodwood again; but this was not to be for another year and a half, and
in that time a great many things might happen. She had indeed failed to
say to herself that her American suitor might find some other girl more
comfortable to woo; because, though it was certain many other girls
would prove so, she had not the smallest belief that this merit
would attract him. But she reflected that she herself might know the
humiliation of change, might really, for that matter, come to the end of
the things that were not Caspar (even though there appeared so many of
them), and find rest in those very elements of his presence which struck
her now as impediments to the finer respiration. It was conceivable
that these impediments should some day prove a sort of blessing
in disguise--a clear and quiet harbour enclosed by a brave granite
breakwater. But that day could only come in its order, and she couldn't
wait for it with folded hands. That Lord Warburton should continue
to cherish her image seemed to her more than a noble humility or an
enlightened pride ought to wish to reckon with. She had so definitely
undertaken to preserve no record of what had passed between them that
a corresponding effort on his own part would be eminently just. This
was not, as it may seem, merely a theory tinged with sarcasm. Isabel
candidly believed that his lordship would, in the usual phrase, get over
his disappointment. He had been deeply affected--this she believed, and
she was still capable of deriving pleasure from the belief; but it
was absurd that a man both so intelligent and so honourably dealt with
should cultivate a scar out of proportion to any wound. Englishmen
liked moreover to be comfortable, said Isabel, and there could be
little comfort for Lord Warburton, in the long run, in brooding over a
self-sufficient American girl who had been but a casual acquaintance.
She flattered herself that, should she hear from one day to another that
he had married some young woman of his own country who had done more
to deserve him, she should receive the news without a pang even of
surprise. It would have proved that he believed she was firm--which was
what she wished to seem to him. That alone was grateful to her pride.
On one of the first days of May, some six months after old Mr.
Touchett's death, a small group that might have been described by a
painter as composing well was gathered in one of the many rooms of an
ancient villa crowning an olive-muffled hill outside of the Roman gate
of Florence. The villa was a long, rather blank-looking structure, with
the far-projecting roof which Tuscany loves and which, on the hills that
encircle Florence, when considered from a distance, makes so harmonious
a rectangle with the straight, dark, definite cypresses that usually
rise in groups of three or four beside it. The house had a front upon
a little grassy, empty, rural piazza which occupied a part of the
hill-top; and this front, pierced with a few windows in irregular
relations and furnished with a stone bench lengthily adjusted to the
base of the structure and useful as a lounging-place to one or two
persons wearing more or less of that air of undervalued merit which in
Italy, for some reason or other, always gracefully invests any one who
confidently assumes a perfectly passive attitude--this antique, solid,
weather-worn, yet imposing front had a somewhat incommunicative
character. It was the mask, not the face of the house. It had heavy
lids, but no eyes; the house in reality looked another way--looked off
behind, into splendid openness and the range of the afternoon light.
In that quarter the villa overhung the slope of its hill and the long
valley of the Arno, hazy with Italian colour. It had a narrow garden, in
the manner of a terrace, productive chiefly of tangles of wild roses
and other old stone benches, mossy and sun-warmed. The parapet of
the terrace was just the height to lean upon, and beneath it the ground
declined into the vagueness of olive-crops and vineyards. It is not,
however, with the outside of the place that we are concerned; on this
bright morning of ripened spring its tenants had reason to prefer the
shady side of the wall. The windows of the ground-floor, as you saw
them from the piazza, were, in their noble proportions, extremely
architectural; but their function seemed less to offer communication
with the world than to defy the world to look in. They were massively
cross-barred, and placed at such a height that curiosity, even on
tiptoe, expired before it reached them. In an apartment lighted by a
row of three of these jealous apertures--one of the several distinct
apartments into which the villa was divided and which were mainly
occupied by foreigners of random race long resident in Florence--a
gentleman was seated in company with a young girl and two good sisters
from a religious house. The room was, however, less sombre than our
indications may have represented, for it had a wide, high door, which
now stood open into the tangled garden behind; and the tall iron
lattices admitted on occasion more than enough of the Italian
sunshine. It was moreover a seat of ease, indeed of luxury, telling
of arrangements subtly studied and refinements frankly proclaimed, and
containing a variety of those faded hangings of damask and tapestry,
those chests and cabinets of carved and time-polished oak, those angular
specimens of pictorial art in frames as pedantically primitive, those
perverse-looking relics of medieval brass and pottery, of which Italy
has long been the not quite exhausted storehouse. These things kept
terms with articles of modern furniture in which large allowance had
been made for a lounging generation; it was to be noticed that all the
chairs were deep and well padded and that much space was occupied by a
writing-table of which the ingenious perfection bore the stamp of London
and the nineteenth century. There were books in profusion and magazines
and newspapers, and a few small, odd, elaborate pictures, chiefly in
water-colour. One of these productions stood on a drawing-room easel
before which, at the moment we begin to be concerned with her, the young
girl I have mentioned had placed herself. She was looking at the picture
in silence.
Silence--absolute silence--had not fallen upon her companions; but their
talk had an appearance of embarrassed continuity. The two good sisters
had not settled themselves in their respective chairs; their attitude
expressed a final reserve and their faces showed the glaze of
prudence. They were plain, ample, mild-featured women, with a kind of
business-like modesty to which the impersonal aspect of their stiffened
linen and of the serge that draped them as if nailed on frames gave an
advantage. One of them, a person of a certain age, in spectacles, with a
fresh complexion and a full cheek, had a more discriminating manner
than her colleague, as well as the responsibility of their errand, which
apparently related to the young girl. This object of interest wore her
hat--an ornament of extreme simplicity and not at variance with her
plain muslin gown, too short for her years, though it must already
have been "let out." The gentleman who might have been supposed to be
entertaining the two nuns was perhaps conscious of the difficulties of
his function, it being in its way as arduous to converse with the very
meek as with the very mighty. At the same time he was clearly much
occupied with their quiet charge, and while she turned her back to
him his eyes rested gravely on her slim, small figure. He was a man of
forty, with a high but well-shaped head, on which the hair, still dense,
but prematurely grizzled, had been cropped close. He had a fine, narrow,
extremely modelled and composed face, of which the only fault was just
this effect of its running a trifle too much to points; an appearance to
which the shape of the beard contributed not a little. This beard, cut
in the manner of the portraits of the sixteenth century and surmounted
by a fair moustache, of which the ends had a romantic upward flourish,
gave its wearer a foreign, traditionary look and suggested that he was a
gentleman who studied style. His conscious, curious eyes, however, eyes
at once vague and penetrating, intelligent and hard, expressive of
the observer as well as of the dreamer, would have assured you that
he studied it only within well-chosen limits, and that in so far as he
sought it he found it. You would have been much at a loss to determine
his original clime and country; he had none of the superficial signs
that usually render the answer to this question an insipidly easy one.
If he had English blood in his veins it had probably received some
French or Italian commixture; but he suggested, fine gold coin as he
was, no stamp nor emblem of the common mintage that provides for general
circulation; he was the elegant complicated medal struck off for a
special occasion. He had a light, lean, rather languid-looking figure,
and was apparently neither tall nor short. He was dressed as a man
dresses who takes little other trouble about it than to have no vulgar
things.
"Well, my dear, what do you think of it?" he asked of the young girl. He
used the Italian tongue, and used it with perfect ease; but this would
not have convinced you he was Italian.
The child turned her head earnestly to one side and the other. "It's
very pretty, papa. Did you make it yourself?"
"Certainly I made it. Don't you think I'm clever?"
"Yes, papa, very clever; I also have learned to make pictures." And
she turned round and showed a small, fair face painted with a fixed and
intensely sweet smile.
"You should have brought me a specimen of your powers."
"I've brought a great many; they're in my trunk."
"She draws very--very carefully," the elder of the nuns remarked,
speaking in French.
"I'm glad to hear it. Is it you who have instructed her?"
"Happily no," said the good sister, blushing a little. "_Ce n'est pas ma
partie._ I teach nothing; I leave that to those who are wiser. We've an
excellent drawing-master, Mr.--Mr.--what is his name?" she asked of her
companion.
Her companion looked about at the carpet. "It's a German name," she said
in Italian, as if it needed to be translated.
"Yes," the other went on, "he's a German, and we've had him many years."
The young girl, who was not heeding the conversation, had wandered away
to the open door of the large room and stood looking into the garden.
"And you, my sister, are French," said the gentleman.
"Yes, sir," the visitor gently replied. "I speak to the pupils in my
own tongue. I know no other. But we have sisters of other
countries--English, German, Irish. They all speak their proper
language."
The gentleman gave a smile. "Has my daughter been under the care of one
of the Irish ladies?" And then, as he saw that his visitors suspected
a joke, though failing to understand it, "You're very complete," he
instantly added.
"Oh, yes, we're complete. We've everything, and everything's of the
best."
"We have gymnastics," the Italian sister ventured to remark. "But not
dangerous."
"I hope not. Is that your branch?" A question which provoked much candid
hilarity on the part of the two ladies; on the subsidence of which their
entertainer, glancing at his daughter, remarked that she had grown.
"Yes, but I think she has finished. She'll remain--not big," said the
French sister.
"I'm not sorry. I prefer women like books--very good and not too long.
But I know," the gentleman said, "no particular reason why my child
should be short."
The nun gave a temperate shrug, as if to intimate that such things might
be beyond our knowledge. "She's in very good health; that's the best
thing."
"Yes, she looks sound." And the young girl's father watched her a
moment. "What do you see in the garden?" he asked in French.
"I see many flowers," she replied in a sweet, small voice and with an
accent as good as his own.
"Yes, but not many good ones. However, such as they are, go out and
gather some for ces dames."
The child turned to him with her smile heightened by pleasure. "May I,
truly?"
"Ah, when I tell you," said her father.
The girl glanced at the elder of the nuns. "May I, truly, ma mere?"
"Obey monsieur your father, my child," said the sister, blushing again.
The child, satisfied with this authorisation, descended from the
threshold and was presently lost to sight. "You don't spoil them," said
her father gaily.
"For everything they must ask leave. That's our system. Leave is freely
granted, but they must ask it."
"Oh, I don't quarrel with your system; I've no doubt it's excellent. I
sent you my daughter to see what you'd make of her. I had faith."
"One must have faith," the sister blandly rejoined, gazing through her
spectacles.
"Well, has my faith been rewarded? What have you made of her?"
The sister dropped her eyes a moment. "A good Christian, monsieur."
Her host dropped his eyes as well; but it was probable that the movement
had in each case a different spring. "Yes, and what else?"
He watched the lady from the convent, probably thinking she would say
that a good Christian was everything; but for all her simplicity she
was not so crude as that. "A charming young lady--a real little woman--a
daughter in whom you will have nothing but contentment."
"She seems to me very gentille," said the father. "She's really pretty."
"She's perfect. She has no faults."
"She never had any as a child, and I'm glad you have given her none."
"We love her too much," said the spectacled sister with dignity.
"And as for faults, how can we give what we have not? Le couvent n'est
pas comme le monde, monsieur. She's our daughter, as you may say. We've
had her since she was so small."
"Of all those we shall lose this year she's the one we shall miss most,"
the younger woman murmured deferentially.
"Ah, yes, we shall talk long of her," said the other. "We shall hold her
up to the new ones." And at this the good sister appeared to find her
spectacles dim; while her companion, after fumbling a moment, presently
drew forth a pocket-handkerchief of durable texture.
"It's not certain you'll lose her; nothing's settled yet," their host
rejoined quickly; not as if to anticipate their tears, but in the tone
of a man saying what was most agreeable to himself. "We should be very
happy to believe that. Fifteen is very young to leave us."
"Oh," exclaimed the gentleman with more vivacity than he had yet used,
"it is not I who wish to take her away. I wish you could keep her
always!"
"Ah, monsieur," said the elder sister, smiling and getting up, "good as
she is, she's made for the world. Le monde y gagnera."
"If all the good people were hidden away in convents how would the world
get on?" her companion softly enquired, rising also.
This was a question of a wider bearing than the good woman apparently
supposed; and the lady in spectacles took a harmonising view by saying
comfortably: "Fortunately there are good people everywhere."
"If you're going there will be two less here," her host remarked
gallantly.
For this extravagant sally his simple visitors had no answer, and they
simply looked at each other in decent deprecation; but their confusion
was speedily covered by the return of the young girl with two large
bunches of roses--one of them all white, the other red.
"I give you your choice, mamman Catherine," said the child. "It's only
the colour that's different, mamman Justine; there are just as many
roses in one bunch as in the other."
The two sisters turned to each other, smiling and hesitating, with
"Which will you take?" and "No, it's for you to choose."
"I'll take the red, thank you," said Catherine in the spectacles. "I'm
so red myself. They'll comfort us on our way back to Rome."
"Ah, they won't last," cried the young girl. "I wish I could give you
something that would last!"
"You've given us a good memory of yourself, my daughter. That will
last!"
"I wish nuns could wear pretty things. I would give you my blue beads,"
the child went on.
"And do you go back to Rome to-night?" her father enquired.
"Yes, we take the train again. We've so much to do la-bas."
"Are you not tired?"
"We are never tired."
"Ah, my sister, sometimes," murmured the junior votaress.
"Not to-day, at any rate. We have rested too well here. Que Dieu vous
garde, ma fille."
Their host, while they exchanged kisses with his daughter, went forward
to open the door through which they were to pass; but as he did so he
gave a slight exclamation, and stood looking beyond. The door opened
into a vaulted ante-chamber, as high as a chapel and paved with red
tiles; and into this antechamber a lady had just been admitted by a
servant, a lad in shabby livery, who was now ushering her toward the
apartment in which our friends were grouped. The gentleman at the door,
after dropping his exclamation, remained silent; in silence too the lady
advanced. He gave her no further audible greeting and offered her no
hand, but stood aside to let her pass into the saloon. At the threshold
she hesitated. "Is there any one?" she asked.
"Some one you may see."
She went in and found herself confronted with the two nuns and their
pupil, who was coming forward, between them, with a hand in the arm of
each. At the sight of the new visitor they all paused, and the lady, who
had also stopped, stood looking at them. The young girl gave a little
soft cry: "Ah, Madame Merle!"
The visitor had been slightly startled, but her manner the next instant
was none the less gracious. "Yes, it's Madame Merle, come to welcome you
home." And she held out two hands to the girl, who immediately came up
to her, presenting her forehead to be kissed. Madame Merle saluted this
portion of her charming little person and then stood smiling at the two
nuns. They acknowledged her smile with a decent obeisance, but permitted
themselves no direct scrutiny of this imposing, brilliant woman, who
seemed to bring in with her something of the radiance of the outer
world. "These ladies have brought my daughter home, and now they return
to the convent," the gentleman explained.
"Ah, you go back to Rome? I've lately come from there. It's very lovely
now," said Madame Merle.
The good sisters, standing with their hands folded into their sleeves,
accepted this statement uncritically; and the master of the house asked
his new visitor how long it was since she had left Rome. "She came to
see me at the convent," said the young girl before the lady addressed
had time to reply.
"I've been more than once, Pansy," Madame Merle declared. "Am I not your
great friend in Rome?"
"I remember the last time best," said Pansy, "because you told me I
should come away."
"Did you tell her that?" the child's father asked.
"I hardly remember. I told her what I thought would please her. I've
been in Florence a week. I hoped you would come to see me."
"I should have done so if I had known you were there. One doesn't know
such things by inspiration--though I suppose one ought. You had better
sit down."
These two speeches were made in a particular tone of voice--a tone
half-lowered and carefully quiet, but as from habit rather than from any
definite need. Madame Merle looked about her, choosing her seat. "You're
going to the door with these women? Let me of course not interrupt the
ceremony. Je vous salue, mesdames," she added, in French, to the nuns,
as if to dismiss them.
"This lady's a great friend of ours; you will have seen her at the
convent," said their entertainer. "We've much faith in her judgement,
and she'll help me to decide whether my daughter shall return to you at
the end of the holidays."
"I hope you'll decide in our favour, madame," the sister in spectacles
ventured to remark.
"That's Mr. Osmond's pleasantry; I decide nothing," said Madame Merle,
but also as in pleasantry. "I believe you've a very good school, but
Miss Osmond's friends must remember that she's very naturally meant for
the world."
"That's what I've told monsieur," sister Catherine answered. "It's
precisely to fit her for the world," she murmured, glancing at Pansy,
who stood, at a little distance, attentive to Madame Merle's elegant
apparel.
"Do you hear that, Pansy? You're very naturally meant for the world,"
said Pansy's father.
The child fixed him an instant with her pure young eyes. "Am I not meant
for you, papa?"
Papa gave a quick, light laugh. "That doesn't prevent it! I'm of the
world, Pansy."
"Kindly permit us to retire," said sister Catherine. "Be good and wise
and happy in any case, my daughter."
"I shall certainly come back and see you," Pansy returned, recommencing
her embraces, which were presently interrupted by Madame Merle.
"Stay with me, dear child," she said, "while your father takes the good
ladies to the door."
Pansy stared, disappointed, yet not protesting. She was evidently
impregnated with the idea of submission, which was due to any one who
took the tone of authority; and she was a passive spectator of the
operation of her fate. "May I not see mamman Catherine get into the
carriage?" she nevertheless asked very gently.
"It would please me better if you'd remain with me," said Madame Merle,
while Mr. Osmond and his companions, who had bowed low again to the
other visitor, passed into the ante-chamber.
"Oh yes, I'll stay," Pansy answered; and she stood near Madame Merle,
surrendering her little hand, which this lady took. She stared out of
the window; her eyes had filled with tears.
"I'm glad they've taught you to obey," said Madame Merle. "That's what
good little girls should do."
"Oh yes, I obey very well," cried Pansy with soft eagerness, almost with
boastfulness, as if she had been speaking of her piano-playing. And then
she gave a faint, just audible sigh.
Madame Merle, holding her hand, drew it across her own fine palm and
looked at it. The gaze was critical, but it found nothing to deprecate;
the child's small hand was delicate and fair. "I hope they always
see
that you wear gloves," she said in a moment. "Little girls usually
dislike them."
"I used to dislike them, but I like them now," the child made answer.
"Very good, I'll make you a present of a dozen."
"I thank you very much. What colours will they be?" Pansy demanded with
interest.
Madame Merle meditated. "Useful colours."
"But very pretty?"
"Are you very fond of pretty things?"
"Yes; but--but not too fond," said Pansy with a trace of asceticism.
"Well, they won't be too pretty," Madame Merle returned with a laugh.
She took the child's other hand and drew her nearer; after which,
looking at her a moment, "Shall you miss mother Catherine?" she went on.
"Yes--when I think of her."
"Try then not to think of her. Perhaps some day," added Madame Merle,
"you'll have another mother."
"I don't think that's necessary," Pansy said, repeating her little soft
conciliatory sigh. "I had more than thirty mothers at the convent."
Her father's step sounded again in the antechamber, and Madame Merle got
up, releasing the child. Mr. Osmond came in and closed the door; then,
without looking at Madame Merle, he pushed one or two chairs back into
their places. His visitor waited a moment for him to speak, watching him
as he moved about. Then at last she said: "I hoped you'd have come to
Rome. I thought it possible you'd have wished yourself to fetch Pansy
away."
"That was a natural supposition; but I'm afraid it's not the first time
I've acted in defiance of your calculations."
"Yes," said Madame Merle, "I think you very perverse."
Mr. Osmond busied himself for a moment in the room--there was plenty of
space in it to move about--in the fashion of a man mechanically
seeking pretexts for not giving an attention which may be embarrassing.
Presently, however, he had exhausted his pretexts; there was nothing
left for him--unless he took up a book--but to stand with his hands
behind him looking at Pansy. "Why didn't you come and see the last of
mamman Catherine?" he asked of her abruptly in French.
Pansy hesitated a moment, glancing at Madame Merle. "I asked her to stay
with me," said this lady, who had seated herself again in another place.
"Ah, that was better," Osmond conceded. With which he dropped into a
chair and sat looking at Madame Merle; bent forward a little, his elbows
on the edge of the arms and his hands interlocked.
"She's going to give me some gloves," said Pansy.
"You needn't tell that to every one, my dear," Madame Merle observed.
"You're very kind to her," said Osmond. "She's supposed to have
everything she needs."
"I should think she had had enough of the nuns."
"If we're going to discuss that matter she had better go out of the
room."
"Let her stay," said Madame Merle. "We'll talk of something else."
"If you like I won't listen," Pansy suggested with an appearance of
candour which imposed conviction.
"You may listen, charming child, because you won't understand," her
father replied. The child sat down, deferentially, near the open door,
within sight of the garden, into which she directed her innocent,
wistful eyes; and Mr. Osmond went on irrelevantly, addressing himself to
his other companion. "You're looking particularly well."
"I think I always look the same," said Madame Merle.
"You always are the same. You don't vary. You're a wonderful woman."
"Yes, I think I am."
"You sometimes change your mind, however. You told me on your return
from England that you wouldn't leave Rome again for the present."
"I'm pleased that you remember so well what I say. That was my
intention. But I've come to Florence to meet some friends who have
lately arrived and as to whose movements I was at that time uncertain."
"That reason's characteristic. You're always doing something for your
friends."
Madame Merle smiled straight at her host. "It's less characteristic than
your comment upon it which is perfectly insincere. I don't, however,
make a crime of that," she added, "because if you don't believe what
you say there's no reason why you should. I don't ruin myself for my
friends; I don't deserve your praise. I care greatly for myself."
"Exactly; but yourself includes so many other selves--so much of every
one else and of everything. I never knew a person whose life touched so
many other lives."
"What do you call one's life?" asked Madame Merle. "One's appearance,
one's movements, one's engagements, one's society?"
"I call your life your ambitions," said Osmond.
Madame Merle looked a moment at Pansy. "I wonder if she understands
that," she murmured.
"You see she can't stay with us!" And Pansy's father gave rather a
joyless smile. "Go into the garden, mignonne, and pluck a flower or two
for Madame Merle," he went on in French.
"That's just what I wanted to do," Pansy exclaimed, rising with
promptness and noiselessly departing. Her father followed her to the
open door, stood a moment watching her, and then came back, but remained
standing, or rather strolling to and fro, as if to cultivate a sense of
freedom which in another attitude might be wanting.
"My ambitions are principally for you," said Madame Merle, looking up at
him with a certain courage.
"That comes back to what I say. I'm part of your life--I and a thousand
others. You're not selfish--I can't admit that. If you were selfish,
what should I be? What epithet would properly describe me?"
"You're indolent. For me that's your worst fault."
"I'm afraid it's really my best."
"You don't care," said Madame Merle gravely.
"No; I don't think I care much. What sort of a fault do you call that?
My indolence, at any rate, was one of the reasons I didn't go to Rome.
But it was only one of them."
"It's not of importance--to me at least--that you didn't go; though I
should have been glad to see you. I'm glad you're not in Rome now--which
you might be, would probably be, if you had gone there a month ago.
There's something I should like you to do at present in Florence."
"Please remember my indolence," said Osmond.
"I do remember it; but I beg you to forget it. In that way you'll have
both the virtue and the reward. This is not a great labour, and it
may prove a real interest. How long is it since you made a new
acquaintance?"
"I don't think I've made any since I made yours."
"It's time then you should make another. There's a friend of mine I want
you to know."
Mr. Osmond, in his walk, had gone back to the open door again and was
looking at his daughter as she moved about in the intense sunshine.
"What good will it do me?" he asked with a sort of genial crudity.
Madame Merle waited. "It will amuse you." There was nothing crude in
this rejoinder; it had been thoroughly well considered.
"If you say that, you know, I believe it," said Osmond, coming toward
her. "There are some points in which my confidence in you is complete.
I'm perfectly aware, for instance, that you know good society from bad."
"Society is all bad."
"Pardon me. That isn't--the knowledge I impute to you--a common sort
of wisdom. You've gained it in the right way--experimentally; you've
compared an immense number of more or less impossible people with each
other."
"Well, I invite you to profit by my knowledge."
"To profit? Are you very sure that I shall?"
"It's what I hope. It will depend on yourself. If I could only induce
you to make an effort!"
"Ah, there you are! I knew something tiresome was coming. What in the
world--that's likely to turn up here--is worth an effort?"
Madame Merle flushed as with a wounded intention. "Don't be foolish,
Osmond. No one knows better than you what is worth an effort. Haven't I
seen you in old days?"
"I recognise some things. But they're none of them probable in this poor
life."
"It's the effort that makes them probable," said Madame Merle.
"There's something in that. Who then is your friend?"
"The person I came to Florence to see. She's a niece of Mrs. Touchett,
whom you'll not have forgotten."
"A niece? The word niece suggests youth and ignorance. I see what you're
coming to."
"Yes, she's young--twenty-three years old. She's a great friend of mine.
I met her for the first time in England, several months ago, and we
struck up a grand alliance. I like her immensely, and I do what I don't
do every day--I admire her. You'll do the same."
"Not if I can help it."
"Precisely. But you won't be able to help it."
"Is she beautiful, clever, rich, splendid, universally intelligent and
unprecedentedly virtuous? It's only on those conditions that I care to
make her acquaintance. You know I asked you some time ago never to speak
to me of a creature who shouldn't correspond to that description. I know
plenty of dingy people; I don't want to know any more."
"Miss Archer isn't dingy; she's as bright as the morning. She
corresponds to your description; it's for that I wish you to know her.
She fills all your requirements."
"More or less, of course."
"No; quite literally. She's beautiful, accomplished, generous and, for
an American, well-born. She's also very clever and very amiable, and she
has a handsome fortune."
Mr. Osmond listened to this in silence, appearing to turn it over in his
mind with his eyes on his informant. "What do you want to do with her?"
he asked at last.
"What you see. Put her in your way."
"Isn't she meant for something better than that?"
"I don't pretend to know what people are meant for," said Madame Merle.
"I only know what I can do with them."
"I'm sorry for Miss Archer!" Osmond declared.
Madame Merle got up. "If that's a beginning of interest in her I take
note of it."
The two stood there face to face; she settled her mantilla, looking down
at it as she did so. "You're looking very well," Osmond repeated still
less relevantly than before. "You have some idea. You're never so well
as when you've got an idea; they're always becoming to you."
In the manner and tone of these two persons, on first meeting at any
juncture, and especially when they met in the presence of others, was
something indirect and circumspect, as if they had approached each other
obliquely and addressed each other by implication. The effect of
each appeared to be to intensify to an appreciable degree the
self-consciousness of the other. Madame Merle of course carried off any
embarrassment better than her friend; but even Madame Merle had not
on this occasion the form she would have liked to have--the perfect
self-possession she would have wished to wear for her host. The point to
be made is, however, that at a certain moment the element between them,
whatever it was, always levelled itself and left them more closely
face to face than either ever was with any one else. This was what had
happened now. They stood there knowing each other well and each on the
whole willing to accept the satisfaction of knowing as a compensation
for the inconvenience--whatever it might be--of being known. "I wish
very much you were not so heartless," Madame Merle quietly said. "It has
always been against you, and it will be against you now."
"I'm not so heartless as you think. Every now and then something touches
me--as for instance your saying just now that your ambitions are for
me. I don't understand it; I don't see how or why they should be. But it
touches me, all the same."
"You'll probably understand it even less as time goes on. There are some
things you'll never understand. There's no particular need you should."
"You, after all, are the most remarkable of women," said Osmond. "You
have more in you than almost any one. I don't see why you think Mrs.
Touchett's niece should matter very much to me, when--when--" But he
paused a moment.
"When I myself have mattered so little?"
"That of course is not what I meant to say. When I've known and
appreciated such a woman as you."
"Isabel Archer's better than I," said Madame Merle.
Her companion gave a laugh. "How little you must think of her to say
that!"
"Do you suppose I'm capable of jealousy? Please answer me that."
"With regard to me? No; on the whole I don't."
"Come and see me then, two days hence. I'm staying at Mrs.
Touchett's--Palazzo Crescentini--and the girl will be there."
"Why didn't you ask me that at first simply, without speaking of the
girl?" said Osmond. "You could have had her there at any rate."
Madame Merle looked at him in the manner of a woman whom no question he
could ever put would find unprepared. "Do you wish to know why? Because
I've spoken of you to her."
Osmond frowned and turned away. "I'd rather not know that." Then in
a moment he pointed out the easel supporting the little water-colour
drawing. "Have you seen what's there--my last?"
Madame Merle drew near and considered. "Is it the Venetian Alps--one of
your last year's sketches?"
"Yes--but how you guess everything!"
She looked a moment longer, then turned away. "You know I don't care for
your drawings."
"I know it, yet I'm always surprised at it. They're really so much
better than most people's."
"That may very well be. But as the only thing you do--well, it's so
little. I should have liked you to do so many other things: those were
my ambitions."
"Yes; you've told me many times--things that were impossible."
"Things that were impossible," said Madame Merle. And then in quite a
different tone: "In itself your little picture's very good." She looked
about the room--at the old cabinets, pictures, tapestries, surfaces
of faded silk. "Your rooms at least are perfect. I'm struck with that
afresh whenever I come back; I know none better anywhere. You understand
this sort of thing as nobody anywhere does. You've such adorable taste."
"I'm sick of my adorable taste," said Gilbert Osmond.
"You must nevertheless let Miss Archer come and see it. I've told her
about it."
"I don't object to showing my things--when people are not idiots."
"You do it delightfully. As cicerone of your museum you appear to
particular advantage."
Mr. Osmond, in return for this compliment, simply looked at once colder
and more attentive. "Did you say she was rich?"
"She has seventy thousand pounds."
"En ecus bien comptes?"
"There's no doubt whatever about her fortune. I've seen it, as I may
say."
"Satisfactory woman!--I mean you. And if I go to see her shall I see the
mother?"
"The mother? She has none--nor father either."
"The aunt then--whom did you say?--
Mrs. Touchett. I can easily keep her out of the way."
"I don't object to her," said Osmond; "I rather like Mrs. Touchett.
She has a sort of old-fashioned character that's passing away--a vivid
identity. But that long jackanapes the son--is he about the place?"
"He's there, but he won't trouble you."
"He's a good deal of a donkey."
"I think you're mistaken. He's a very clever man. But he's not fond of
being about when I'm there, because he doesn't like me."
"What could he be more asinine than that? Did you say she has looks?"
Osmond went on.
"Yes; but I won't say it again, lest you should be disappointed in them.
Come and make a beginning; that's all I ask of you."
"A beginning of what?"
Madame Merle was silent a little. "I want you of course to marry her."
"The beginning of the end? Well, I'll see for myself. Have you told her
that?"
"For what do you take me? She's not so coarse a piece of machinery--nor
am I."
"Really," said Osmond after some meditation, "I don't understand your
ambitions."
"I think you'll understand this one after you've seen Miss Archer.
Suspend your judgement." Madame Merle, as she spoke, had drawn near the
open door of the garden, where she stood a moment looking out. "Pansy
has really grown pretty," she presently added.
"So it seemed to me."
"But she has had enough of the convent."
"I don't know," said Osmond. "I like what they've made of her. It's very
charming."
"That's not the convent. It's the child's nature."
"It's the combination, I think. She's as pure as a pearl."
"Why doesn't she come back with my flowers then?" Madame Merle asked.
"She's not in a hurry."
"We'll go and get them."
"She doesn't like me," the visitor murmured as she raised her parasol
and they passed into the garden.
Madame Merle, who had come to Florence on Mrs. Touchett's arrival at
the invitation of this lady--Mrs. Touchett offering her for a month the
hospitality of Palazzo Crescentini--the judicious Madame Merle spoke to
Isabel afresh about Gilbert Osmond and expressed the hope she might know
him; making, however, no such point of the matter as we have seen her do
in recommending the girl herself to Mr. Osmond's attention. The reason
of this was perhaps that Isabel offered no resistance whatever to Madame
Merle's proposal. In Italy, as in England, the lady had a multitude of
friends, both among the natives of the country and its heterogeneous
visitors. She had mentioned to Isabel most of the people the girl would
find it well to "meet"--of course, she said, Isabel could know whomever
in the wide world she would--and had placed Mr. Osmond near the top of
the list. He was an old friend of her own; she had known him these dozen
years; he was one of the cleverest and most agreeable men--well, in
Europe simply. He was altogether above the respectable average; quite
another affair. He wasn't a professional charmer--far from it, and the
effect he produced depended a good deal on the state of his nerves and
his spirits. When not in the right mood he could fall as low as any one,
saved only by his looking at such hours rather like a demoralised prince
in exile. But if he cared or was interested or rightly challenged--just
exactly rightly it had to be--then one felt his cleverness and his
distinction. Those qualities didn't depend, in him, as in so many
people, on his not committing or exposing himself. He had his
perversities--which indeed Isabel would find to be the case with all the
men really worth knowing--and didn't cause his light to shine equally
for all persons. Madame Merle, however, thought she could undertake that
for Isabel he would be brilliant. He was easily bored, too easily, and
dull people always put him out; but a quick and cultivated girl like
Isabel would give him a stimulus which was too absent from his life. At
any rate he was a person not to miss. One shouldn't attempt to live in
Italy without making a friend of Gilbert Osmond, who knew more about the
country than any one except two or three German professors. And if
they had more knowledge than he it was he who had most perception and
taste--being artistic through and through. Isabel remembered that her
friend had spoken of him during their plunge, at Gardencourt, into the
deeps of talk, and wondered a little what was the nature of the tie
binding these superior spirits. She felt that Madame Merle's ties always
somehow had histories, and such an impression was part of the interest
created by this inordinate woman. As regards her relations with Mr.
Osmond, however, she hinted at nothing but a long-established calm
friendship. Isabel said she should be happy to know a person who had
enjoyed so high a confidence for so many years. "You ought to see a
great many men," Madame Merle remarked; "you ought to see as many as
possible, so as to get used to them."
"Used to them?"Isabel repeated with that solemn stare which sometimes
seemed to proclaim her deficient in the sense of comedy. "Why, I'm not
afraid of them--I'm as used to them as the cook to the butcher-boys."
"Used to them, I mean, so as to despise them. That's what one comes to
with most of them. You'll pick out, for your society, the few whom you
don't despise."
This was a note of cynicism that Madame Merle didn't often allow herself
to sound; but Isabel was not alarmed, for she had never supposed that
as one saw more of the world the sentiment of respect became the
most active of one's emotions. It was excited, none the less, by the
beautiful city of Florence, which pleased her not less than Madame Merle
had promised; and if her unassisted perception had not been able to
gauge its charms she had clever companions as priests to the mystery.
She was--in no want indeed of esthetic illumination, for Ralph found it
a joy that renewed his own early passion to act as cicerone to his
eager young kinswoman. Madame Merle remained at home; she had seen the
treasures of Florence again and again and had always something else
to do. But she talked of all things with remarkable vividness of
memory--she recalled the right-hand corner of the large Perugino and the
position of the hands of the Saint Elizabeth in the picture next to it.
She had her opinions as to the character of many famous works of art,
differing often from Ralph with great sharpness and defending her
interpretations with as much ingenuity as good-humour. Isabel listened
to the discussions taking place between the two with a sense that
she might derive much benefit from them and that they were among the
advantages she couldn't have enjoyed for instance in Albany. In the
clear May mornings before the formal breakfast--this repast at Mrs.
Touchett's was served at twelve o'clock--she wandered with her cousin
through the narrow and sombre Florentine streets, resting a while in
the thicker dusk of some historic church or the vaulted chambers of some
dispeopled convent. She went to the galleries and palaces; she looked at
the pictures and statues that had hitherto been great names to her,
and exchanged for a knowledge which was sometimes a limitation a
presentiment which proved usually to have been a blank. She performed
all those acts of mental prostration in which, on a first visit to
Italy, youth and enthusiasm so freely indulge; she felt her heart beat
in the presence of immortal genius and knew the sweetness of rising
tears in eyes to which faded fresco and darkened marble grew dim. But
the return, every day, was even pleasanter than the going forth; the
return into the wide, monumental court of the great house in which Mrs.
Touchett, many years before, had established herself, and into the
high, cool rooms where the carven rafters and pompous frescoes of the
sixteenth century looked down on the familiar commodities of the age of
advertisement. Mrs. Touchett inhabited an historic building in a narrow
street whose very name recalled the strife of medieval factions; and
found compensation for the darkness of her frontage in the modicity of
her rent and the brightness of a garden where nature itself looked as
archaic as the rugged architecture of the palace and which cleared
and scented the rooms in regular use. To live in such a place was, for
Isabel, to hold to her ear all day a shell of the sea of the past. This
vague eternal rumour kept her imagination awake.
Gilbert Osmond came to see Madame Merle, who presented him to the young
lady lurking at the other side of the room. Isabel took on this occasion
little part in the talk; she scarcely even smiled when the others turned
to her invitingly; she sat there as if she had been at the play and had
paid even a large sum for her place. Mrs. Touchett was not present, and
these two had it, for the effect of brilliancy, all their own way. They
talked of the Florentine, the Roman, the cosmopolite world, and might
have been distinguished performers figuring for a charity. It all had
the rich readiness that would have come from rehearsal. Madame Merle
appealed to her as if she had been on the stage, but she could ignore
any learnt cue without spoiling the scene--though of course she thus put
dreadfully in the wrong the friend who had told Mr. Osmond she could be
depended on. This was no matter for once; even if more had been involved
she could have made no attempt to shine. There was something in
the visitor that checked her and held her in suspense--made it more
important she should get an impression of him than that she should
produce one herself. Besides, she had little skill in producing an
impression which she knew to be expected: nothing could be happier, in
general, than to seem dazzling, but she had a perverse unwillingness to
glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred
air of expecting nothing, a quiet ease that covered everything, even the
first show of his own wit. This was the more grateful as his face, his
head, was sensitive; he was not handsome, but he was fine, as fine as
one of the drawings in the long gallery above the bridge of the
Uffizi. And his very voice was fine--the more strangely that, with its
clearness, it yet somehow wasn't sweet. This had had really to do with
making her abstain from interference. His utterance was the vibration
of glass, and if she had put out her finger she might have changed the
pitch and spoiled the concert. Yet before he went she had to speak.
"Madame Merle," he said, "consents to come up to my hill-top some day
next week and drink tea in my garden. It would give me much pleasure if
you would come with her. It's thought rather pretty--there's what they
call a general view. My daughter too would be so glad--or rather, for
she's too young to have strong emotions, I should be so glad--so very
glad." And Mr. Osmond paused with a slight air of embarrassment, leaving
his sentence unfinished. "I should be so happy if you could know my
daughter," he went on a moment afterwards.
Isabel replied that she should be delighted to see Miss Osmond and that
if Madame Merle would show her the way to the hill-top she should be
very grateful. Upon this assurance the visitor took his leave; after
which Isabel fully expected her friend would scold her for having been
so stupid. But to her surprise that lady, who indeed never fell into the
mere matter-of-course, said to her in a few moments,
"You were charming, my dear; you were just as one would have wished you.
You're never disappointing."
A rebuke might possibly have been irritating, though it is much more
probable that Isabel would have taken it in good part; but, strange
to say, the words that Madame Merle actually used caused her the first
feeling of displeasure she had known this ally to excite. "That's more
than I intended," she answered coldly. "I'm under no obligation that I
know of to charm Mr. Osmond."
Madame Merle perceptibly flushed, but we know it was not her habit to
retract. "My dear child, I didn't speak for him, poor man; I spoke for
yourself. It's not of course a question as to his liking you; it matters
little whether he likes you or not! But I thought you liked him."
"I did," said Isabel honestly. "But I don't see what that matters
either."
"Everything that concerns you matters to me," Madame Merle returned
with her weary nobleness; "especially when at the same time another old
friend's concerned."
Whatever Isabel's obligations may have been to Mr. Osmond, it must be
admitted that she found them sufficient to lead her to put to Ralph
sundry questions about him. She thought Ralph's judgements distorted by
his trials, but she flattered herself she had learned to make allowance
for that.
"Do I know him?" said her cousin. "Oh, yes, I 'know' him;
not well,
but on the whole enough. I've never cultivated his society, and he
apparently has never found mine indispensable to his happiness. Who is
he, what is he? He's a vague, unexplained American who has been living
these thirty years, or less, in Italy. Why do I call him unexplained?
Only as a cover for my ignorance; I don't know his antecedents, his
family, his origin. For all I do know he may be a prince in disguise; he
rather looks like one, by the way--like a prince who has abdicated in a
fit of fastidiousness and has been in a state of disgust ever since. He
used to live in Rome; but of late years he has taken up his abode here;
I remember hearing him say that Rome has grown vulgar. He has a great
dread of vulgarity; that's his special line; he hasn't any other that I
know of. He lives on his income, which I suspect of not being vulgarly
large. He's a poor but honest gentleman that's what he calls himself.
He married young and lost his wife, and I believe he has a daughter. He
also has a sister, who's married to some small Count or other, of these
parts; I remember meeting her of old. She's nicer than he, I should
think, but rather impossible. I remember there used to be some stories
about her. I don't think I recommend you to know her. But why don't you
ask Madame Merle about these people? She knows them all much better than
I."
"I ask you because I want your opinion as well as hers," said Isabel.
"A fig for my opinion! If you fall in love with Mr. Osmond what will you
care for that?"
"Not much, probably. But meanwhile it has a certain importance. The more
information one has about one's dangers the better."
"I don't agree to that--it may make them dangers. We know too much about
people in these days; we hear too much. Our ears, our minds, our mouths,
are stuffed with personalities. Don't mind anything any one tells you
about any one else. Judge everyone and everything for yourself."
"That's what I try to do," said Isabel "but when you do that people call
you conceited."
"You're not to mind them--that's precisely my argument; not to mind what
they say about yourself any more than what they say about your friend or
your enemy."
Isabel considered. "I think you're right; but there are some things I
can't help minding: for instance when my friend's attacked or when I
myself am praised."
"Of course you're always at liberty to judge the critic. Judge people as
critics, however," Ralph added, "and you'll condemn them all!"
"I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay
him a visit."
"To pay him a visit?"
"To go and see his view, his pictures, his daughter--I don't know
exactly what. Madame Merle's to take me; she tells me a great many
ladies call on him."
"Ah, with Madame Merle you may go anywhere, de confiance," said Ralph.
"She knows none but the best people."
Isabel said no more about Mr. Osmond, but she presently remarked to her
cousin that she was not satisfied with his tone about Madame Merle. "It
seems to me you insinuate things about her. I don't know what you mean,
but if you've any grounds for disliking her I think you should either
mention them frankly or else say nothing at all."
Ralph, however, resented this charge with more apparent earnestness than
he commonly used. "I speak of Madame Merle exactly as I speak to her:
with an even exaggerated respect."
"Exaggerated, precisely. That's what I complain of."
"I do so because Madame Merle's merits are exaggerated."
"By whom, pray? By me? If so I do her a poor service."
"No, no; by herself."
"Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who
made small claims--!"
"You put your finger on it," Ralph interrupted. "Her modesty's
exaggerated. She has no business with small claims--she has a perfect
right to make large ones."
"Her merits are large then. You contradict yourself."
"Her merits are immense," said Ralph. "She's indescribably blameless; a
pathless desert of virtue; the only woman I know who never gives one a
chance."
"A chance for what?"
"Well, say to call her a fool! She's the only woman I know who has but
that one little fault."
Isabel turned away with impatience. "I don't understand you; you're too
paradoxical for my plain mind."
"Let me explain. When I say she exaggerates I don't mean it in the
vulgar sense--that she boasts, overstates, gives too fine an account of
herself. I mean literally that she pushes the search for perfection too
far--that her merits are in themselves overstrained. She's too good, too
kind, too clever, too learned, too accomplished, too everything. She's
too complete, in a word. I confess to you that she acts on my nerves and
that I feel about her a good deal as that intensely human Athenian felt
about Aristides the Just."
Isabel looked hard at her cousin; but the mocking spirit, if it lurked
in his words, failed on this occasion to peep from his face. "Do you
wish Madame Merle to be banished?"
"By no means. She's much too good company. I delight in Madame Merle,"
said Ralph Touchett simply.
"You're very odious, sir!" Isabel exclaimed. And then she asked him if
he knew anything that was not to the honour of her brilliant friend.
"Nothing whatever. Don't you see that's just what I mean? On the
character of every one else you may find some little black speck; if
I were to take half an hour to it, some day, I've no doubt I should be
able to find one on yours. For my own, of course, I'm spotted like a
leopard. But on Madame Merle's nothing, nothing, nothing!"
"That's just what I think!" said Isabel with a toss of her head. "That
is why I like her so much."
"She's a capital person for you to know. Since you wish to see the world
you couldn't have a better guide."
"I suppose you mean by that that she's worldly?"
"Worldly? No," said Ralph, "she's the great round world itself!"
It had certainly not, as Isabel for the moment took it into her head to
believe, been a refinement of malice in him to say that he delighted in
Madame Merle. Ralph Touchett took his refreshment wherever he could find
it, and he would not have forgiven himself if he had been left wholly
unbeguiled by such a mistress of the social art. There are deep-lying
sympathies and antipathies, and it may have been that, in spite of the
administered justice she enjoyed at his hands, her absence from his
mother's house would not have made life barren to him. But Ralph
Touchett had learned more or less inscrutably to attend, and there could
have been nothing so "sustained" to attend to as the general performance
of Madame Merle. He tasted her in sips, he let her stand, with an
opportuneness she herself could not have surpassed. There were moments
when he felt almost sorry for her; and these, oddly enough, were the
moments when his kindness was least demonstrative. He was sure she had
been yearningly ambitious and that what she had visibly accomplished was
far below her secret measure. She had got herself into perfect training,
but had won none of the prizes. She was always plain Madame Merle,
the widow of a Swiss negociant, with a small income and a large
acquaintance, who stayed with people a great deal and was almost as
universally "liked" as some new volume of smooth twaddle. The contrast
between this position and any one of some half-dozen others that he
supposed to have at various moments engaged her hope had an element of
the tragical. His mother thought he got on beautifully with their genial
guest; to Mrs. Touchett's sense two persons who dealt so largely in
too-ingenious theories of conduct--that is of their own--would have much
in common. He had given due consideration to Isabel's intimacy with her
eminent friend, having long since made up his mind that he could not,
without opposition, keep his cousin to himself; and he made the best of
it, as he had done of worse things. He believed it would take care of
itself; it wouldn't last forever. Neither of these two superior persons
knew the other as well as she supposed, and when each had made an
important discovery or two there would be, if not a rupture, at least
a relaxation. Meanwhile he was quite willing to admit that the
conversation of the elder lady was an advantage to the younger, who had
a great deal to learn and would doubtless learn it better from Madame
Merle than from some other instructors of the young. It was not probable
that Isabel would be injured.
"You ought to see a great many men," Madame Merle remarked;
"you ought to see as many as possible, so as to get used to them."
"Used to them?" Isabel repeated with that solemn stare which
sometimes seemed to proclaim her deficient in the sense of comedy.
"Why, I'm not afraid of them--I'm as used to them as the cook to
the butcher-boys."
"Used to them, I mean, so as to despise them. That's what one
comes to with most of them. You'll pick out, for your society, the
few whom you don't despise."
This was a note of cynicism that Madame Merle didn't often allow
herself to sound; but Isabel was not alarmed, for she had never
supposed that as one saw more of the world the sentiment of
respect became the most active of one's emotions.
She performed all those acts of mental prostration in which, on
a first visit to Italy, youth and enthusiasm so freely indulge;
she felt her heart beat in the presence of immortal genius and
knew the sweetness of rising tears in eyes to which faded fresco
and darkened marble grew dim. But the return, every day, was even
pleasanter than the going forth; the return into the wide,
monumental court of the great house in which Mrs. Touchett, many
years before, had established herself, and into the high, cool
rooms where the carven rafters and pompous frescoes of the
sixteenth century looked down on the familiar commodities of the
age of advertisement. Mrs. Touchett inhabited an historic building
in a narrow street whose very name recalled the strife of medieval
factions; and found compensation for the darkness of her frontage
in the modicity of her rent and the brightness of a garden where
nature itself looked as archaic as the rugged architecture of the
palace and which cleared and scented the rooms in regular use. To
live in such a place was, for Isabel, to hold to her ear all day
a shell of the sea of the past. This vague eternal rumour kept
her imagination awake.
This was no matter for once; even if more had been involved she
could have made no attempt to shine. There was something in the
visitor that checked her and held her in suspense--made it more
important she should get an impression of him than that she should
produce one herself. Besides, she had little skill in producing an
impression which she knew to be expected: nothing could be happier,
in general, than to seem dazzling, but she had a perverse
unwillingness to glitter by arrangement.
-------------------------------------------------------------
"You were charming, my dear; you were just as one would have
wished you. You're never disappointing."
A rebuke might possibly have been irritating, though it is much
more probable that Isabel would have taken it in good part; but,
strange to say, the words that Madame Merle actually used caused
her the first feeling of displeasure she had known this ally to
excite. "That's more than I intended," she answered coldly. "I'm
under no obligation that I know of to charm Mr. Osmond."
Madame Merle perceptibly flushed, but we know it was not her
habit to retract.
-------------------------------------------------------------
Do I know him?" said her cousin. "Oh, yes, I 'know' him; not
well, but on the whole enough. I've never cultivated his society,
and he apparently has never found mine indispensable to his
happiness. Who is he, what is he? He's a vague, unexplained
American who has been living these thirty years, or less, in
Italy. Why do I call him unexplained? Only as a cover for my
ignorance; I don't know his antecedents, his family, his origin.
For all I do know he may be a prince in disguise; he rather looks
like one, by the way--like a prince who has abdicated in a fit of
fastidiousness and has been in a state of disgust ever since. He
used to live in Rome; but of late years he has taken up his abode
here; I remember hearing him say that Rome has grown vulgar. He
has a great dread of vulgarity; that's his special line; he
hasn't any other that I know of."
-------------------------------------------------------------
"The more information one has about one's dangers the better."
"I don't agree to that--it may make them dangers. We know too much
about people in these days; we hear too much. Our ears, our minds,
our mouths, are stuffed with personalities. Don't mind anything
any one tells you about any one else. Judge everyone and
everything for yourself."
-------------------------------------------------------------
"You put your finger on it," Ralph interrupted. "Her modesty's
exaggerated. She has no business with small claims--she has a
perfect right to make large ones."
"Her merits are large then. You contradict yourself."
"Her merits are immense," said Ralph. "She's indescribably
blameless; a pathless desert of virtue; the only woman I know who
never gives one a chance."
"A chance for what?"
"Well, say to call her a fool! She's the only woman I know who
has but that one little fault."
Isabel turned away with impatience. "I don't understand you;
you're too paradoxical for my plain mind."
"Let me explain. When I say she exaggerates I don't mean it in
the vulgar sense--that she boasts, overstates, gives too fine an
account of herself. I mean literally that she pushes the search
for perfection too far--that her merits are in themselves
overstrained. She's too good, too kind, too clever, too learned,
too accomplished, too everything. She's too complete, in a word.
I confess to you that she acts on my nerves and that I feel about
her a good deal as that intensely human Athenian felt about
Aristides the Just."
Isabel looked hard at her cousin; but the mocking spirit, if it
lurked in his words, failed on this occasion to peep from his
face. "Do you wish Madame Merle to be banished?"
"By no means. She's much too good company. I delight in Madame
Merle," said Ralph Touchett simply.
"You're very odious, sir!" Isabel exclaimed. And then she asked
him if he knew anything that was not to the honour of her
brilliant friend.
"Nothing whatever. Don't you see that's just what I mean? On the
character of everyone else you may find some little black speck;
if I were to take half an hour to it, some day, I've no doubt I
should be able to find one on yours. For my own, of course, I'm
spotted like a leopard. But on Madame Merle's nothing, nothing,
nothing!"
"That's just what I think!" said Isabel with a toss of her head.
"That is why I like her so much."
"She's a capital person for you to know. Since you wish to see
the world you couldn't have a better guide."
"I suppose you mean by that that she's worldly?"
"Worldly? No," said Ralph, "she's the great round world itself!"
-------------------------------------------------------------
Ralph Touchett took his refreshment wherever he could find it,
and he would not have forgiven himself if he had been left wholly
unbeguiled by such a mistress of the social art. There are
deep-lying sympathies and antipathies, and it may have been that,
in spite of the administered justice she enjoyed at his hands,
her absence from his mother's house would not have made life
barren to him. But Ralph Touchett had learned more or less
inscrutably to attend, and there could have been nothing so
"sustained" to attend to as the general performance of Madame
Merle. He tasted her in sips, he let her stand, with an
opportuneness she herself could not have surpassed.
She was thin and dark and not at all pretty, having
features that suggested some tropical bird--a longbeak-like nose,
small, quickly-moving eyes and a mouth and chin that receded
extremely. Her expression, however, thanks to various intensities
of emphasis and wonder, of horror and joy, was not inhuman, and,
as regards her appearance, it was plain she understood herself
and made the most of her points. Her attire, voluminous and
delicate, bristling with elegance, had the look of shimmering
plumage, and her attitudes were as light and sudden as those of a
creature who perched upon twigs. She had a great deal of manner;
Isabel, who had never known any one with so much manner,
immediately classed her as the most affected of women.
These remarks were delivered with a series of little jerks and
pecks, of roulades of shrillness, and in an accent that was as
some fond recall of good English, or rather of good American, in
adversity.
Isabel made a rapid induction: perfect simplicity was not the
badge of his family. Even the little girl from the convent, who,
in her prim white dress, with her small submissive face and her
hands locked before her, stood there as if she were about to
partake of her first communion, even Mr. Osmond's diminutive
daughter had a kind of finish that was not entirely artless.
Isabel felt a certain need of being very direct, of pretending to
nothing; there was something in the air, in her general impression
of things--she could hardly have said what it was--that deprived
her of all disposition to put herself forward. The place, the
occasion, the combination of people, signified more than lay on
the surface; she would try to understand--she would not simply
utter graceful platitudes. Poor Isabel was doubtless not aware
that many women would have uttered graceful platitudes to cover
the working of their observation.
Madame Merle and the Countess Gemini sat a little apart,
conversing in the effortless manner of persons who knew
each other well enough to take their ease; but every now
and then Isabel heard the Countess, at something said by
her companion, plunge into the latter's lucidity as a
poodle splashes after a thrown stick.
It met the case soothingly for the human, for the social failure--
by which he meant the people who couldn't "realise," as they said,
on their sensibility: they could keep it about them there, in their
poverty, without ridicule, as you might keep an heirloom or an
inconvenient entailed place that brought you in nothing. Thus there
were advantages in living in the country which contained the greatest
sum of beauty. Certain impressions you could get only there. Others,
favourable to life, you never got, and you got some that were very
bad. But from time to time you got one of a quality that made up
for everything. Italy, all the same, had spoiled a great many people;
he was even fatuous enough to believe at times that he himself might
have been a better man if he had spent less of his life there. It
made one idle and dilettantish and second-rate; it had no discipline
for the character, didn't cultivate in you, otherwise expressed,
the successful social and other "cheek" that flourished in Paris
and London. "We're sweetly provincial," said Mr. Osmond, "and I'm
perfectly aware that I myself am as rusty as a key that has no
lock to fit it. It polishes me up a little to talk with you--not
that I venture to pretend I can turn that very complicated lock I
suspect your intellect of being!
Ah yes, your aunt's a sort of guarantee; I believe she may be
depended on. Oh, she's an old Florentine; I mean literally an
old one; not a modern outsider. She's a contemporary of the
Medici; she must have been present at the burning of Savonarola,
and I'm not sure she didn't throw a handful of chips into the
flame. Her face is very much like some faces in the early
pictures; little, dry, definite faces that must have had a good
deal of expression, but almost always the same one. Indeed I
can show you her portrait in a fresco of Ghirlandaio's.
I sometimes think we've got into a rather bad way, living off
here among things and people not our own, without responsibilities
or attachments, with nothing to hold us together or keep us up;
marrying foreigners, forming artificial tastes, playing tricks
with our natural mission. Let me add, though, that I say that
much more for myself than for my sister. She's a very honest
lady--more so than she seems. She's rather unhappy, and as
she's not of a serious turn she doesn't tend to show it tragically:
she shows it comically instead. She has got a horrid husband,
though I'm not sure she makes the best of him. Of course,
however, a horrid husband's an awkward thing. Madame Merle gives
her excellent advice, but it's a good deal like giving a child
a dictionary to learn a language with. He can look out the words,
but he can't put them together. My sister needs a grammar, but
unfortunately she's not grammatical.
She had never met a person of so fine a grain. The peculiarity
was physical, to begin with, and it extended to impalpabilities.
His dense, delicate hair, his overdrawn, retouched features,
his clear complexion, ripe without being coarse, the very evenness
of the growth of his beard, and that light, smooth slenderness
of structure which made the movement of a single one of his
fingers produce the effect of an expressive gesture--these
personal points struck our sensitive young woman as signs of
quality, of intensity, somehow as promises of interest. He
was certainly fastidious and critical; he was probably
irritable. His sensibility had governed him--possibly
governed him too much; it had made him impatient of vulgar
troubles and had led him to live by himself, in a sorted,
sifted, arranged world, thinking about art and beauty and
history. He had consulted his taste in everything--his taste
alone perhaps, as a sick man consciously incurable consults
at last only his lawyer: that was what made him so different
from every one else. Ralph had something of this same quality,
this appearance of thinking that life was a matter of
connoisseurship; but in Ralph it was an anomaly, a kind of
humorous excrescence, whereas in Mr. Osmond it was the
keynote, and everything was in harmony with it.
A part of Isabel's fatigue came from the effort to appear as
intelligent as she believed Madame Merle had described her,
and from the fear (very unusual with her) of exposing--not
her ignorance; for that she cared comparatively little--but
her possible grossness of perception. It would have annoyed
her to express a liking for something he, in his superior
enlightenment, would think she oughtn't to like; or to pass
by something at which the truly initiated mind would arrest
itself. She had no wish to fall into that grotesqueness-- in
which she had seen women (and it was a warning) serenely,
yet ignobly, flounder. She was very careful therefore as to
what she said, as to what she noticed or failed to notice;
more careful than she had ever been before.
The sun had got low, the golden light took a deeper tone, and
on the mountains and the plain that stretched beneath them the
masses of purple shadow glowed as richly as the places that were
still exposed. The scene had an extraordinary charm. The air
was almost solemnly still, and the large expanse of the landscape,
with its garden-like culture and nobleness of outline, its teeming
valley and delicately-fretted hills, its peculiarly human-looking
touches of habitation, lay there in splendid harmony and classic
grace
-------------------------------------------------------------
"It was very simple. It was to be as quiet as possible."
"As quiet?" the girl repeated.
"Not to worry--not to strive nor struggle. To resign myself. To
be content with little." He spoke these sentences slowly, with
short pauses between, and his intelligent regard was fixed on his
visitor's with the conscious air of a man who has brought himself
to confess something.
"Do you call that simple?" she asked with mild irony.
"Yes, because it's negative."
"Has your life been negative?"
"Call it affirmative if you like. Only it has affirmed my
indifference. Mind you, not my natural indifference--I HAD none.
But my studied, my wilful renunciation."
She scarcely understood him; it seemed a question whether he were
joking or not. Why should a man who struck her as having a great
fund of reserve suddenly bring himself to be so confidential?
This was his affair, however, and his confidences were interesting.
"I don't see why you should have renounced," she said in a moment.
"Because I could do nothing. I had no prospects, I was poor, and
I was not a man of genius. I had no talents even; I took my
measure early in life. I was simply the most fastidious young
gentleman living."
-------------------------------------------------------------
So I've passed a great many years here on that quiet plan I spoke
of. I've not been at all unhappy. I don't mean to say I've cared
for nothing; but the
things I've cared for have been definite--
limited. The events of my life
have been absolutely unperceived
by any one save myself; getting an old silver crucifix at a
bargain (I've never bought anything dear, of course),
or
discovering, as I once did, a sketch by Correggio on a panel
daubed
over by some inspired idiot."
The Countess, moreover, by waiting, found the time ripe for
one of her pretty perversities. She might have desired for some
minutes to place it. Her brother wandered with Isabel to the
end of the garden, to which point her eyes followed them.
"My dear," she then observed to her companion,
"you'll excuse me
if I don't congratulate you!"
"Very willingly, for I
don't in the least know why you should."
"Haven't you a little plan that you think rather well of?" And
the Countess nodded at the sequestered
couple.
Madame Merle's eyes took the same direction; then she
looked
serenely at her neighbour. "You know I never understand you
very
well," she smiled.
"No one can understand better than you when you wish. I see that
just now you don't wish."
"You say things to me
that no one else does," said Madame Merle
gravely, yet without
bitterness.
"You mean things you don't like? Doesn't Osmond sometimes
say
such things?"
"What your brother says has a point."
"Yes, a poisoned one sometimes. If you mean that I'm not so
clever as he you mustn't
think I shall suffer from your sense of
our difference. But it will be much better that you should
understand me."
"Why so?" asked Madame Merle.
"To what will it conduce?"
"If I don't approve of your plan you ought to know it in order to
appreciate the danger of my interfering with it."
Madame Merle looked as if she were ready to admit that
there
might be something in this; but in a moment she said quietly:
"You
think me more calculating than I am."
"It's not your calculating I think
ill of; it's your calculating
wrong. You've done so in this
case."
"You must have made extensive calculations yourself to discover
that."
"No, I've not had time. I've seen the girl but this
once," said
the Countess, "and the conviction has suddenly come to me. I
like
her very much."
-------------------------------------------------------------
"My dear lady," she finally resumed, "I advise you not to agitate
yourself. The matter you allude to concerns three persons much
stronger of purpose than yourself."
"Three persons? You and Osmond of course. But is Miss Archer also
very strong of purpose?"
"Quite as much so as we."
"Ah then," said the Countess radiantly, "if I convince her it's
her interest to resist you she'll do so successfully!"
"Resist us? Why do you express yourself so coarsely? She's not
exposed to compulsion or deception."
"I'm not sure of that. You're capable of anything, you and
Osmond. I don't mean Osmond by himself, and I don't mean you by
yourself. But together you're dangerous--like some chemical
combination."
"You had better leave us alone then," smiled Madame Merle.
"I don't mean to touch you--but I shall talk to that girl."
"My poor Amy," Madame Merle murmured, "I don't see what has got
into your head."
"I take an interest in her--that's what has got into my head. I
like her."
Madame Merle hesitated a moment. "I don't think she likes you."
The Countess's bright little eyes expanded and her face was set
in a grimace. "Ah, you are dangerous--even by yourself!"
-------------------------------------------------------------
Madame Merle smiled with her usual grace. "It's a weighty
question--let me think. It seems to me it would please your
father to see a careful little daughter making his tea. It's the
proper duty of the daughter of the house--when she grows up."
"So it seems to me, Madame Merle!" Pansy cried. "You shall see
how well I'll make it. A spoonful for each." And she began to
busy herself at the table.
"Two spoonfuls for me," said the Countess, who, with Madame
Merle, remained for some moments watching her. "Listen to me,
Pansy," the Countess resumed at last. "I should like to know what
you think of your visitor."
"Ah, she's not mine--she's papa's," Pansy objected.
"Miss Archer came to see you as well," said Madame Merle.
"I'm very happy to hear that. She has been very polite to me."
"Do you like her then?" the Countess asked.
"She's charming--charming," Pansy repeated in her little neat
conversational tone. "She pleases me thoroughly."
-------------------------------------------------------------
She had carried away an image from her visit to his hill-top
which her subsequent knowledge of him did nothing to efface and
which put on for her a particular harmony with other supposed and
divined things, histories within histories: the image of a quiet,
clever, sensitive, distinguished man, strolling on a moss-grown
terrace above the sweet Val d'Arno and holding by the hand a
little girl whose bell-like clearness gave a new grace to
childhood. The picture had no flourishes, but she liked its
lowness of tone and the atmosphere of summer twilight that
pervaded it. It spoke of the kind of personal issue that touched
her most nearly; of the choice between objects, subjects,
contacts--what might she call them?--of a thin and those of a
rich association; of a lonely, studious life in a lovely land; of
an old sorrow that sometimes ached to-day; of a feeling of pride
that was perhaps exaggerated, but that had an element of
nobleness; of a care for beauty and perfection so natural and
so cultivated together that the career appeared to stretch
beneath it in the disposed vistas and with the ranges of steps
and terraces and fountains of a formal Italian garden--allowing
only for arid places freshened by the natural dews of a quaint
half-anxious, half-helpless fatherhood.
He uttered his ideas as if, odd as they often appeared, he
were used to them and had lived with them; old polished knobs
and heads and handles, of precious substance, that could be
fitted if necessary to new walking-sticks--not switches plucked
in destitution from the common tree and then too elegantly
waved about.
Pansy was so formed and finished for her tiny place in the world,
and yet in imagination, as one could see, so innocent and infantine.
She sat on the sofa by Isabel; she wore a small grenadine mantle
and a pair of the useful gloves that Madame Merle had given her--
little grey gloves with a single button. She was like a sheet of
blank paper--the ideal jeune fille of foreign fiction. Isabel
hoped that so fair and smooth a page would be covered with an
edifying text.
Naturally he couldn't like her style, her shrillness, her
egotism, her violations of taste and above all of truth: she
acted badly on his nerves, she was not his sort of woman. What
was his sort of woman? Oh, the very opposite of the Countess, a
woman to whom the truth should be habitually sacred. Isabel was
unable to estimate the number of times her visitor had, in half
an hour, profaned it: the Countess indeed had given her an
impression of rather silly sincerity.
Madame Merle surveyed her with a single glance, took her in
from head to foot, and after a pang of despair determined to
endure her. She determined indeed to delight in her. She
mightn't be inhaled as a rose, but she might be grasped
as a nettle. Madame Merle genially squeezed her into
insignificance, and Isabel felt that in foreseeing this
liberality she had done justice to her friend's intelligence.
She had always been fond of history, and here was history in
the stones of the street and the atoms of the sunshine. She
had an imagination that kindled at the mention of great deeds,
and wherever she turned some great deed had been acted. These
things strongly moved her, but moved her all inwardly. It
seemed to her companions that she talked less than usual,
and Ralph Touchett, when he appeared to be looking listlessly
and awkwardly over her head, was really dropping on her an
intensity of observation. By her own measure she was very
happy; she would even have been willing to take these hours
for the happiest she was ever to know. The sense of the
terrible human past was heavy to her, but that of something
altogether contemporary would suddenly give it wings that
it could wave in the blue.
Rome, as Ralph said, confessed to the psychological moment.
The herd of reechoing tourists had departed and most of the
solemn places had relapsed into solemnity. The sky was a blaze
of blue, and the plash of the fountains in their mossy niches
had lost its chill and doubled its music.
Henrietta Stackpole was struck with the fact that ancient Rome
had been paved a good deal like New York, and even found an
analogy between the deep chariot-ruts traceable in the antique
street and the overjangled iron grooves which express the
intensity of American life.
Keen as was her interest in the rugged relics of the Roman past
that lay scattered about her and in which the corrosion of
centuries had still left so much of individual life, her thoughts,
after resting a while on these things, had wandered, by a
concatenation of stages it might require some subtlety to trace,
to regions and objects charged with a more active appeal. From
the Roman past to Isabel Archer's future was a long stride, but
her imagination had taken it in a single flight and now hovered
in slow circles over the nearer and richer field.
He was splendidly sunburnt; even his multitudinous beard had
been burnished by the fire of Asia. He was dressed in the
loose-fitting, heterogeneous garments in which the English
traveller in foreign lands is wont to consult his comfort and
affirm his nationality; and with his pleasant steady eyes, his
bronzed complexion, fresh beneath its seasoning, his manly
figure, his minimising manner and his general air of being a
gentleman and an explorer, he was such a representative of the
British race as need not in any clime have been disavowed by
those who have a kindness for it. Isabel noted these things and
was glad she had always liked him. He had kept, evidently in
spite of shocks, every one of his merits--properties these
partaking of the essence of great decent houses, as one might
put it; resembling their innermost fixtures and ornaments, not
subject to vulgar shifting and removable only by some whole
break-up.
-------------------------------------------------------------
"I know what you're going to say. You hoped we should always
remain good friends." This formula, as Lord Warburton uttered it,
was certainly flat enough; but then he was interested in making
it appear so.
She found herself reduced simply to "Please don't talk of all
that"; a speech which hardly struck her as improvement on the
other.
"It's a small consolation to allow me!" her companion exclaimed
with force.
"I can't pretend to console you," said the girl, who, all still
as she sat there, threw herself back with a sort of inward
triumph on the answer that had satisfied him so little six months
before. He was pleasant, he was powerful, he was gallant; there
was no better man than he. But her answer remained.
"It's very well you don't try to console me; it wouldn't be in
your power," she heard him say through the medium of her strange
elation.
"I hoped we should meet again, because I had no fear you would
attempt to make me feel I had wronged you. But when you do that--
the pain's greater than the pleasure." And she got up with a
small conscious majesty, looking for her companions.
"I don't want to make you feel that; of course I can't say that.
I only just want you to know one or two things--in fairness to
myself, as it were. I won't return to the subject again. I felt
very strongly what I expressed to you last year; I couldn't think
of anything else. I tried to forget--energetically,
systematically. I tried to take an interest in somebody else. I
tell you this because I want you to know I did my duty. I didn't
succeed."
-------------------------------------------------------------
The first time she passed beneath the huge leathern curtain that
strains and bangs at the entrance, the first time she found herself
beneath the far-arching dome and saw the light drizzle down through
the air thickened with incense and with the reflections of marble
and gilt, of mosaic and bronze, her conception of greatness rose
and dizzily rose. After this it never lacked space to soar. She
gazed and wondered like a child or a peasant, she paid her silent
tribute to the seated sublime.
Mr. Bantling emerged from the choir, cleaving the crowd with
British valour and followed by Miss Stackpole and Ralph Touchett.
I say fortunately, but this is perhaps a superficial view of the
matter; since on perceiving the gentleman from Florence Ralph
Touchett appeared to take the case as not committing him to joy.
-------------------------------------------------------------
"What's your opinion of Saint Peter's?" Mr. Osmond was meanwhile
enquiring of our young lady.
"It's very large and very bright," she contented herself with
replying.
"It's too large; it makes one feel like an atom."
"Isn't that the right way to feel in the greatest of human
temples?" she asked with rather a liking for her phrase.
"I suppose it's the right way to feel everywhere, when one IS
nobody. But I like it in a church as little as anywhere else."
"You ought indeed to be a Pope!" Isabel exclaimed, remembering
something he had referred to in Florence.
"Ah, I should have enjoyed that!" said Gilbert Osmond.
-------------------------------------------------------------
"Will she like him?"
"Do you mean will she accept him?"
"Yes," said Lord Warburton after an instant; "I suppose that's
what I horribly mean."
"Perhaps not if one does nothing to prevent it," Ralph replied.
His lordship stared a moment, but apprehended. "Then we must be
perfectly quiet?"
"As quiet as the grave. And only on the chance!" Ralph added.
-------------------------------------------------------------
Lord Warburton went to the box, where Isabel's welcome was as to
a friend so honourably old that he vaguely asked himself what
queer temporal province she was annexing. He exchanged greetings
with Mr. Osmond, to whom he had been introduced the day before
and who, after he came in, sat blandly apart and silent, as if
repudiating competence in the subjects of allusion now probable.
It struck her second visitor that Miss Archer had, in operatic
conditions, a radiance, even a slight exaltation; as she was,
however, at all times a keenly-glancing, quickly-moving,
completely animated young woman, he may have been mistaken on
this point. Her talk with him moreover pointed to presence of
mind; it expressed a kindness so ingenious and deliberate as to
indicate that she was in undisturbed possession of her faculties.
Poor Lord Warburton had moments of bewilderment. She had
discouraged him, formally, as much as a woman could; what
business had she then with such arts and such felicities, above
all with such tones of reparation--preparation? Her voice had
tricks of sweetness, but why play them on him?
Why should she mark so one of his values--quite the wrong one--
when she would have nothing to do with another, which was quite
the right? He was angry with himself for being puzzled, and then
angry for being angry. Verdi's music did little to comfort him,
and he left the theatre and walked homeward, without knowing his
way, through the tortuous, tragic streets of Rome, where heavier
sorrows than his had been carried under the stars.
-------------------------------------------------------------
Ah, he's a great proprietor? Happy man!" said Gilbert Osmond.
"Do you call that happiness--the ownership of wretched human
beings?" cried Miss Stackpole. "He owns his tenants and has
thousands of them. It's pleasant to own something, but inanimate
objects are enough for me. I don't insist on flesh and blood and
minds and consciences."
"It seems to me you own a human being or two," Mr. Bantling
suggested jocosely. "I wonder if Warburton orders his tenants
about as you do me."
"Lord Warburton's a great radical," Isabel said. "He has very
advanced opinions."
"He has very advanced stone walls. His park's enclosed by a
gigantic iron fence, some thirty miles round," Henrietta
announced for the information of Mr. Osmond. "I should like him
to converse with a few of our Boston radicals."
"Don't they approve of iron fences?" asked Mr. Bantling.
"Only to shut up wicked conservatives. I always feel as if I were
talking to YOU over something with a neat top-finish of broken
glass."
-------------------------------------------------------------
She sat down in the centre of the circle of these presences,
regarding them vaguely, resting her eyes on their beautiful
blank faces; listening, as it were, to their eternal silence.
It is impossible, in Rome at least, to look long at a great
company of Greek sculptures without feeling the effect of their
noble quietude; which, as with a high door closed for the ceremony,
slowly drops on the spirit the large white mantle of peace. I
ay in Rome especially, because the Roman air is an exquisite
medium for such impressions. The golden sunshine mingles with
them, the deep stillness of the past, so vivid yet, though it
is nothing but a void full of names, seems to throw a solemn
spell upon them.
His good humour was imperturbable, his knowledge of the right
fact, his production of the right word, as convenient as the
friendly flicker of a match for your cigarette. Clearly he was
amused--as amused as a man could be who was so little ever
surprised, and that made him almost applausive. It was not that
his spirits were visibly high--he would never, in the concert of
pleasure, touch the big drum by so much as a knuckle: he had a
mortal dislike to the high, ragged note, to what he called random
ravings. He thought Miss Archer sometimes of too precipitate a
readiness. It was pity she had that fault, because if she had
not had it she would really have had none; she would have been
as smooth to his general need of her as handled ivory to the
palm.
He took his pleasures in general singly; he was too often--he
would have admitted that--too sorely aware of something wrong,
something ugly; the fertilising dew of a conceivable felicity too
seldom descended on his spirit. But at present he was happy--
happier than he had perhaps ever been in his life, and the
feeling had a large foundation. This was simply the sense of
success--the most agreeable emotion of the human heart. Osmond
had never had too much of it; in this respect he had the
irritation of satiety, as he knew perfectly well and often
reminded himself. "Ah no, I've not been spoiled; certainly I've
not been spoiled," he used inwardly to repeat. "If I do succeed
before I die I shall thoroughly have earned it." He was too apt
to reason as if "earning" this boon consisted above all of
covertly aching for it and might be confined to that exercise.
-------------------------------------------------------------
"Well, Italy's a part of space," Isabel answered. "I can take it
on the way."
"On the way round the world? No, don't do that. Don't put us in a
parenthesis--give us a chapter to ourselves. I don't want to see
you on your travels. I'd rather see you when they're over. I
should like to see you when you're tired and satiated," Osmond
added in a moment. "I shall prefer you in that state."
-------------------------------------------------------------
But she said to herself that if there were a danger they should
never meet again, perhaps after all it would be as well. Happy
things don't repeat themselves, and her adventure wore already
the changed, the seaward face of some romantic island from which,
after feasting on purple grapes, she was putting off while the
breeze rose. She might come back to Italy and find him different
--this strange man who pleased her just as he was; and it would
be better not to come than run the risk of that. But if she was
not to come the greater the pity that the chapter was closed;
she felt for a moment a pang that touched the source of tears.
The sensation kept her silent, and Gilbert Osmond was silent too;
he was looking at her. "Go everywhere," he said at last, in a low,
kind voice; "do everything; get everything out of life. Be happy,
--be triumphant."
"What do you mean by being triumphant?"
"Well, doing what you like."
"To triumph, then, it seems to me, is to fail! Doing all the vain
things one likes is often very tiresome."
"Exactly," said Osmond with his quiet quickness. "As I intimated
just now, you'll be tired some day."
-------------------------------------------------------------
The two remained a while in this situation, exchanging a long look
--the large, conscious look of the critical hours of life. Then he
got up and came near her, deeply respectful, as if he were afraid
he had been too familiar. "I'm absolutely in love with you."
He had repeated the announcement in a tone of almost impersonal
discretion, like a man who expected very little from it but who
spoke for his own needed relief. The tears came into her eyes:
this time they obeyed the sharpness of the pang that suggested to
her somehow the slipping of a fine bolt--backward, forward, she
couldn't have said which. The words he had uttered made him, as
he stood there, beautiful and generous, invested him as with the
golden air of early autumn; but, morally speaking, she retreated
before them--facing him still--as she had retreated in the other
cases before a like encounter. "Oh don't say that, please," she
answered with an intensity that expressed the dread of having, in
this case too, to choose and decide. What made her dread great
was precisely the force which, as it would seem, ought to have
banished all dread--the sense of something within herself, deep
down, that she supposed to be inspired and trustful passion. It
was there like a large sum stored in a bank--which there was a
terror in having to begin to spend. If she touched it, it would
all come out.
Once in a while, at large intervals, this lady, whose voyaging
discretion, as a general thing, was rather of the open sea than
of the risky channel, dropped a remark of ambiguous quality,
struck a note that sounded false. What cared Isabel Archer for
the vulgar judgements of obscure people? and did Madame Merle
suppose that she was capable of doing a thing at all if it had
to be sneakingly done? Of course not: she must have meant something
else--something which in the press of the hours that preceded her
departure she had not had time to explain. Isabel would return to
this some day; there were sorts of things as to which she liked
to be clear.
Isabel wondered at her; she had never had so directly
presented to her nose the white flower of cultivated sweetness.
How well the child had been taught, said our admiring young
woman; how prettily she had been directed and fashioned; and yet
how simple, how natural, how innocent she had been kept! Isabel
was fond, ever, of the question of character and quality, of
sounding, as who should say, the deep personal mystery, and it
had pleased her, up to this time, to be in doubt as to whether
this tender slip were not really all-knowing. Was the extremity
of her candour but the perfection of self-consciousness?
Isabel listened to this assertion with an interest which she felt
it almost a torment to be obliged to conceal. It was her pride
that obliged her, and a certain sense of decency; there were
still other things in her head which she felt a strong impulse,
instantly checked, to say to Pansy about her father; there were
things it would have given her pleasure to hear the child, to
make the child, say. But she no sooner became conscious of these
things than her imagination was hushed with horror at the idea of
taking advantage of the little girl--it was of this she would
have accused herself--and of exhaling into that air where he
might still have a subtle sense for it any breath of her charmed
state.
Grave she found herself, and positively more weighted, as by the
experience of the lapse of the year she had spent in seeing the
world. She had ranged, she would have said, through space and
surveyed much of mankind, and was therefore now, in her own eyes,
a very different person from the frivolous young woman from Albany
who had begun to take the measure of Europe on the lawn at Gardencourt
a couple of years before. She flattered herself she had harvested
wisdom and learned a great deal more of life than this light-minded
creature had even suspected. If her thoughts just now had inclined
themselves to retrospect, instead of fluttering their wings
nervously about the present, they would have evoked a multitude
of interesting pictures.
Lily and the babies had joined her in Switzerland in the month
of July, and they had spent a summer of fine weather in an
Alpine valley where the flowers were thick in the meadows and
the shade of great chestnuts made a resting-place for such
upward wanderings as might be undertaken by ladies and children
on warm afternoons. They had afterwards reached the French capital,
which was worshipped, and with costly ceremonies, by Lily, but
thought of as noisily vacant by Isabel, who in these days made
use of her memory of Rome as she might have done, in a hot and
crowded room, of a phial of something pungent hidden in her
handkerchief.
The world lay before her--she could do whatever she chose. There
was a deep thrill in it all, but for the present her choice was
tolerably discreet; she chose simply to walk back from Euston
Square to her hotel. The early dusk of a November afternoon had
already closed in; the street-lamps, in the thick, brown air,
looked weak and red; our heroine was unattended and Euston Square
was a long way from Piccadilly. But Isabel performed the journey
with a positive enjoyment of its dangers and lost her way almost
on purpose, in order to get more sensations, so that she was
disappointed when an obliging policeman easily set her right
again. She was so fond of the spectacle of human life that she
enjoyed even the aspect of gathering dusk in the London streets--
the moving crowds, the hurrying cabs, the lighted shops, the
flaring stalls, the dark, shining dampness of everything.
Apologies, Mrs. Touchett intimated, were of no more use to her
than bubbles, and she herself never dealt in such articles.
One either did the thing or one didn't, and what one "would"
have done belonged to the sphere of the irrelevant, like the
idea of a future life or of the origin of things.
Isabel found much to interest her in these countries, though
Madame Merle continued to remark that even among the most
classic sites, the scenes most calculated to suggest repose
and reflexion, a certain incoherence prevailed in her. Isabel
travelled rapidly and recklessly; she was like a thirsty person
draining cup after cup. Madame Merle meanwhile, as lady-in-waiting
to a princess circulating incognita, panted a little in her rear.
Into this freshness of Madame Merle's she obtained a considerable
insight; she seemed to see it as professional, as slightly
mechanical, carried about in its case like the fiddle of the
virtuoso, or blanketed and bridled like the "favourite" of the
jockey. She liked her as much as ever, but there was a corner
of the curtain that never was lifted; it was as if she had
remained after all something of a public performer, condemned
to emerge only in character and in costume.
She believed then that at bottom she had a different morality. Of
course the morality of civilised persons has always much in
common; but our young woman had a sense in her of values gone
wrong or, as they said at the shops, marked down. She considered,
with the presumption of youth, that a morality differing from her
own must be inferior to it; and this conviction was an aid to
detecting an occasional flash of cruelty, an occasional lapse
from candour, in the conversation of a person who had raised
delicate kindness to an art and whose pride was too high for the
narrow ways of deception. Her conception of human motives might,
in certain lights, have been acquired at the court of some
kingdom in decadence, and there were several in her list of which
our heroine had not even heard. She had not heard of everything,
that was very plain; and there were evidently things in the world
of which it was not advantageous to hear.She had once or twice
had a positive scare; since it so affected her to have to exclaim,
of her friend, "Heaven forgive her, she doesn't understand me!"
Absurd as it may seem this discovery operated as a shock, left
her with a vague dismay in which there was even an element of
foreboding. The dismay of course subsided, in the light of some
sudden proof of Madame Merle's remarkable intelligence; but it
stood for a high-water-mark in the ebb and flow of confidence.
Madame Merle had once declared her belief that when a friendship
ceases to grow it immediately begins to decline--there being no
point of equilibrium between liking more and liking less. A stationary
affection, in other words, was impossible--it must move one way or
the other.
What he would say to her-- that was the interesting issue. It
could be nothing in the least soothing--she had warrant for
this, and the conviction doubtless showed in the cloud on her
brow. For the rest, however, all clearness reigned in her; she
had put away her mourning and she walked in no small shimmering
splendour. She only, felt older-- ever so much, and as if she
were "worth more" for it, like some curious piece in an
antiquary's collection.
-------------------------------------------------------------
"No, I'm not at all tired. Did you ever know me to be tired?"
"Never; I wish I had! When did you arrive?"
"Last night, very late; in a kind of snail-train they call the
express. These Italian trains go at about the rate of an American
funeral."
"That's in keeping--you must have felt as if you were coming to
bury me!" And she forced a smile of encouragement to an easy view
of their situation. She had reasoned the matter well out, making
it perfectly clear that she broke no faith and falsified no
contract; but for all this she was afraid of her visitor. She was
ashamed of her fear; but she was devoutly thankful there was
nothing else to be ashamed of. He looked at her with his stiff
insistence, an insistence in which there was such a want of tact;
especially when the dull dark beam in his eye rested on her as a
physical weight.
"No, I didn't feel that; I couldn't think of you as dead. I wish
I could!" he candidly declared.
"I thank you immensely."
"I'd rather think of you as dead than as married to another man."
"That's very selfish of you!" she returned with the ardour of a
real conviction. "If you're not happy yourself others have yet a
right to be."
"Very likely it's selfish; but I don't in the least mind your
saying so. I don't mind anything you can say now--I don't feel
it. The cruellest things you could think of would be mere
pin-pricks. After what you've done I shall never feel anything--
I mean anything but that. That I shall feel all my life."
Mr. Goodwood made these detached assertions with dry deliberateness,
in his hard, slow American tone, which flung no atmospheric colour
over propositions intrinsically crude. The tone made Isabel angry
rather than touched her; but her anger perhaps was fortunate,
inasmuch as it gave her a further reason for controlling herself.
-------------------------------------------------------------
Isabel got up with a movement of repressed impatience and walked
to the window, where she remained a moment looking out. When she
turned round her visitor was still motionless in his place. She
came toward him again and stopped, resting her hand on the back
of the chair she had just quitted. "Do you mean you came simply
to look at me? That's better for you perhaps than for me."
"I wished to hear the sound of your voice," he said.
"You've heard it, and you see it says nothing very sweet."
"It gives me pleasure, all the same." And with this he got up.
She had felt pain and displeasure on receiving early that day the
news he was in Florence and by her leave would come within an
hour to see her. She had been vexed and distressed, though she
had sent back word by his messenger that he might come when he
would. She had not been better pleased when she saw him; his
being there at all was so full of heavy implications. It implied
things she could never assent to--rights, reproaches,
remonstrance, rebuke, the expectation of making her change her
purpose. These things, however, if implied, had not been
expressed; and now our young lady, strangely enough, began to
resent her visitor's remarkable self-control. There was a dumb
misery about him that irritated her; there was a manly staying of
his hand that made her heart beat faster. She felt her agitation
rising, and she said to herself that she was angry in the way a
woman is angry when she has been in the wrong. She was not in the
wrong; she had fortunately not that bitterness to swallow; but,
all the same, she wished he would denounce her a little.
Her humbleness as suddenly deserted her. "In explanation? Do you
think I'm bound to explain?"
He gave her one of his long dumb looks. "You were very positive.
I did believe it."
"So did I. Do you think I could explain if I would?"
"No, I suppose not. Well," he added, "I've done what I wished.
I've seen you."
"How little you make of these terrible journeys," she felt the
poverty of her presently replying.
"If you're afraid I'm knocked up--in any such way as that--you
may be at your ease about it." He turned away, this time in
earnest, and no hand-shake, no sign of parting, was exchanged
between them.
At the door he stopped with his hand on the knob. "I shall leave
Florence to-morrow," he said without a quaver.
"I'm delighted to hear it!" she answered passionately. Five
minutes after he had gone out she burst into tears.
He had said rather less than she expected, and she now had a
somewhat angry sense of having lost time. But she would lose
no more; she waited till Mrs. Touchett came into the drawing-
room before the mid-day breakfast, and then she began. "Aunt
Lydia, I've something to tell you."
Mrs. Touchett gave a little jump and looked at her almost
fiercely. "You needn't tell me; I know what it is."
"I don't know how you know."
"The same way that I know when the window's open--by feeling a
draught. You're going to marry that man."
-------------------------------------------------------------
"Be angry with me, not with him," said the girl.
"Oh, I'm always angry with you; that's no satisfaction! Was it
for this that you refused Lord Warburton?"
"Please don't go back to that. Why shouldn't I like Mr. Osmond,
since others have done so?"
"Others, at their wildest moments, never wanted to marry him.
There's nothing OF him," Mrs. Touchett explained.
"Then he can't hurt me," said Isabel.
"Do you think you're going to be happy? No one's happy, in such
doings, you should know."
"I shall set the fashion then. What does one marry for?"
"What YOU will marry for, heaven only knows. People usually marry
as they go into partnership--to set up a house. But in your
partnership you'll bring everything."
"Is it that Mr. Osmond isn't rich? Is that what you're talking
about?" Isabel asked.
"He has no money; he has no name; he has no importance. I value
such things and I have the courage to say it; I think they're very
precious. Many other people think the same, and they show it. But
they give some other reason."
Isabel hesitated a little. "I think I value everything that's
valuable. I care very much for money, and that's why I wish Mr.
Osmond to have a little."
"Give it to him then; but marry some one else."
-------------------------------------------------------------
"She can do anything; that's what I've always liked her for. I
knew she could play any part; but I understood that she played
them one by one. I didn't understand that she would play two at
the same time."
"I don't know what part she may have played to you," Isabel said;
"that's between yourselves. To me she has been honest and kind
and devoted."
"Devoted, of course; she wished you to marry her candidate. She
told me she was watching you only in order to interpose."
"She said that to please you," the girl answered; conscious,
however, of the inadequacy of the explanation.
"To please me by deceiving me? She knows me better. Am I pleased
to-day?"
"I don't think you're ever much pleased," Isabel was obliged to
reply. "If Madame Merle knew you would learn the truth what had
she to gain by insincerity?"
"She gained time, as you see. While I waited for her to interfere
you were marching away, and she was really beating the drum."
Blighted and battered, but still responsive and still ironic,
his face was like a lighted lantern patched with paper and
unsteadily held; his thin whisker languished upon a lean cheek;
the exorbitant curve of his nose defined itself more sharply.
Lean he was altogether, lean and long and loose-jointed; an
accidental cohesion of relaxed angles. His brown velvet jacket
had become perennial; his hands had fixed themselves in his
pockets; he shambled and stumbled and shuffled in a manner that
denoted great physical helplessness. It was perhaps this
whimsical gait that helped to mark his character more than ever
as that of the humorous invalid--the invalid for whom even his
own disabilities are part of the general joke. They might well
indeed with Ralph have been the chief cause of the want of
seriousness marking his view of a world in which the reason for
his own continued presence was past finding out. Isabel had grown
fond of his ugliness; his awkwardness had become dear to her. They
had been sweetened by association; they struck her as the very
terms on which it had been given him to be charming. He was so
charming that her sense of his being ill had hitherto had a sort
of comfort in it; the state of his health had seemed not a
limitation, but a kind of intellectual advantage; it absolved him
from all professional and official emotions and left him the
luxury of being exclusively personal. The personality so
resulting was delightful; he had remained proof against the
staleness of disease; he had had to consent to be deplorably ill,
yet had somehow escaped being formally sick. Such had been the
girl's impression of her cousin; and when she had pitied him it
was only on reflection. As she reflected a good deal she had
allowed him a certain amount of compassion; but she always
had a dread of wasting that essence--a precious article, worth
more to the giver than to any one else. Now, however, it took no
great sensibility to feel that poor Ralph's tenure of life was
less elastic than it should be. He was a bright, free, generous
spirit, he had all the illumination of wisdom and none of its
pedantry, and yet he was distressfully dying.
Isabel noted afresh that life was certainly hard for some people,
and she felt a delicate glow of shame as she thought how easy it
now promised to become for herself.
His mother had literally greeted him with the great news,
which had been even more sensibly chilling than Mrs. Touchett's
maternal kiss. Ralph was shocked and humiliated; his calculations
had been false and the person in the world in whom he was most
interested was lost. He drifted about the house like a rudderless
vessel in a rocky stream, or sat in the garden of the palace on
a great cane chair, his long legs extended, his head thrown back
and his hat pulled over his eyes. He felt cold about the heart;
he had never liked anything less. What could he do, what could
he say? If the girl were irreclaimable could he pretend to like
it? To attempt to reclaim her was permissible only if the attempt
should succeed. To try to persuade her of anything sordid or
sinister in the man to whose deep art she had succumbed would
be decently discreet only in the event of her being persuaded.
Otherwise he should simply have damned himself. It cost him
an equal effort to speak his thought and to dissemble; he
could neither assent with sincerity nor protest with hope.
A sweeter spot at this moment could not have been imagined.
The stillness of noontide hung over it, and the warm shade,
enclosed and still, made bowers like spacious caves. Ralph
was sitting there in the clear gloom, at the base of a statue
of Terpsichore--a dancing nymph with taper fingers and inflated
draperies in the manner of Bernini; the extreme relaxation of
his attitude suggested at first to Isabel that he was asleep.
-------------------------------------------------------------
"I'm sorry I waked you," Isabel said; "you look too tired."
"I feel too tired. But I was not asleep. I was thinking of you."
"Are you tired of that?"
"Very much so. It leads to nothing. The road's long and I never
arrive."
"What do you wish to arrive at?" she put to him, closing her
parasol.
"At the point of expressing to myself properly what I think of
your engagement."
"Don't think too much of it," she lightly returned.
"Do you mean that it's none of my business?"
"Beyond a certain point, yes."
"That's the point I want to fix. I had an idea you may have found
me wanting in good manners. I've never congratulated you."
-------------------------------------------------------------
"I think I've hardly got over my surprise," he went on at last.
"You were the last person I expected to see caught."
"I don't know why you call it caught."
"Because you're going to be put into a cage."
"If I like my cage, that needn't trouble you," she answered.
"That's what I wonder at; that's what I've been thinking of."
"If you've been thinking you may imagine how I've thought! I'm
satisfied that I'm doing well."
"You must have changed immensely. A year ago you valued your
liberty beyond everything. You wanted only to see life."
"I've seen it," said Isabel. "It doesn't look to me now, I admit,
such an inviting expanse."
"I don't pretend it is; only I had an idea that you took a genial
view of it and wanted to survey the whole field."
"I've seen that one can't do anything so general. One must choose
a corner and cultivate that."
"That's what I think. And one must choose as good a corner as
possible. I had no idea, all winter, while I read your delightful
letters, that you were choosing. You said nothing about it, and
your silence put me off my guard."
"It was not a matter I was likely to write to you about. Besides,
I knew nothing of the future. It has all come lately. If you had
been on your guard, however," Isabel asked, "what would you have
done?"
"I should have said 'Wait a little longer.'"
"Wait for what?"
"Well, for a little more light," said Ralph with rather an absurd
smile, while his hands found their way into his pockets.
"Where should my light have come from? From you?"
"I might have struck a spark or two."
Isabel had drawn off her gloves; she smoothed them out as they lay
upon her knee. The mildness of this movement was accidental, for
her expression was not conciliatory. "You're beating about the
bush, Ralph. You wish to say you don't like Mr. Osmond, and yet
you're afraid."
"Willing to wound and yet afraid to strike? I'm willing to
wound HIM, yes--but not to wound you. I'm afraid of you, not of
him. If you marry him it won't be a fortunate way for me to have
spoken."
"IF I marry him! Have you had any expectation of dissuading me?"
"Of course that seems to you too fatuous."
"No," said Isabel after a little; "it seems to me too touching."
"That's the same thing. It makes me so ridiculous that you pity
me."
She stroked out her long gloves again. "I know you've a great
affection for me. I can't get rid of that."
"For heaven's sake don't try. Keep that well in sight. It will
convince you how intensely I want you to do well."
-------------------------------------------------------------
"No, I'm very quiet; I've always believed in your wisdom," she went
on, boasting of her quietness, yet speaking with a kind of
contained exaltation. It was her passionate desire to be just; it
touched Ralph to the heart, affected him like a caress from a
creature he had injured. He wished to interrupt, to reassure her;
for a moment he was absurdly inconsistent; he would have retracted
what he had said.
-------------------------------------------------------------
"I had treated myself to a charming vision of your future," Ralph
observed without answering this; "I had amused myself with
planning out a high destiny for you. There was to be nothing of
this sort in it. You were not to come down so easily or so soon."
"Come down, you say?"
"Well, that renders my sense of what has happened to you. You
seemed to me to be soaring far up in the blue--to be, sailing in
the bright light, over the heads of men. Suddenly some one tosses
up a faded rosebud--a missile that should never have reached
you--and straight you drop to the ground. It hurts me," said Ralph
audaciously, "hurts me as if I had fallen myself!"
-------------------------------------------------------------
"He's the incarnation of taste," Ralph went on, thinking hard how
he could best express Gilbert Osmond's sinister attributes without
putting himself in the wrong by seeming to describe him coarsely.
He wished to describe him impersonally, scientifically. "He judges
and measures, approves and condemns, altogether by that."
"It's a happy thing then that his taste should be exquisite."
"It's exquisite, indeed, since it has led him to select you as his
bride. But have you ever seen such a taste--a really exquisite
one--ruffled?"
"I hope it may never be my fortune to fail to gratify my
husband's."
At these words a sudden passion leaped to Ralph's lips. "Ah,
that's wilful, that's unworthy of you! You were not meant to be
measured in that way--you were meant for something better than to
keep guard over the sensibilities of a sterile dilettante!"
-------------------------------------------------------------
"I can't enter into your idea of Mr. Osmond; I can't do it
justice, because I see him in quite another way. He's not
important--no, he's not important; he's a man to whom importance
is supremely indifferent. If that's what you mean when you call
him 'small,' then he's as small as you please. I call that l
large--it's the largest thing I know."
She was wrong, but she believed; she was deluded, but she was
dismally consistent. It was wonderfully characteristic of her
that, having invented a fine theory, about Gilbert Osmond, she
loved him not for what he really possessed, but for his very
poverties dressed out as honours. Ralph remembered what he had
said to his father about wishing to put it into her power to
meet the requirements of her imagination. He had done so, and
the girl had taken full advantage of the luxury. Poor Ralph
felt sick; he felt ashamed.
His opposition had made her own conception of her
conduct clearer to her. "Shall you not come up to
breakfast?" she asked.
"No; I want no breakfast; I'm not hungry."
"You ought to eat," said the girl; "you live on air."
"I do, very much, and I shall go back into the garden
and take another mouthful. I came thus far simply to
say this. I told you last year that if you were to get
into trouble I should feel terribly sold. That's how
I feel to-day."
"Do you think I'm in trouble?"
"One's in trouble when one's in error."
"Very well," said Isabel; "I shall never complain of my
trouble to you!" And she moved up the staircase.
Ralph, standing there with his hands in his pockets,
followed her with his eyes; then the lurking chill of
the high-walled court struck him and made him shiver,
so that he returned to the garden to breakfast on the
Florentine sunshine.
The chief impression produced on Isabel's spirit by this
criticism was that the passion of love separated its victim
terribly from every one but the loved object. She felt herself
disjoined from every one she had ever known before--from her
two sisters, who wrote to express a dutiful hope that she would
be happy, and a surprise, somewhat more vague, at her not having
chosen a consort who was the hero of a richer accumulation of
anecdote;
Isabel flattered herself that she believed Ralph had been angry.
It was the more easy for her to believe this because, as I say,
she had now little free or unemployed emotion for minor needs,
and accepted as an incident, in fact quite as an ornament, of
her lot the idea that to prefer Gilbert Osmond as she preferred
him was perforce to break all other ties. She tasted of the sweets
of this preference, and they made her conscious, almost with awe,
of the invidious and remorseless tide of the charmed and
possessed condition, great as was the traditional honour and
imputed virtue of being in love. It was the tragic part of
happiness; one's right was always made of the wrong of some one
else.
Madame Merle had made him a present of incalculable value.
What could be a finer thing to live with than a high spirit
attuned to softness? For would not the softness be all for
one's self, and the strenuousness for society, which admired
the air of superiority? What could be a happier gift in a
companion than a quick, fanciful mind which saved one
repetitions and reflected one's thought on a polished, elegant
surface? Osmond hated to see his thought reproduced literally--
that made it look stale and stupid; he preferred it to be
freshened in the reproduction even as "words" by music. His
egotism had never taken the crude form of desiring a dull wife;
this lady's intelligence was to be a silver plate, not an earthen
one--a plate that he might heap up with ripe fruits, to which it
would give a decorative value, so that talk might become for him a
sort of served dessert. He found the silver quality in this
perfection in Isabel; he could tap her imagination with his
knuckle and make it ring.
"I won't pretend I'm sorry you're rich; I'm delighted. I
delight in everything that's yours--whether it be money or
virtue. Money's a horrid thing to follow, but a charming thing
to meet. It seems to me, however, that I've sufficiently proved
the limits of my itch for it: I never in my life tried to earn
a penny, and I ought to be less subject to suspicion than most
of the people one sees grubbing and grabbing."
"Theoretically I was satisfied, as I once told you. I flattered
myself I had limited my wants. But I was subject to irritation;
I used to have morbid, sterile, hateful fits of hunger, of desire.
Now I'm really satisfied, because I can't think of anything better.
It's just as when one has been trying to spell out a book in the
twilight and suddenly the lamp comes in. I had been putting out
my eyes over the book of life and finding nothing to reward me
for my pains; but now that I can read it properly I see it's a
delightful story. My dear girl, I can't tell you how life seems
to stretch there before us--what a long summer afternoon awaits
us. It's the latter half of an Italian day --with a golden haze,
and the shadows just lengthening, and that divine delicacy in the
light, the air, the landscape, which I have loved all my life and
which you love to-day. Upon my honour, I don't see why we shouldn't
get on. We've got what we like--to say nothing of having each other.
We've the faculty of admiration and several capital convictions. We're
not stupid, we're not mean, we're not under bonds to any kind of
ignorance or dreariness. You're remarkably fresh, and I'm remarkably
well-seasoned. We've my poor child to amuse us; we'll try and make
up some little life for her. It's all soft and mellow--it has the
Italian colouring."
Osmond had the attachment of old acquaintance and Isabel the
stimulus of new, which seemed to assure her a future at a high
level of consciousness of the beautiful. The desire for unlimited
expansion had been succeeded in her soul by the sense that life
was vacant without some private duty that might gather one's
energies to a point.
"You'll be my stepmother, but we mustn't use that word. They're
always said to be cruel; but I don't think you'll ever so much
as pinch or even push me. I'm not afraid at all."
"My good little Pansy," said Isabel gently, "I shall be ever so
kind to you." A vague, inconsequent vision of her coming in some
odd way to need it had intervened with the effect of a chill.
"Very well then, I've nothing to fear," the child returned with
her note of prepared promptitude. What teaching she had had, it
seemed to suggest--or what penalties for non-performance she
dreaded!
He had made to a certain extent good use of his time; he had
devoted it in vain to finding a flaw in Pansy Osmond's composition.
She was admirably finished; she had had the last touch; she was
really a consummate piece. He thought of her in amorous meditation
a good deal as he might have thought of a Dresden-china shepherdess.
Miss Osmond, indeed, in the bloom of her juvenility, had a hint of
the rococo which Rosier, whose taste was predominantly for that
manner, could not fail to appreciate.
-------------------------------------------------------------
"I'm awfully decent, you know," said Rosier earnestly. "I won't
say I've no faults, but I'll say I've no vices."
"All that's negative, and it always depends, also, on what people
call vices. What's the positive side? What's the virtuous? What
have you got besides your Spanish lace and your Dresden teacups?"
"I've a comfortable little fortune--about forty thousand francs a
year. With the talent I have for arranging, we can live
beautifully on such an income."
"Beautifully, no. Sufficiently, yes. Even that depends on where
you live."
"Well, in Paris. I would undertake it in Paris."
Madame Merle's mouth rose to the left. "It wouldn't be famous;
you'd have to make use of the teacups, and they'd get broken."
"We don't want to be famous. If Miss Osmond should have everything
pretty it would be enough. When one's as pretty as she one can
afford--well, quite cheap faience. She ought never to wear
anything but muslin--without the sprig," said Rosier reflectively.
"Wouldn't you even allow her the sprig? She'd be much obliged to
you at any rate for that theory."
"It's the correct one, I assure you; and I'm sure she'd enter into
it. She understands all that; that's why I love her."
-------------------------------------------------------------
"We've not exactly made out that you're a parti. The absence
of vices is hardly a source of income."
"Pardon me, I think it may be," said Rosier quite lucidly.
"You'll be a touching couple, living on your innocence!"
"I think you underrate me."
"You're not so innocent as that? Seriously," said Madame Merle,
"of course forty thousand francs a year and a nice character are a
combination to be considered. I don't say it's to be jumped at,
but there might be a worse offer. Mr. Osmond, however, will
probably incline to believe he can do better."
-------------------------------------------------------------
"I who am not innocent? By being very crafty. Leave it to me; I'll
find
out for you."
Rosier got up and stood smoothing his hat. "You say that rather
coldly.
Don't simply find out how it is, but try to make it as it
should be."
"I'll do my best. I'll try to make the most of your advantages."
"Thank you so very much. Meanwhile then I'll say a word to
Mrs.
Osmond."
"Gardez-vous-en bien!" And Madame Merle was on her feet. "Don't
set her going, or you'll spoil everything."
Rosier gazed into his hat; he wondered whether his hostess HAD
been after
all the right person to come to. "I don't think I
understand you. I'm an old
friend of Mrs. Osmond, and I think she
would like me to succeed."
"Be an old friend as much as you like; the more old friends she
has the better, for she doesn't get on very well with some of her
new. But don't for the present try to make her take up the cudgels
for you. Her husband may have
other views, and, as a person who
wishes her well, I advise you not to multiply points of difference
between them."
-------------------------------------------------------------
It certainly was true that he had known Madame Merle only for
the last month, and that his thinking her a delightful woman
was not, when one came to look into it, a reason for assuming
that she would be eager to push Pansy Osmond into his arms,
gracefully arranged as these members might be to receive her.
The object of Mr. Rosier's well-regulated affection dwelt
in a high house in the very heart of Rome; a dark and massive
structure overlooking a sunny piazzetta in the neighbourhood
of the Farnese Palace. In a palace, too, little Pansy lived--
a palace by Roman measure, but a dungeon to poor Rosier's
apprehensive mind. It seemed to him of evil omen that the
young lady he wished to marry, and whose fastidious father he
doubted of his ability to conciliate, should be immured in a kind
of domestic fortress, a pile which bore a stern old Roman name,
which smelt of historic deeds, of crime and craft and violence,
which was mentioned in "Murray" and visited by tourists who
looked, on a vague survey, disappointed and depressed, and which
had frescoes by Caravaggio in the piano nobile and a row of
mutilated statues and dusty urns in the wide, nobly-arched
loggia overhanging the damp court where a fountain gushed out
of a mossy niche.
Osmond stood before the chimney, leaning back with his
hands behind him; he had one foot up and was warming
the sole. Half a dozen persons, scattered near him,
were talking together; but he was not in the conversation;
his eyes had an expression, frequent with them, that seemed
to represent them as engaged with objects more worth their
while than the appearances actually thrust upon them.
-------------------------------------------------------------
Osmond answered nothing at first; but presently, while he warmed
his boot-sole, "I don't care a fig for Capo di Monte!" he
returned.
"I hope you're not losing your interest?"
"In old pots and plates? Yes, I'm losing my interest."
Rosier for an instant forgot the delicacy of his position. "You're
not thinking of parting with a--a piece or two?"
"No, I'm not thinking of parting with anything at all, Mr.
Rosier," said Osmond, with his eyes still on the eyes of his
visitor.
"Ah, you want to keep, but not to add," Rosier remarked brightly.
"Exactly. I've nothing I wish to match."
Poor Rosier was aware he had blushed; he was distressed at his
want of assurance. "Ah, well, I have!" was all he could murmur;
-------------------------------------------------------------
Like his appreciation of her dear little stepdaughter it
was based partly on his eye for decorative character, his
instinct for authenticity; but also on a sense for uncatalogued
values, for that secret of a "lustre" beyond any recorded
losing or rediscovering, which his devotion to brittle wares
had still not disqualified him to recognise. Mrs. Osmond, at
present, might well have gratified such tastes. The years had
touched her only to enrich her; the flower of her youth had
not faded, it only hung more quietly on its stem.
-------------------------------------------------------------
"I want to introduce you to a young lady."
"Ah, please, what young lady?" Rosier was immensely obliging;
but this was not what he had come for.
"She sits there by the fire in pink and has no one to speak to."
Rosier hesitated a moment. "Can't Mr. Osmond speak to her? He's
within six feet of her."
Mrs. Osmond also hesitated. "She's not very lively, and he
doesn't like dull people."
"But she's good enough for me? Ah now, that's hard!"
"I only mean that you've ideas for two. And then you're so
obliging."
"No, he's not--to me." And Mrs. Osmond vaguely smiled.
-------------------------------------------------------------
Style? Why, she had the style of a little princess; if you
couldn't see it you had no eye. It was not modern, it was not
conscious, it would produce no impression in Broadway; the small,
serious damsel, in her stiff little dress, only looked like an
Infanta of Velasquez. This was enough for Edward Rosier, who
thought her delightfully old-fashioned. Her anxious eyes, her
charming lips, her slip of a figure, were as touching as a
childish prayer. He had now an acute desire to know just to what
point she liked him--a desire which made him fidget as he sat in
his chair. It made him feel hot, so that he had to pat his
forehead with his handkerchief; he had never been so uncomfortable.
She was such a perfect jeune fille, and one couldn't make of a
jeune fille the enquiry requisite for throwing light on such a
point.
He had never been alone with her before; he had never been
alone with a jeune fille. It was a great moment; poor Rosier
began to pat his forehead again. There was another room beyond
the one in which they stood--a small room that had been thrown
open and lighted, but that, the company not being numerous, had
remained empty all the evening. It was empty yet; it was upholstered
in pale yellow; there were several lamps; through the open door
it looked the very temple of authorised love.
"To see me?" And Pansy raised her vaguely troubled eyes.
"To see you; that's what I come for," Rosier repeated, feeling
the intoxication of a rupture with authority.
Pansy stood looking at him, simply, intently, openly; a blush was
not needed to make her face more modest. "I thought it was for
that."
"And it was not disagreeable to you?"
"I couldn't tell; I didn't know. You never told me," said Pansy.
"I was afraid of offending you."
"You don't offend me," the young girl murmured, smiling as if an
angel had kissed her.
"You like me then, Pansy?" Rosier asked very gently, feeling very
happy.
"Yes--I like you."
They had walked to the chimney-piece where the big cold Empire
clock was perched; they were well within the room and beyond
observation from without. The tone in which she had said these
four words seemed to him the very breath of nature, and his only
answer could be to take her hand and hold it a moment. Then he
raised it to his lips. She submitted, still with her pure,
trusting smile, in which there was something ineffably passive.
She liked him--she had liked him all the while; now anything
might happen! She was ready--she had been ready always, waiting
for him to speak. If he had not spoken she would have waited for
ever; but when the word came she dropped like the peach from the
shaken tree.
-------------------------------------------------------------
"Do you wish to see him?" Osmond asked in a provokingly
pointless tone.
Madame Merle looked at him a moment; she knew each of his tones
to the eighth of a note. "Yes, I should like to say to him that
I've told you what he wants, and that it interests you but
feebly."
"Don't tell him that. He'll try to interest me more--which is
exactly what I don't want. Tell him I hate his proposal."
"But you don't hate it."
"It doesn't signify; I don't love it. I let him see that, myself,
this evening; I was rude to him on purpose. That sort of thing's
a great bore. There's no hurry."
"I'll tell him that you'll take time and think it over."
"No, don't do that. He'll hang on."
"If I discourage him he'll do the same."
"Yes, but in the one case he'll try to talk and explain--which
would be exceedingly tiresome. In the other he'll probably hold
his tongue and go in for some deeper game. That will leave me
quiet. I hate talking with a donkey."
"Is that what you call poor Mr. Rosier?"
"Oh, he's a nuisance--with his eternal majolica."
Madame Merle dropped her eyes; she had a faint smile. "He's a
gentleman, he has a charming temper; and, after all, an income of
forty thousand francs!"
"It's misery--'genteel' misery," Osmond broke in. "It's not what
I've dreamed of for Pansy."
-------------------------------------------------------------
"I'm glad that you can take a hint," Pansy's father said, slightly
closing his keen, conscious eyes.
"I take no hints. But I took a message, as I supposed it to be."
"You took it? Where did you take it?"
It seemed to poor Rosier he was being insulted, and he waited a
moment, asking himself how much a true lover ought to submit to.
"Madame Merle gave me, as I understood it, a message from you--
to the effect that you declined to give me the opportunity I
desire, the opportunity to explain my wishes to you." And he
flattered himself he spoke rather sternly.
"I don't see what Madame Merle has to do with it. Why did you
apply to Madame Merle?"
"I asked her for an opinion--for nothing more. I did so because
she had seemed to me to know you very well."
"She doesn't know me so well as she thinks," said Osmond.
"I'm sorry for that, because she has given me some little ground
for hope."
Osmond stared into the fire a moment. "I set a great price on my
daughter."
"You can't set a higher one than I do. Don't I prove it by wishing
to marry her?"
"I wish to marry her very well," Osmond went on with a dry
impertinence which, in another mood, poor Rosier would have
admired.
"Of course I pretend she'd marry well in marrying me. She
couldn't marry a man who loves her more--or whom, I may venture to
add, she loves more."
"I'm not bound to accept your theories as to whom my daughter
loves"--and Osmond looked up with a quick, cold smile.
"I'm not theorising. Your daughter has spoken."
"Not to me," Osmond continued, now bending forward a little and
dropping his eyes to his boot-toes.
"I have her promise, sir!" cried Rosier with the sharpness of
exasperation.
-------------------------------------------------------------
"He told me you had forgotten me."
"Ah no, I don't forget," said Pansy, showing her pretty teeth in
a fixed smile.
"Then everything's just the very same?"
"Ah no, not the very same. Papa has been terribly severe."
"What has he done to you?"
"He asked me what you had done to me, and I told him everything.
Then he forbade me to marry you."
"You needn't mind that."
"Oh yes, I must indeed. I can't disobey papa."
"Not for one who loves you as I do, and whom you pretend to
love?"
She raised the lid of the tea-pot, gazing into this vessel for a
moment; then she dropped six words into its aromatic depths. "I
love you just as much."
"What good will that do me?"
"Ah," said Pansy, raising her sweet, vague eyes, "I don't know
that."
"You disappoint me," groaned poor Rosier.
She was silent a little; she handed a tea-cup to a servant.
"Please don't talk any more."
"Is this to be all my satisfaction?"
"Papa said I was not to talk with you."
"Do you sacrifice me like that? Ah, it's too much!"
"I wish you'd wait a little," said the girl in a voice just
distinct enough to betray a quaver.
"Of course I'll wait if you'll give me hope. But you take my life
away."
"I'll not give you up--oh no!" Pansy went on.
Isabel had been secretly disappointed at her husband's not seeing
his way simply to take the poor girl for funny. She even wondered
if his sense of fun, or of the funny--which would be his sense of
humour, wouldn't it?--were by chance defective. Of course she
herself looked at the matter as a person whose present happiness
had nothing to grudge to Henrietta's violated conscience. Osmond
had thought their alliance a kind of monstrosity; he couldn't
imagine what they had in common. For him, Mr. Bantling's fellow
tourist was simply the most vulgar of women, and he had also
pronounced her the most abandoned. Against this latter clause
of the verdict Isabel had appealed with an ardour that had made
him wonder afresh at the oddity of some of his wife's tastes.
Isabel could explain it only by saying that she liked to know
people who were as different as possible from herself. "Why then
don't you make the acquaintance of your washerwoman?"
He had asked his mother what she was making of her life, and
his mother had simply answered that she supposed she was making
the best of it. Mrs. Touchett had not the imagination that
communes with the unseen, and she now pretended to no intimacy
with her niece, whom she rarely encountered. This young woman
appeared to be living in a sufficiently honourable way, but
Mrs. Touchett still remained of the opinion that her marriage
had been a shabby affair. It had given her no pleasure to think
of Isabel's establishment, which she was sure was a very lame
business.
Madame Merle's relations with Mrs. Touchett had undergone a
perceptible change. Isabel's aunt had told her, without
circumlocution, that she had played too ingenious a part; and
Madame Merle, who never quarrelled with any one, who appeared to
think no one worth it, and who had performed the miracle of
living, more or less, for several years with Mrs. Touchett and
showing no symptom of irritation--Madame Merle now took a very
high tone and declared that this was an accusation from which she
couldn't stoop to defend herself.
Slender still, but lovelier than before, she had gained no
great maturity of aspect; yet there was an amplitude and a
brilliancy in her personal arrangements that gave a touch of
insolence to her beauty.Poor human-hearted Isabel, what
perversity had bitten her? Her light step drew a mass of
drapery behind it; her intelligent head sustained a majesty of
ornament. The free, keen girl had become quite another person;
what he saw was the fine lady who was supposed to represent
something. What did Isabel represent? Ralph asked himself; and he
could only answer by saying that she represented Gilbert Osmond.
"Good heavens, what a function!" he then woefully exclaimed.
He recognised Osmond, as I say; he recognised him at every turn.
He saw how he kept all things within limits; how he adjusted,
regulated, animated their manner of life. Osmond was in his
element; at last he had material to work with. He always had an
eye to effect, and his effects were deeply calculated. They were
produced by no vulgar means, but the motive was as vulgar as the
art was great. To surround his interior with a sort of invidious
sanctity, to tantalise society with a sense of exclusion, to make
people believe his house was different from every other, to
impart to the face that he presented to the world a cold
originality--this was the ingenious effort of the personage to
whom Isabel had attributed a superior morality.
Osmond lived exclusively for the world. Far from being its
master as he pretended to be, he was its very humble servant,
and the degree of its attention was his only measure of
success. He lived with his eye on it from morning till night, and
the world was so stupid it never suspected the trick. Everything
he did was pose--pose so subtly considered that if one were not
on the lookout one mistook it for impulse. Ralph had never met a
man who lived so much in the land of consideration. His tastes,
his studies, his accomplishments, his collections, were all for a
purpose. His life on his hill-top at Florence had been the
conscious attitude of years. His solitude, his ennui, his love
for his daughter, his good manners, his bad manners, were so many
features of a mental image constantly present to him as a model
of impertinence and mystification. His ambition was not to please
the world, but to please himself by exciting the world's
curiosity and then declining to satisfy it. It had made him feel
great, ever, to play the world a trick. The thing he had done in
his life most directly to please himself was his marrying Miss
Archer; though in this case indeed the gullible world was in a
manner embodied in poor Isabel, who had been mystified to the top
of her bent.
He was not jealous--he had not that excuse; no one could
be jealous of Ralph. But he made Isabel pay for her old-time
kindness, of which so much was still left; and as Ralph
had no idea of her paying too much, so when his suspicion had
become sharp, he had taken himself off. In doing so he had
deprived Isabel of a very interesting occupation: she had been
constantly wondering what fine principle was keeping him alive.
She had decided that it was his love of conversation; his
conversation had been better than ever. He had given up walking;
be was no longer a humorous stroller. He sat all day in a chair
--almost any chair would serve, and was so dependent on what you
would do for him that, had not his talk been highly
contemplative, you might have thought he was blind.
-------------------------------------------------------------
"In your place I should like it."
"Her husband won't like it."
"Ah well, I can fancy that; though it seems to me you're not
bound to mind his likings. They're his affair."
"I don't want to make any more trouble between them," said Ralph.
"Is there so much already?"
"There's complete preparation for it. Her going off with me would
make the explosion. Osmond isn't fond of his wife's cousin."
"Then of course he'd make a row. But won't he make a row if you
stop here?"
"That's what I want to see. He made one the last time I was in
Rome, and then I thought it my duty to disappear. Now I think
it's my duty to stop and defend her."
"My dear Touchett, your defensive powers--!" Lord Warburton began
with a smile. But he saw something in his companion's face that
checked him. "Your duty, in these premises, seems to me rather a
nice question," he observed instead.
Ralph for a short time answered nothing. "It's true that my
defensive powers are small," he returned at last; "but as my
aggressive ones are still smaller Osmond may after all not think
me worth his gunpowder. At any rate," he added, "there are things
I'm curious to see."
-------------------------------------------------------------
"Permit me to ask," Ralph went on, "whether it's to bring out the
fact that you don't mean to make love to her that you're so very
civil to the little girl?"
Lord Warburton gave a slight start; he got up and stood before
the fire, looking at it hard. "Does that strike you as very
ridiculous?"
"Ridiculous? Not in the least, if you really like her."
"I think her a delightful little person. I don't know when a girl
of that age has pleased me more."
"She's a charming creature. Ah, she at least is genuine."
"Of course there's the difference in our ages--more than twenty
years."
"My dear Warburton," said Ralph, "are you serious?"
"Perfectly serious--as far as I've got."
"I'm very glad. And, heaven help us," cried Ralph, "how
cheered-up old Osmond will be!"
His companion frowned. "I say, don't spoil it. I shouldn't
propose for his daughter to please HIM."
"He'll have the perversity to be pleased all the same."
"He's not so fond of me as that," said his lordship.
"As that? My dear Warburton, the drawback of your position is
that people needn't be fond of you at all to wish to be connected
with you. Now, with me in such a case, I should have the happy
confidence that they loved me."
Familiarity had modified in some degree her first impression
of Madame Merle, but it had not essentially altered it; there
was still much wonder of admiration in it. That personage was
armed at all points; it was a pleasure to see a character so
completely equipped for the social battle. She carried her
flag discreetly, but her weapons were polished steel, and she
used them with a skill which struck Isabel as more and more
that of a veteran. She was never weary, never overcome with
disgust; she never appeared to need rest or consolation.
Isabel, as she herself grew older, became acquainted with
revulsions, with disgusts; there were days when the world
looked black and she asked herself with some sharpness what
it was that she was pretending to live for. Her old habit
had been to live by enthusiasm, to fall in love with suddenly-
perceived possibilities, with the idea of some new adventure.
As a younger person she had been used to proceed from one
little exaltation to the other: there were scarcely any dull
places between. But Madame Merle had suppressed enthusiasm;
she fell in love now-a-days with nothing; she lived entirely by
reason and by wisdom. There were hours when Isabel would have
given anything for lessons in this art; if her brilliant friend
had been near she would have made an appeal to her. She had
become aware more than before of the advantage of being like that
--of having made one's self a firm surface, a sort of corselet of
silver.
If she had troubles she must keep them to herself, and if
life was difficult it would not make it easier to confess
herself beaten. Madame Merle was doubtless of great use to
herself and an ornament to any circle; but was she--would she be
--of use to others in periods of refined embarrassment? The best
way to profit by her friend--this indeed Isabel had always
thought--was to imitate her, to be as firm and bright as she. She
recognised no embarrassments, and Isabel, considering this fact,
determined for the fiftieth time to brush aside her own.
This had occurred to her just before her marriage, after her
little discussion with her aunt and at a time when she was
still capable of that large inward reference, the tone almost
of the philosophic historian, to her scant young annals. If
Madame Merle had desired her change of state she could only
say it had been a very happy thought. With her, moreover,
she had been perfectly straightforward; she had never concealed
her high opinion of Gilbert Osmond. After their union Isabel
discovered that her husband took a less convenient view of the
matter; he seldom consented to finger, in talk, this roundest
and smoothest bead of their social rosary.
"Don't you like Madame Merle?" Isabel had once said to him. "She
thinks a great deal of you."
"I'll tell you once for all," Osmond had answered. "I liked her
once better than I do to-day. I'm tired of her, and I'm rather
ashamed of it. She's so almost unnaturally good! I'm glad she's
not in Italy; it makes for relaxation--for a sort of moral
detente.
it might have been written, after all, that there was not so
much to thank her for. As time went on there was less and less,
and Isabel once said to herself that perhaps without her these
things would not have been. That reflection indeed was instantly
stifled; she knew an immediate horror at having made it.
"Whatever happens to me let me not be unjust," she said; "let
me bear my burdens myself and not shift them upon others!" This
disposition was tested, eventually, by that ingenious apology for
her present conduct which Madame Merle saw fit to make and of
which I have given a sketch; for there was something irritating--
there was almost an air of mockery--in her neat discriminations
and clear convictions. In Isabel's mind to-day there was nothing
clear; there was a confusion of regrets, a complication of fears.
This young woman had always been fertile in resolutions--many
of them of an elevated character; but at no period had they
flourished (in the privacy of her heart) more richly than to-day.
It is true that they all had a family likeness; they might have
been summed up in the determination that if she was to be unhappy
it should not be by a fault of her own. Her poor winged spirit
had always had a great desire to do its best, and it had not as
yet been seriously discouraged. It wished, therefore, to hold
fast to justice--not to pay itself by petty revenges. To
associate Madame Merle with its disappointment would be a petty
revenge--especially as the pleasure to be derived from that would
be perfectly insincere. It might feed her sense of bitterness,
but it would not loosen her bonds.
She had been unable to believe any one could care so much--
so extraordinarily much--to please. But since then she had
seen this delicate faculty in operation, and now she knew
what to think of it. It was the whole creature--it was a
sort of genius. Pansy had no pride to interfere with it,
and though she was constantly extending her conquests she
took no credit for them. The two were constantly together;
Mrs. Osmond was rarely seen without her stepdaughter. Isabel
liked her company; it had the effect of one's carrying a
nosegay composed all of the same flower. And then not to
neglect Pansy, not under any provocation to neglect her--
this she had made an article of religion. The young girl had
every appearance of being happier in Isabel's society than in
that of any one save her father,--whom she admired with an
intensity justified by the fact that, as paternity was an
exquisite pleasure to Gilbert Osmond, he had always been
luxuriously mild.
She was therefore ingeniously passive and almost imaginatively
docile; she was careful even to moderate the eagerness with
which she assented to Isabel's propositions and which might
have implied that she could have thought otherwise. She never
interrupted, never asked social questions, and though she
delighted in approbation, to the point of turning pale when
it came to her, never held out her hand for it. She only
looked toward it wistfully--an attitude which, as she grew
older, made her eyes the prettiest in the world. When during
the second winter at Palazzo Roccanera she began to go to
parties, to dances, she always, at a reasonable hour, lest Mrs.
Osmond should be tired, was the first to propose departure.
Isabel appreciated the sacrifice of the late dances, for she knew
her little companion had a passionate pleasure in this exercise,
taking her steps to the music like a conscientious fairy.
Isabel passed into the drawing-room, the one she herself usually
occupied, the second in order from the large ante-chamber which
was entered from the staircase and in which even Gilbert Osmond's
rich devices had not been able to correct a look of rather grand
nudity. Just beyond the threshold of the drawing-room she stopped
short, the reason for her doing so being that she had received an
impression. The impression had, in strictness, nothing
unprecedented; but she felt it as something new, and the
soundlessness of her step gave her time to take in the scene
before she interrupted it. Madame Merle was there in her bonnet,
and Gilbert Osmond was talking to her; for a minute they were
unaware she had come in. Isabel had often seen that before,
certainly; but what she had not seen, or at least had not
noticed, was that their colloquy had for the moment converted
itself into a sort of familiar silence, from which she instantly
perceived that her entrance would startle them. Madame Merle was
standing on the rug, a little way from the fire; Osmond was in a
deep chair, leaning back and looking at her. Her head was erect,
as usual, but her eyes were bent on his. What struck Isabel first
was that he was sitting while Madame Merle stood; there was an
anomaly in this that arrested her. Then she perceived that they
had arrived at a desultory pause in their exchange of ideas and
were musing, face to face, with the freedom of old friends who
sometimes exchange ideas without uttering them. There was nothing
to shock in this; they were old friends in fact. But the thing
made an image, lasting only a moment, like a sudden flicker of
light. Their relative positions, their absorbed mutual gaze,
struck her as something detected.
-------------------------------------------------------------
"He's very much in love," said Isabel.
"Very much--for him."
"Very much for Pansy, you might say as well."
Madame Merle dropped her eyes a moment. "Don't you think she's
attractive?"
"The dearest little person possible--but very limited."
"She ought to be all the easier for Mr. Rosier to love. Mr.
Rosier's not unlimited."
"No," said Isabel, "he has about the extent of one's
pocket-handkerchief--the small ones with lace borders." Her
humour had lately turned a good deal to sarcasm, but in a moment
she was ashamed of exercising it on so innocent an object as
Pansy's suitor. "He's very kind, very honest," she presently
added; "and he's not such a fool as he seems."
-------------------------------------------------------------
But you're not in love."
"Ah, yes I am, Mrs. Osmond!"
Isabel shook her head. "You like to think you are while you sit
here with me. But that's not how you strike me."
"I'm not like the young man in the doorway. I admit that. But
what makes it so unnatural? Could any one in the world be more
loveable than Miss Osmond?"
"No one, possibly. But love has nothing to do with good reasons."
"I don't agree with you. I'm delighted to have good reasons."
"Of course you are. If you were really in love you wouldn't care
a straw for them."
-------------------------------------------------------------
She met his eyes, and for a moment they looked straight at each
other. If she wished to be satisfied she saw something that
satisfied her; she saw in his expression the gleam of an idea
that she was uneasy on her own account--that she was perhaps even
in fear. It showed a suspicion, not a hope, but such as it was it
told her what she wanted to know. Not for an instant should he
suspect her of detecting in his proposal of marrying her
step-daughter an implication of increased nearness to herself, or
of thinking it, on such a betrayal, ominous. In that brief,
extremely personal gaze, however, deeper meanings passed between
them than they were conscious of at the moment.
The Countess Gemini was often extremely bored--bored, in her own
phrase, to extinction. She had not been extinguished, however,
and she struggled bravely enough with her destiny, which had been
to marry an unaccommodating Florentine who insisted upon living
in his native town, where he enjoyed such consideration as might
attach to a gentleman whose talent for losing at cards had not
the merit of being incidental to an obliging disposition. The
Count Gemini was not liked even by those who won from him; and he
bore a name which, having a measurable value in Florence, was,
like the local coin of the old Italian states, without currency
in other parts of the peninsula. In Rome he was simply a very
dull Florentine, and it is not remarkable that he should not have
cared to pay frequent visits to a place where, to carry it off,
his dulness needed more explanation than was convenient. The
Countess lived with her eyes upon Rome, and it was the constant
grievance of her life that she had not an habitation there.
She had always observed that she got on better with clever
women than with silly ones like herself; the silly ones could
never understand her wisdom, whereas the clever ones--the
really clever ones--always understood her silliness. It
appeared to her that, different as they were in appearance and
general style, Isabel and she had somewhere a patch of common
ground that they would set their feet upon at last. It was not
very large, but it was firm, and they should both know it when
once they had really touched it.
The Countess seemed to her to have no soul; she was like a
bright rare shell, with a polished surface and a remarkably
pink lip, in which something would rattle when you shook it.
This rattle was apparently the Countess's spiritual principle,
a little loose nut that tumbled about inside of her.
She was too odd for disdain, too anomalous for comparisons.
Isabel would have invited her again (there was no question of
inviting the Count); but Osmond, after his marriage, had not
scrupled to say frankly that Amy was a fool of the worst species
--a fool whose folly had the irrepressibility of genius. He said
at another time that she had no heart; and he added in a moment
that she had given it all away--in small pieces, like a frosted
wedding-cake.
She was curious, moreover; for one of the impressions of her
former visit had been that her brother had found his match.
Before the marriage she had been sorry for Isabel, so sorry as to
have had serious thoughts--if any of the Countess's thoughts were
serious--of putting her on her guard. But she had let that pass,
and after a little she was reassured. Osmond was as lofty as
ever, but his wife would not be an easy victim. The Countess was
not very exact at measurements, but it seemed to her that if
Isabel should draw herself up she would be the taller spirit of
the two. What she wanted to learn now was whether Isabel had
drawn herself up; it would give her immense pleasure to see
Osmond overtopped.
Her mother was not at all like Isabel's friend; the Countess
could see at a glance that this lady was much more contemporary;
and she received an impression of the improvements that were
taking place--chiefly in distant countries--in the character
(the professional character) of literary ladies. Her mother
had been used to wear a Roman scarf thrown over a pair of
shoulders timorously bared of their tight black velvet (oh
the old clothes!) and a gold laurel-wreath set upon a multitude
of glossy ringlets. She had spoken softly and vaguely, with
the accent of her "Creole" ancestors, as she always confessed;
she sighed a great deal and was not at all enterprising. But
Henrietta, the Countess could see, was always closely buttoned
and compactly braided; there was something brisk and business-like
in her appearance; her manner was almost conscientiously familiar.
It was as impossible to imagine her ever vaguely sighing as to
imagine a letter posted without its address.
-------------------------------------------------------------
"I'm not sure that I understand you about Lord Warburton."
"Understand me? I mean he's very nice, that's all."
"Do you consider it nice to make love to married women?"
Henrietta enquired with unprecedented distinctness.
The Countess stared, and then with a little violent laugh:"It's
certain all the nice men do it. Get married and you'll see!" she
added.
"That idea would be enough to prevent me," said Miss Stackpole.
"I should want my own husband; I shouldn't want any one else's.
Do you mean that Isabel's guilty--guilty--?" And she paused a
little, choosing her expression.
"Do I mean she's guilty? Oh dear no, not yet, I hope. I only mean
that Osmond's very tiresome and that Lord Warburton, as I hear,
is a great deal at the house. I'm afraid you're scandalised."
-------------------------------------------------------------
"What did she go and marry him for? If she had listened to me she'd
have got rid of him. I'll forgive her, however, if I find she has
made things hot for him! If she has simply allowed him to trample
upon her I don't know that I shall even pity her. But I don't
think that's very likely. I count upon finding that if she's
miserable she has at least made HIM so."
-------------------------------------------------------------
She was on the whole rather disappointed in the Countess, whose
mind moved in a narrower circle than she had imagined, though
with a capacity for coarseness even there. "It will be better
if they love each other," she said for edification.
"They can't. He can't love any one."
"I presumed that was the case. But it only aggravates my fear
for Isabel. I shall positively start to-morrow."
"Isabel certainly has devotees," said the Countess, smiling very
vividly. "I declare I don't pity her."
"It may be I can't assist her," Miss Stackpole pursued, as if it
were well not to have illusions.
"You can have wanted to, at any rate; that's something. I
believe that's what you came from America for," the Countess
suddenly added.
"Yes, I wanted to look after her," Henrietta said serenely.
Her hostess stood there smiling at her with small bright eyes and
an eager-looking nose; with cheeks into each of which a flush had
come. "Ah, that's very pretty c'est bien gentil! Isn't it what
they call friendship?"
-------------------------------------------------------------
She left the inn and pursued her course along the quay to the
severe portico of the Uffizi, through which she presently
reached the entrance of the famous gallery of paintings. Making
her way in, she ascended the high staircase which leads to the
upper chambers. The long corridor, glazed on one side and decorated
with antique busts, which gives admission to these apartments,
presented an empty vista in which the bright winter light
twinkled upon the marble floor. The gallery is very cold and
during the midwinter weeks but scantily visited.
-------------------------------------------------------------
"I want you to do me a favour," Miss Stackpole went on.
Caspar Goodwood frowned a little, but he expressed no
embarrassment at the sense of not looking eager. His face was
that of a much older man than our earlier friend. "I'm sure it's
something I shan't like," he said rather loudly.
"No, I don't think you'll like it. If you did it would be no
favour."
"Well, let's hear it," he went on in the tone of a man quite
conscious of his patience.
"You may say there's no particular reason why you should do me a
favour. Indeed I only know of one: the fact that if you'd let me
I'd gladly do you one." Her soft, exact tone, in which there was
no attempt at effect, had an extreme sincerity; and her
companion, though he presented rather a hard surface, couldn't help
being touched by it. When he was touched he rarely showed it,
however, by the usual signs; he neither blushed, nor looked away,
nor looked conscious. He only fixed his attention more directly;
he seemed to consider with added firmness.
He thought her very remarkable, very brilliant, and he had, in
theory, no objection to the class to which she belonged. Lady
correspondents appeared to him a part of the natural scheme of
things in a progressive country, and though he never read their
letters he supposed that they ministered somehow to social
prosperity.
He had no wish whatever to allude to Mrs. Osmond; he was NOT
always thinking of her; he was perfectly sure of that. He was
the most reserved, the least colloquial of men, and this
enquiring authoress was constantly flashing her lantern
into the quiet darkness of his soul.
He hated the European railway-carriages, in which one sat for
hours in a vise, knee to knee and nose to nose with a foreigner
to whom one presently found one's self objecting with all the
added vehemence of one's wish to have the window open; and if
they were worse at night even than by day, at least at night
one could sleep and dream of an American saloon-car. But he
couldn't take a night-train when Miss Stackpole was starting
in the morning; it struck him that this would be an insult
to an unprotected woman. Nor could he wait until after she
had gone unless he should wait longer than he had patience for.
It wouldn't do to start the next day. She worried him; she
oppressed him; the idea of spending the day in a European
railway-carriage with her offered a complication of irritations.
Still, she was a lady travelling alone; it was his duty to put
himself out for her. There could be no two questions about
that; it was a perfectly clear necessity. He looked extremely
grave for some moments and then said, wholly without the flourish
of gallantry but in a tone of extreme distinctness, "Of course if
you're going to-morrow I'll go too, as I may be of assistance to
you."
He wished her to have no freedom of mind, and he knew perfectly
well that Ralph was an apostle of freedom. It was just because
he was this, Isabel said to herself, that it was a refreshment
to go and see him. It will be perceived that she partook of this
refreshment in spite of her husband's aversion to it, that is
partook of it, as she flattered herself, discreetly. She had not
as yet undertaken to act in direct opposition to his wishes; he
was her appointed and inscribed master; she gazed at moments
with a sort of incredulous blankness at this fact. It weighed
upon her imagination, however; constantly present to her mind
were all the traditionary decencies and sanctities of marriage.
The idea of violating them filled her with shame as well as
with dread, for on giving herself away she had lost sight of
this contingency in the perfect belief that her husband's
intentions were as generous as her own. She seemed to see,
none the less, the rapid approach of the day when she should
have to take back something she had solemnly bestown. Such a
ceremony would be odious and monstrous;
Ralph never said a word against him, but Osmond's sore, mute
protest was none the less founded. If he should positively
interpose, if he should put forth his authority, she would have
to decide, and that wouldn't be easy. The prospect made her heart
beat and her cheeks burn, as I say, in advance; there were
moments when, in her wish to avoid an open rupture, she found
herself wishing Ralph would start even at a risk. And it was of
no use that, when catching herself in this state of mind, she
called herself a feeble spirit, a coward. It was not that she
loved Ralph less, but that almost anything seemed preferable to
repudiating the most serious act--the single sacred act--of her
life. That appeared to make the whole future hideous. To break
with Osmond once would be to break for ever; any open
acknowledgement of irreconcilable needs would be an admission
that their whole attempt had proved a failure. For them there
could be no condonement, no compromise, no easy forgetfulness, no
formal readjustment. They had attempted only one thing, but that
one thing was to have been exquisite. Once they missed it nothing
else would do; there was no conceivable substitute for that
success. For the moment, Isabel went to the Hotel de Paris as
often as she thought well; the measure of propriety was in the
canon of taste, and there couldn't have been a better proof that
morality was, so to speak, a matter of earnest appreciation.
-------------------------------------------------------------
"I think I guess your question," Ralph answered from his
arm-chair, out of which his thin legs protruded at greater length
than ever.
"Very possibly you guess it. Please then answer it."
"Oh, I don't say I can do that."
"You're intimate with him," she said; "you've a great deal of
observation of him."
"Very true. But think how he must dissimulate!"
"Why should he dissimulate? That's not his nature."
"Ah, you must remember that the circumstances are peculiar," said
Ralph with an air of private amusement.
"To a certain extent--yes. But is he really in love?"
"Very much, I think. I can make that out."
"Ah!" said Isabel with a certain dryness.
Ralph looked at her as if his mild hilarity had been touched with
mystification. "You say that as if you were disappointed."
Isabel got up, slowly smoothing her gloves and eyeing them
thoughtfully. "It's after all no business of mine."
"You're very philosophic," said her cousin. And then in a moment:
"May I enquire what you're talking about?"
Isabel stared. "I thought you knew. Lord Warburton tells me he
wants, of all things in the world, to marry Pansy. I've told you
that before, without eliciting a comment from you. You might risk
one this morning, I think. Is it your belief that he really cares
for her?"
"Ah, for Pansy, no!" cried Ralph very positively.
"But you said just now he did."
Ralph waited a moment. "That he cared for you, Mrs. Osmond."
Isabel shook her head gravely. "That's nonsense, you know."
"Of course it is. But the nonsense is Warburton's, not mine."
-------------------------------------------------------------
"Does he really think it?"
"Ah, what Warburton really thinks--!" said Ralph.
Isabel fell to smoothing her gloves again;they were long, loose
gloves on which she could freely expend herself . Soon, however,
she looked up, and then, "Ah, Ralph, you give me no help!" she
cried abruptly and passionately.
It was the first time she had alluded to the need for help, and
the words shook her cousin with their violence. He gave a long
murmur of relief, of pity, of tenderness; it seemed to him that
at last the gulf between them had been bridged. It was this that
made him exclaim in a moment: "How unhappy you must be!"
-------------------------------------------------------------
Isabel found herself able to smile as well as he. "He knows me
well enough not to have expected me to push. He himself has no
intention of pushing, I presume. I'm not afraid I shall not be
able to justify myself!" she said lightly.
Her mask had dropped for an instant, but she had put it on again,
to Ralph's infinite disappointment. He had caught a glimpse of
her natural face and he wished immensely to look into it. He had
an almost savage desire to hear her complain of her husband--hear
her say that she should be held accountable for Lord Warburton's
defection. Ralph was certain that this was her situation; he knew
by instinct, in advance, the form that in such an event Osmond's
displeasure would take. It could only take the meanest and
cruellest.
He tried and tried again to make her betray Osmond; he felt
cold-blooded, cruel, dishonourable almost, in doing so. But
it scarcely mattered, for be only failed. What had she come
for then, and why did she seem almost to offer him a chance to
violate their tacit convention? Why did she ask him his advice if
she gave him no liberty to answer her? How could they talk of her
domestic embarrassments, as it pleased her humorously to
designate them, if the principal factor was not to be mentioned?
-------------------------------------------------------------
Ralph took an inward resolution that she shouldn't leave him
without his letting her know that he knew everything: it seemed
too great an opportunity to lose. "Do you know what his interest
will make him say?" he asked as he took her hand. She shook her
head, rather dryly--not discouragingly--and he went on. "It will
make him say that your want of zeal is owing to jealousy." He
stopped a moment; her face made him afraid.
"To jealousy?"
"To jealousy of his daughter."
She blushed red and threw back her head. "You're not kind," she
said in a voice that he had never heard on her lips.
"Be frank with me and you'll see," he answered.
But she made no reply; she only pulled her hand out of his own,
which he tried still to hold, and rapidly withdrew from the room.
-------------------------------------------------------------
Pansy was already dressed; she was always in advance of the time:
it seemed to illustrate her pretty patience and the graceful
stillness with which she could sit and wait. At present she was
seated, in her fresh array, before the bed-room fire; she had
blown out her candles on the completion of her toilet, in
accordance with the economical habits in which she had been brought
up sand which she was now more careful than ever to observe; so that
the room was lighted only by a couple of logs. The rooms in
Palazzo Roccanera were as spacious as they were numerous, and
Pansy's virginal bower was an immense chamber with a dark,
heavily-timbered ceiling. Its diminutive mistress, in the midst
of it, appeared but a speck of humanity
-------------------------------------------------------------
She felt no bitterness toward her father; there was no bitterness
in her heart; there was only the sweetness of fidelity to Edward
Rosier, and a strange, exquisite intimation that she could prove
it better by remaining single than even by marrying him.
"Your father would like you to make a better marriage," said
Isabel. "Mr. Rosier's fortune is not at all large."
"How do you mean better--if that would be good enough? And I have
myself so little money; why should I look for a fortune?"
"Your having so little is a reason for looking for more." With
which Isabel was grateful for the dimness of the room; she felt
as if her face were hideously insincere. It was what she was
doing for Osmond; it was what one had to do for Osmond! Pansy's
solemn eyes, fixed on her own, almost embarrassed her; she was
ashamed to think she had made so light of the girl's preference.
"What should you like me to do?" her companion softly demanded.
The question was a terrible one, and Isabel took refuge in
timorous vagueness. "To remember all the pleasure it's in your
power to give your father."
"To marry some one else, you mean--if he should ask me?"
For a moment Isabel's answer caused itself to be waited for; then
she heard herself utter it in the stillness that Pansy's
attention seemed to make. "Yes--to marry some one else."
The child's eyes grew more penetrating; Isabel believed she was
doubting her sincerity, and the impression took force from her
slowly getting up from her cushion. She stood there a moment with
her small hands unclasped and then quavered out: "Well, I hope no
one will ask me!"
-------------------------------------------------------------
Pansy said nothing for a moment; she only continued to smile as
if she were in possession of a bright assurance. "There's no
danger--no danger!" she declared at last.
There was a conviction in the way she said this, and a felicity
in her believing it, which conduced to Isabel's awkwardness. She
felt accused of dishonesty, and the idea was disgusting. To
repair her self-respect she was on the point of saying that Lord
Warburton had let her know that there was a danger. But she
didn't; she only said--in her embarrassment rather wide of the
mark--that he surely had been most kind, most friendly.
"Yes, he has been very kind," Pansy answered. "That's what I like
him for."
"Why then is the difficulty so great?"
"I've always felt sure of his knowing that I don't want--what did
you say I should do?--to encourage him. He knows I don't want to
marry, and he wants me to know that he therefore won't trouble
me. That's the meaning of his kindness. It's as if he said to me:
'I like you very much, but if it doesn't please you I'll never
say it again.' I think that's very kind, very noble," Pansy went
on with deepening positiveness. "That is all we've said to each
other. And he doesn't care for me either. Ah no, there's no
danger."
Isabel was touched with wonder at the depths of perception of
which this submissive little person was capable; she felt afraid
of Pansy's wisdom--began almost to retreat before it. "You must
tell your father that," she remarked reservedly.
"I think I'd rather not," Pansy unreservedly answered.
"You oughtn't to let him have false hopes."
"Perhaps not; but it will be good for me that he should. So long
as he believes that Lord Warburton intends anything of the kind
you say, papa won't propose any one else. And that will be an
advantage for me," said the child very lucidly.
There was something brilliant in her lucidity, and it made her
companion draw a long breath. It relieved this friend of a heavy
responsibility. Pansy had a sufficient illumination of her own,
and Isabel felt that she herself just now had no light to spare
from her small stock. Nevertheless it still clung to her that she
must be loyal to Osmond, that she was on her honour in dealing
with his daughter. Under the influence of this sentiment she
threw out another suggestion before she retired--a suggestion
with which it seemed to her that she should have done her utmost.
"Your father takes for granted at least that you would like to
marry a nobleman."
Pansy stood in the open doorway; she had drawn back the curtain
for Isabel to pass. "I think Mr. Rosier looks like one!" she
remarked very gravely.
"As you say, he's an odd fish."
"Apparently he has forgotten it," said Osmond. "Be so good
as to remind him."
"Should you like me to write to him?" she demanded.
"I've no objection whatever."
"You expect too much of me."
"Ah yes, I expect a great deal of you."
"I'm afraid I shall disappoint you," said Isabel.
"My expectations have survived a good deal of disappointment."
"Of course I know that. Think how I must have disappointed
myself! If you really wish hands laid on Lord Warburton you must
lay them yourself."
For a couple of minutes Osmond answered nothing; then he said:
"That won't be easy, with you working against me."
Isabel started; she felt herself beginning to tremble. He had a
way of looking at her through half-closed eyelids, as if he were
thinking of her but scarcely saw her, which seemed to her to have
a wonderfully cruel intention. It appeared to recognise her as a
disagreeable necessity of thought, but to ignore her for the time
as a presence.
-------------------------------------------------------------
"I told you I would do what I could," she went on.
"Yes, that gained you time."
It came over her, after he had said this, that she had once
thought him beautiful. "How much you must want to make sure of
him!" she exclaimed in a moment.
She had no sooner spoken than she perceived the full reach of her
words, of which she had not been conscious in uttering them. They
made a comparison between Osmond and herself, recalled the fact
that she had once held this coveted treasure in her hand and felt
herself rich enough to let it fall. A momentary exultation took
possession of her--a horrible delight in having wounded him; for
his face instantly told her that none of the force of her
exclamation was lost. He expressed nothing otherwise, however; he
only said quickly: "Yes, I want it immensely."
At this moment a servant came in to usher a visitor, and he was
followed the next by Lord Warburton, who received a visible check
on seeing Osmond. He looked rapidly from the master of the house
to the mistress; a movement that seemed to denote a reluctance to
interrupt or even a perception of ominous conditions. Then he
advanced, with his English address, in which a vague shyness
seemed to offer itself as an element of good-breeding; in which
the only defect was a difficulty in achieving transitions. Osmond
was embarrassed; he found nothing to say;
A complex operation, as she sat there, went on in her mind.
On one side she listened to their visitor; said what was
proper to him; read, more or less, between the lines of what
he said himself; and wondered how he would have spoken if he
had found her alone. On the other she had a perfect
consciousness of Osmond's emotion. She felt almost sorry for
him; he was condemned to the sharp pain of loss without the
relief of cursing. He had had a great hope, and now, as he saw
it vanish into smoke, he was obliged to sit and smile and twirl
his thumbs. Not that he troubled himself to smile very brightly;
he treated their friend on the whole to as vacant a countenance
as so clever a man could very well wear. It was indeed a part
of Osmond's cleverness that he could look consummately uncompromised.
His present appearance, however, was not a confession of
disappointment; it was simply a part of Osmond's habitual system,
which was to be inexpressive exactly in proportion as he was
really intent.
-------------------------------------------------------------
"Just now I wish to go to bed. I'm very tired."
"Sit down and rest; I shall not keep you long. Not there--take
a
comfortable place." And he arranged a multitude of cushions that
were
scattered in picturesque disorder upon a vast divan. This
was not, however,
where she seated herself; she dropped into the
nearest chair. The fire had
gone out; the lights in the great
room were few. She drew her cloak about her; she felt mortally
cold. "I think you're trying to humiliate me," Osmond went on.
"It's a most absurd undertaking."
"I haven't the least idea what you mean," she returned.
"You've played a very deep game; you've managed it beautifully."
-------------------------------------------------------------
"I don't insult you; I'm incapable of it. I merely speak of
certain facts, and if the allusion's an injury to you the fault's
not mine. It's surely a fact that you have kept all this matter
quite in your own hands."
"Are you going back to Lord Warburton?" Isabel asked. "I'm very
tired of his name."
"You shall hear it again before we've done with it."
She had spoken of his insulting her, but it suddenly seemed to
her that this ceased to be a pain. He was going down--down; the
vision of such a fall made her almost giddy: that was the only
pain. He was too strange, too different; he didn't touch her.
Still, the working of his morbid passion was extraordinary, and
she felt a rising curiosity to know in what light he saw himself
justified. "I might say to you that I judge you've nothing to say
to me that's worth hearing," she returned in a moment. "But I
should perhaps be wrong. There's a thing that would be worth my
hearing--to know in the plainest words of what it is you accuse
me."
"Of having prevented Pansy's marriage to Warburton. Are those
words plain enough?"
"On the contrary, I took a great interest in it. I told you so;
and when you told me that you counted on me--that I think was
what you said--I accepted the obligation. I was a fool to do so,
but I did it."
"You pretended to do it, and you even pretended reluctance to
make me more willing to trust you. Then you began to use your
ingenuity to get him out of the way."
"I think I see what you mean," said Isabel.
"Where's the letter you told me he had written me?" her husband
demanded.
"I haven't the least idea; I haven't asked him."
"You stopped it on the way," said Osmond.
Isabel slowly got up; standing there in her white cloak, which
covered her to her feet, she might have represented the angel of
disdain, first cousin to that of pity. "Oh, Gilbert, for a man
who was so fine--!" she exclaimed in a long murmur.
"I was never so fine as you. You've done everything you wanted.
You've got him out of the say without appearing to do so, and
you've placed me in the position in which you wished to see me--
that of a man who has tried to marry his daughter to a lord, but
has grotesquely failed."
Madame Merle had ceased to minister to Isabel's happiness,
who found herself wondering whether the most discreet
of women might not also by chance be the most dangerous.
Sometimes, at night, she had strange visions; she seemed to see
her husband and her friend--his friend--in dim, indistinguishable
combination. It seemed to her that she had not done with her;
this lady had something in reserve. Isabel's imagination applied
itself actively to this elusive point, but every now and then it
was checked by a nameless dread, so that when the charming woman
was away from Rome she had almost a consciousness of respite.
Since then he had been the most discordant survival of her
earlier time--the only one in fact with which a permanent
pain was associated. He had left her that morning with a sense
of the most superfluous of shocks: it was like a collision between
vessels in broad daylight. There had been no mist, no hidden
current to excuse it, and she herself had only wished to steer
wide. He had bumped against her prow, however, while her hand was
on the tiller, and--to complete the metaphor--had given the
lighter vessel a strain which still occasionally betrayed itself
in a faint creaking. It had been horrid to see him, because he
represented the only serious harm that (to her belief) she had
ever done in the world: he was the only person with an
unsatisfied claim on her. She had made him unhappy, she couldn't
help it; and his unhappiness was a grim reality. She had cried
with rage, after he had left her, at--she hardly knew what: she
tried to think it had been at his want of consideration. He had
come to her with his unhappiness when her own bliss was so
perfect;
She had no faith in Mr. Goodwood's compensations and no
esteem for them. A cotton factory was not a compensation for
anything--least of all for having failed to marry Isabel Archer.
And yet, beyond that, she hardly knew what he had--save of course
his intrinsic qualities. Oh, he was intrinsic enough; she never
thought of his even looking for artificial aids. If he extended
his business--that, to the best of her belief, was the only form
exertion could take with him--it would be because it was an
enterprising thing, or good for the business; not in the least
because he might hope it would overlay the past. This gave his
figure a kind of bareness and bleakness which made the accident
of meeting it in memory or in apprehension a peculiar concussion;
it was deficient in the social drapery commonly muffling, in an
overcivilized age, the sharpness of human contacts. His perfect
silence, moreover, the fact that she never heard from him and
very seldom heard any mention of him, deepened this impression of
his loneliness.
Henrietta Stackpole, it may well be imagined, was more punctual,
and Isabel was largely favoured with the society of her friend.
She threw herself into it, for now that she had made such a point
of keeping her conscience clear, that was one way of proving she
had not been superficial--the more so as the years, in their
flight, had rather enriched than blighted those peculiarities
which had been humorously criticised by persons less interested
than Isabel, and which were still marked enough to give loyalty a
spice of heroism. Henrietta was as keen and quick and fresh as
ever, and as neat and bright and fair. Her remarkably open eyes,
lighted like great glazed railway-stations, had put up no
shutters; her attire had lost none of its crispness, her opinions
none of their national reference.She was by no means quite
unchanged, however it struck Isabel she had grown vague. Of old
she had never been vague; though undertaking many enquiries at
once, she had managed to be entire and pointed about each. She
had a reason for everything she did; she fairly bristled with
motives.
-------------------------------------------------------------
"Yes, I'm wretched," she said very mildly. She hated to hear
herself say it; she tried to say it as judicially as possible.
"What does he do to you?" Henrietta asked, frowning as if she
were enquiring into the operations of a quack doctor.
"He does nothing. But he doesn't like me."
"He's very hard to please! " cried Miss Stackpole. "Why don't you
leave him?"
"I can't change that way," Isabel said.
"Why not, I should like to know? You won't confess that you've
made a mistake. You're too proud."
"I don't know whether I'm too proud. But I can't publish my
mistake. I don't think that's decent. I'd much rather die."
"You won't think so always," said Henrietta.
"I don't know what great unhappiness might bring me to; but it
seems to me I shall always be ashamed. One must accept one's
deeds. I married him before all the world; I was perfectly free;
it was impossible to do anything more deliberate. One can't
change that way," Isabel repeated.
"You HAVE changed, in spite of the impossibility. I hope you
don't mean to say you like him."
Isabel debated. "No, I don't like him. I can tell you, because
I'm weary of my secret. But that's enough; I can't announce it on
the housetops."
Henrietta gave a laugh. "Don't you think you're rather too
considerate?"
"It's not of him that I'm considerate--it's of myself!" Isabel
answered.
-------------------------------------------------------------
She complained to Isabel that Miss Osmond had a little look
as if she should remember everything one said. "I don't want
to be remembered that way," Miss Stackpole declared; "I
consider that my conversation refers only to the moment,
like the morning papers. Your stepdaughter, as she sits
there, looks as if she kept all the back numbers and would bring
them out some day against me." She could not teach herself to
think favourably of Pansy, whose absence of initiative, of
conversation, of personal claims, seemed to her, in a girl of
twenty, unnatural and even uncanny.
-------------------------------------------------------------
"Your cousin I have always thought a conceited ass--besides his
being the most ill-favoured animal I know. Then it's insufferably
tiresome that one can't tell him so; one must spare him on account
of his health. His health seems to me the best part of him; it
gives him privileges enjoyed by no one else. If he's so desperately
ill there's only one way to prove it; but he seems to have no mind
for that. I can't say much more for the great Warburton. When one
really thinks of it, the cool insolence of that performance was
something rare! He comes and looks at one's daughter as if she
were a suite of apartments; he tries the door-handles and looks
out of the windows, raps on the walls and almost thinks he'll
take the place. Will you be so good as to draw up a lease? Then,
on the whole, he decides that the rooms are too small; he
doesn't think he could live on a third floor; he must look out
for a piano nobile. And he goes away after having got a month's
lodging in the poor little apartment for nothing. Miss Stackpole,
however, is your most wonderful invention. She strikes me as a
kind of monster. One hasn't a nerve in one's body that she
doesn't set quivering. You know I never have admitted that she's
a woman. Do you know what she reminds me of? Of a new steel pen--
the most odious thing in nature. She talks as a steel pen writes;
aren't her letters, by the way, on ruled paper? She thinks and
moves and walks and looks exactly as she talks. "
They met him twice in the street, but he had no appearance of
seeing them; they were driving, and he had a habit of looking
straight in front of him, as if he proposed to take in but one
object at a time. Isabel could have fancied she had seen him
the day before; it must have been with just that face and step
that he had walked out of Mrs. Touchett's door at the close
of their last interview. He was dressed just as he had been
dressed on that day, Isabel remembered the colour of his
cravat; and yet in spite of this familiar look there was a
strangeness in his figure too, something that made her feel
it afresh to be rather terrible he should have come to Rome.
He looked bigger and more overtopping than of old, and in
those days he certainly reached high enough. She noticed
that the people whom he passed looked back after him; but
he went straight forward, lifting above them a face like a
February sky.
He got on much better with Osmond than had seemed probable.
Osmond had a great dislike to being counted on; in such a case
be had an irresistible need of disappointing you. It was in
virtue of this principle that he gave himself the entertainment
of taking a fancy to a perpendicular Bostonian whom he bad been
depended upon to treat with coldness. He asked Isabel if Mr.
Goodwood also had wanted to marry her, and expressed surprise
at her not having accepted him. It would have been an excellent
thing, like living under some tall belfry which would strike all
the hours and make a queer vibration in the upper air. He
declared he liked to talk with the great Goodwood; it wasn't
easy at first, you had to climb up an interminable steep
staircase up to the top of the tower; but when you got
there you had a big view and felt a little fresh breeze.
Gilbert said to Isabel that he was very original; he was as
strong and of as good a style as an English portmanteau,--he
had plenty of straps and buckles which would never wear out,
and a capital patent lock.
A singular change had in fact occurred in this lady's relations
with Ralph Touchett. She had not been asked by Isabel to go and
see him, but on hearing that he was too ill to come out had
immediately gone of her own motion. After this she had paid him a
daily visit--always under the conviction that they were great
enemies. "Oh yes, we're intimate enemies," Ralph used to say; and
he accused her freely--as freely as the humour of it would allow
--of coming to worry him to death. In reality they became
excellent friends, Henrietta much wondering that she should never
have liked him before. Ralph liked her exactly as much as he had
always done; he had never doubted for a moment that she was an
excellent fellow.
He felt very sorry for that unclassable personage; he couldn't
bear to see a pleasant man, so pleasant for all his queerness,
so beyond anything to be done.
She had a plan of making him travel northward with her cousin
as soon as the first mild weather should allow it. Lord Warburton
had brought Ralph to Rome and Mr. Goodwood should take him away.
There seemed a happy symmetry in this, and she was now intensely
eager that Ralph should depart. She had a constant fear he would
die there before her eyes and a horror of the occurrence of this
event at an inn, by her door, which he had so rarely entered.
Ralph must sink to his last rest in his own dear house, in one
of those deep, dim chambers of Gardencourt where the dark ivy
would cluster round the edges of the glimmering window. There
seemed to Isabel in these days something sacred in Gardencourt;
no chapter of the past was more perfectly irrecoverable. When
she thought of the months she had spent there the tears rose
to her eyes.
"I notify you then that I submit. Oh, I submit!" And it was
perhaps a sign of submission that a few minutes after she had
left him alone he burst into a loud fit of laughter. It seemed to
him so inconsequent, such a conclusive proof of his having
abdicated all functions and renounced all exercise, that he
should start on a journey across Europe under the supervision of
Miss Stackpole. And the great oddity was that the prospect
pleased him; he was gratefully, luxuriously passive. He felt even
impatient to start; and indeed he had an immense longing to see
his own house again. The end of everything was at hand; it seemed
to him he could stretch out his arm and touch the goal. But he
wanted to die at home; it was the only wish he had left--to
extend himself in the large quiet room where he had last seen his
father lie, and close his eyes upon the summer dawn.
-------------------------------------------------------------
"I want to be alone," said Isabel.
"You won't be that so long as you've so much company at home."
"Ah, they're part of the comedy. You others are spectators."
"Do you call it a comedy, Isabel Archer?" Henrietta rather grimly
asked.
"The tragedy then if you like. You're all looking at me; it makes
me uncomfortable."
Henrietta engaged in this act for a while. "You're like the
stricken deer, seeking the innermost shade. Oh, you do give me
such a sense of helplessness!" she broke out.
"I'm not at all helpless. There are many things I mean to do."
"It's not you I'm speaking of; it's myself. It's too much, having
come on purpose, to leave you just as I find you."
"You don't do that; you leave me much refreshed," Isabel said.
"Very mild refreshment--sour lemonade! I want you to promise me
something."
"I can't do that. I shall never make another promise. I made such
a solemn one four years ago, and I've succeeded so ill in keeping
it."
"You've had no encouragement. In this case I should give you the
greatest. Leave your husband before the worst comes; that's what
I want you to promise."
"The worst? What do you call the worst?"
"Before your character gets spoiled."
"Do you mean my disposition? It won't get spoiled," Isabel
answered, smiling. "I'm taking very good care of it. I'm
extremely struck," she added, turning away, "with the off-hand
way in which you speak of a woman's leaving her husband. It's
easy to see you've never had one!"
-------------------------------------------------------------
"Fortunately I'm not married. When you come to see me in England
I shall be able to entertain you with all the freedom of a
bachelor." He continued to talk as if they should certainly meet
again, and succeeded in making the assumption appear almost just.
He made no allusion to his term being near, to the probability
that he should not outlast the summer. If he preferred it so,
Isabel was willing enough; the reality was sufficiently distinct
without their erecting finger-posts in conversation.
-------------------------------------------------------------
"Your husband wouldn't like that."
"No, he wouldn't like it. But I might go, all the same."
"I'm startled by the boldness of your imagination. Fancy my being
a cause of disagreement between a lady and her husband!"
"That's why I don't go," said Isabel simply--yet not very
lucidly.
Ralph understood well enough, however. "I should think so, with
all those occupations you speak of."
"It isn't that. I'm afraid," said Isabel. After a pause she
repeated, as if to make herself, rather than him, hear the words:
"I'm afraid."
Ralph could hardly tell what her tone meant; it was so strangely
deliberate--apparently so void of emotion. Did she wish to do
public penance for a fault of which she had not been convicted?
or were her words simply an attempt at enlightened self-analysis?
However this might be, Ralph could not resist so easy an
opportunity. "Afraid of your husband?"
"Afraid of myself!" she said, getting up. She stood there a
moment and then added: "If I were afraid of my husband that would
be simply my duty. That's what women are expected to be."
"Ah yes," laughed Ralph; "but to make up for it there's always
some man awfully afraid of some woman!"
She gave no heed to this pleasantry, but suddenly took a
different turn. "With Henrietta at the head of your little band,"
she exclaimed abruptly, "there will be nothing left for Mr.
Goodwood!"
"Ah, my dear Isabel," Ralph answered, "he's used to that.
There
is nothing left for Mr. Goodwood."
She coloured and then observed, quickly, that she must leave him.
They stood together a moment; both her hands were in both of his.
"You've been my best friend," she said.
"It was for you that I wanted--that I wanted to live. But I'm of
no use to you."
Then it came over her more poignantly that she should not see him
again. She could not accept that; she could not part with him
that way. "If you should send for me I'd come," she said at last.
"Your husband won't consent to that."
"Oh yes, I can arrange it."
"I shall keep that for my last pleasure!" said Ralph.
In answer to which she simply kissed him.
-------------------------------------------------------------
They sat down together, and Osmond, talkative, communicative,
expansive, seemed possessed with a kind of intellectual gaiety.
He leaned back with his legs crossed, lounging and chatting,
while Goodwood, more restless, but not at all lively, shifted
his position, played with his hat, made the little sofa creak
beneath him. Osmond's face wore a sharp, aggressive smile; he
was as a man whose perceptions have been quickened by good news.
-------------------------------------------------------------
"I'm very fond of Rome, you know," Osmond said; "but there's
nothing I like better than to meet people who haven't that
superstition. The modern world's after all very fine. Now you're
thoroughly modern and yet are not at all common. So many of the
moderns we see are such very poor stuff. If they're the children
of the future we're willing to die young. Of course the ancients
too are often very tiresome. My wife and I like everything that's
really new--not the mere pretence of it. There's nothing new,
unfortunately, in ignorance and stupidity. We see plenty of that
in forms that offer themselves as a revelation of progress, of
light. A revelation of vulgarity! There's a certain kind of
vulgarity which I believe is really new; I don't think there ever
was anything like it before. Indeed I don't find vulgarity, at
all, before the present century. You see a faint menace of it
here and there in the last, but to-day the air has grown so dense
that delicate things are literally not recognised. Now, we've
liked you--!" With which he hesitated a moment, laying his hand
gently on Goodwood's knee and smiling with a mixture of assurance
and embarrassment. "I'm going to say something extremely offensive
and patronising, but you must let me have the satisfaction of it.
We've liked you because--because you've reconciled us a little to
the future. If there are to be a certain number of people like
you--a la bonne heure!"
-------------------------------------------------------------
Goodwood had only a vague sense that he was laying it on somehow;
he scarcely knew where the mixture was applied. Indeed he scarcely
knew what Osmond was talking about; he wanted to be alone with
Isabel, and that idea spoke louder to him than her husband's
perfectly-pitched voice. He watched her talking with other people
and wondered when she would be at liberty and whether he might
ask her to go into one of the other rooms. His humour was not,
like Osmond's, of the best; there was an element of dull rage in
his consciousness of things.
He accepted him as rather a brilliant personage of the
amateurish kind, afflicted with a redundancy of leisure
which it amused him to work off in little refinements
of conversation. But he only half trusted him; he could
never make out why the deuce Osmond should lavish
refinements of any sort upon HIM. It made him suspect that
he found some private entertainment in it, and it ministered
to a general impression that his triumphant rival had in his
composition a streak of perversity. He knew indeed that Osmond
could have no reason to wish him evil; he had nothing to fear
from him. He had carried off a supreme advantage and could afford
to be kind to a man who had lost everything. It was true that
Goodwood had at times grimly wished he were dead and would have
liked to kill him; but Osmond had no means of knowing this, for
practice had made the younger man perfect in the art of appearing
inaccessible to-day to any violent emotion. He cultivated this
art in order to deceive himself, but it was others that he
deceived first. He cultivated it, moreover, with very limited
success; of which there could be no better proof than the deep,
dumb irritation that reigned in his soul when he heard Osmond
speak of his wife's feelings as if he were commissioned to answer
for them.
Osmond made more of a point even than usual of referring to
the conjugal harmony prevailing at Palazzo Roccanera. He had
been more careful than ever to speak as if he and his wife
had all things in sweet community and it were as natural to
each of them to say "we" as to say "I". In all this there was
an air of intention that had puzzled and angered our poor
Bostonian, who could only reflect for his comfort that Mrs.
Osmond's relations with her husband were none of his business.
He had no proof whatever that her husband misrepresented her,
and if he judged her by the surface of things was bound to
believe that she liked her life. She had never given him the
faintest sign of discontent.
-------------------------------------------------------------
"You're very accommodating. We're immensely obliged to you; you
must really let me say it. My wife has probably expressed to you
what we feel. Touchett has been on our minds all winter; it has
looked more than once as if he would never leave Rome. He ought
never to have come; it's worse than an imprudence for people in
that state to travel; it's a kind of indelicacy. I wouldn't for
the world be under such an obligation to Touchett as he has been
to--to my wife and me. Other people inevitably have to look after
him, and every one isn't so generous as you."
"I've nothing else to do," Caspar said dryly.
Osmond looked at him a moment askance. "You ought to marry, and
then you'd have plenty to do! It's true that in that case you
wouldn't be quite so available for deeds of mercy."
"Do you find that as a married man you're so much occupied?" the
young man mechanically asked.
"Ah, you see, being married's in itself an occupation. It isn't
always active; it's often passive; but that takes even more
attention. Then my wife and I do so many things together. We
read, we study, we make music, we walk, we drive--we talk even,
as when we first knew each other. I delight, to this hour, in my
wife's conversation. If you're ever bored take my advice and get
married. Your wife indeed may bore you, in that case; but you'll
never bore yourself. You'll always have something to say to
yourself--always have a subject of reflection."
"I'm not bored," said Goodwood. "I've plenty to think about and
to say to myself."
"More than to say to others!" Osmond exclaimed with a light
laugh. "Where shall you go next? I mean after you've consigned
Touchett to his natural caretakers--I believe his mother's at
last coming back to look after him. That little lady's superb;
she neglects her duties with a finish--! Perhaps you'll spend the
summer in England?"
"I don't know. I've no plans."
"Happy man! That's a little bleak, but it's very free."
"Oh yes, I'm very free."
-------------------------------------------------------------
There was something perverse in the inveteracy with which she
avoided him; his unquenchable rancour discovered an intention
where there was certainly no appearance of one. There was
absolutely no appearance of one. She met his eyes with her
clear hospitable smile, which seemed almost to ask that he
would come and help her to entertain some of her visitors.
To such suggestions, however, he opposed but a stiff impatience.
Isabel would not sit down; she stood in the middle of the room
slowly fanning herself; she had for him the same familiar grace.
She seemed to wait for him to speak. Now that he was alone with
her all the passion he had never stifled surged into his senses;
it hummed in his eyes and made things swim round him. The bright,
empty room grew dim and blurred, and through the heaving veil he
felt her hover before him with gleaming eyes and parted lips. If
he had seen more distinctly he would have perceived her smile was
fixed and a trifle forced--that she was frightened at what she saw
in his own face.
-------------------------------------------------------------
"I'm told you're unhappy, and if you are I should like to know
it. That would be something for me. But you yourself say you're
happy, and you're somehow so still, so smooth, so hard. You're
completely changed. You conceal everything; I haven't really come
near you."
"You come very near," Isabel said gently, but in a tone of
warning.
"And yet I don't touch you! I want to know the truth. Have you
done well?"
"You ask a great deal."
"Yes--I've always asked a great deal. Of course you won't tell
me. I shall never know if you can help it. And then it's none of
my business." He had spoken with a visible effort to control
himself, to give a considerate form to an inconsiderate state of
mind. But the sense that it was his last chance, that he loved
her and had lost her, that she would think him a fool whatever he
should say, suddenly gave him a lash and added a deep vibration
to his low voice.
"Please don't talk of him," said Isabel for answer; "we've heard
so much of him of late."
Madame Merle bent her head on one side a little, protestingly,
and smiled at the left corner of her mouth. "You've heard, yes.
But you must remember that I've not, in Naples. I hoped to find
him here and to be able to congratulate Pansy."
"You may congratulate Pansy still; but not on marrying Lord
Warburton."
"How you say that! Don't you know I had set my heart on it?"
Madame Merle asked with a great deal of spirit, but still with
the intonation of good-humour.
Isabel was discomposed, but she was determined to be good-humoured
too. "You shouldn't have gone to Naples then. You should have
stayed here to watch the affair."
-------------------------------------------------------------
Madame Merle, as we know, had been very discreet hitherto; she
had never criticised; she had been markedly afraid of
intermeddling. But apparently she had only reserved herself for
this occasion, since she now had a dangerous quickness in her eye
and an air of irritation which even her admirable ease was not
able to transmute. She had suffered a disappointment which excited
Isabel's surprise--our heroine having no knowledge of her zealous
interest in Pansy's marriage; and she betrayed it in a manner
which quickened Mrs. Osmond's alarm. More clearly than ever before
Isabel heard a cold, mocking voice proceed from she knew not
where, in the dim void that surrounded her, and declare that this
bright, strong, definite, worldly woman, this incarnation of the
practical, the personal, the immediate, was a powerful agent in
her destiny. She was nearer to her than Isabel had yet discovered,
and her nearness was not the charming accident she had so long
supposed. The sense of accident indeed had died within her that
day when she happened to be struck with the manner in which the
wonderful lady and her own husband sat together in private.
What was it that brought home to her that Madame Merle's
intention had not been good? Nothing but the mistrust which
had lately taken body and which married itself now to the
fruitful wonder produced by her visitor's challenge on behalf
of poor Pansy. There was something in this challenge which had
at the very outset excited an answering defiance; a nameless
vitality which she could see to have been absent from her
friend's professions of delicacy and caution.
-------------------------------------------------------------
"You mean, of course," Madame Merle added, "that YOU are one
of the persons concerned."
"No; that's the last thing I mean. I'm very weary of it all."
Madame Merle hesitated a little. "Ah yes, your work's done."
"Take care what you say," said Isabel very gravely.
"Oh, I take care; never perhaps more than when it appears least.
Your husband judges you severely."
Isabel made for a moment no answer to this; she felt choked with
bitterness. It was not the insolence of Madame Merle's informing
her that Osmond had been taking her into his confidence as
against his wife that struck her most; for she was not quick to
believe that this was meant for insolence. Madame Merle was very
rarely insolent, and only when it was exactly right. It was not
right now, or at least it was not right yet. What touched Isabel
like a drop of corosive acid upon an open wound was the knowledge
that Osmond dishonoured her in his words as well as in his
thoughts. "Should you like to know how I judge HIM? " she asked
at last.
"No, because you'd never tell me. And it would be painful for me
to know."
There was a pause, and for the first time since she had known her
Isabel thought Madame Merle disagreeable. She wished she would
leave her. "Remember how attractive Pansy is, and don't despair,"
she said abruptly, with a desire that this should close their
interview.
But Madame Merle's expansive presence underwent no contraction.
She only gathered her mantle about her and, with the movement,
scattered upon the air a faint, agreeable fragrance.
-------------------------------------------------------------
"Now don't be heroic, don't be unreasonable, don't take offence.
It seems to me I do you an honour in speaking so. I don't know
another woman to whom I would do it. I haven't the least idea
that any other woman would tell me the truth. And don't you see
how well it is that your husband should know it? It's true that
he doesn't appear to have had any tact whatever in trying to
extract it; he has indulged in gratuitous suppositions. But
that doesn't alter the fact that it would make a difference
in his view of his daughter's prospects to know distinctly
what really occurred. If Lord Warburton simply got tired of
the poor child, that's one thing, and it's a pity. If he
gave her up to please you it's another. That's a pity too, but in
a different way. Then, in the latter case, you'd perhaps resign
yourself to not being pleased--to simply seeing your
step-daughter married. Let him off--let us have him!"
Madame Merle had proceeded very deliberately, watching her
companion and apparently thinking she could proceed safely. As
she went on Isabel grew pale; she clasped her hands more tightly
in her lap. It was not that her visitor had at last thought it
the right time to be insolent; for this was not what was most
apparent. It was a worse horror than that. "Who are you--what are
you?" Isabel murmured. "What have you to do with my husband?"
It was strange that for the moment she drew as near to him as if
she had loved him.
"Ah then, you take it heroically! I'm very sorry. Don't think,
however, that I shall do so."
"What have you to do with me?" Isabel went on.
Madame Merle slowly got up, stroking her muff, but not removing
her eyes from Isabel's face. "Everything!" she answered.
Isabel sat there looking up at her, without rising; her face was
almost a prayer to be enlightened. But the light of this woman's
eyes seemed only a darkness. "Oh misery!" she murmured at last;
and she fell back, covering her face with her hands. It had come
over her like a high-surging wave that Mrs. Touchett was right.
Madame Merle had married her.
She had long before this taken old Rome into her confidence,
for in a world of ruins the ruin of her happiness seemed a
less unnatural catastrophe. She rested her weariness upon
things that had crumbled for centuries and yet still were
upright; she dropped her secret sadness into the silence of
lonely places, where its very modern quality detached itself
and grew objective, so that as she sat in a sun-warmed
angle on a winter's day, or stood in a mouldy church to which no
one came, she could almost smile at it and think of its
smallness. Small it was, in the large Roman record, and her
haunting sense of the continuity of the human lot easily carried
her from the less to the greater. She had become deeply, tenderly
acquainted with Rome; it interfused and moderated her passion.
But she had grown to think of it chiefly as the place where
people had suffered. This was what came to her in the starved
churches, where the marble columns, transferred from pagan ruins,
seemed to offer her a companionship in endurance and the musty
incense to be a compound of long-unanswered prayers.
After the departure of her cousin and his companions she roamed
more than usual; she carried her sombre spirit from one familiar
shrine to the other. Even when Pansy and the Countess were with
her she felt the touch of a vanished world. The carriage, leaving
the walls of Rome behind, rolled through narrow lanes where the
wild honeysuckle had begun to tangle itself in the hedges, or
waited for her in quiet places where the fields lay near, while
she strolled further and further over the flower-freckled turf, or
sat on a stone that had once had a use and gazed through the veil
of her personal sadness at the splendid sadness of the scene--at
the dense, warm light, the far gradations and soft confusions of
colour, the motionless shepherds in lonely attitudes, the hills
where the cloud-shadows had the lightness of a blush.
She asked herself, with an almost childlike horror of the
supposition, whether to this intimate friend of several years the
great historical epithet of wicked were to be applied. She knew
the idea only by the Bible and other literary works; to the best
of her belief she had had no personal acquaintance with
wickedness. She had desired a large acquaintance with human life,
and in spite of her having flattered herself that she cultivated
it with some success this elementary privilege had been denied
her. Perhaps it was not wicked--in the historic sense--to be even
deeply false; for that was what Madame Merle had been--deeply,
deeply, deeply. Isabel's Aunt Lydia had made this discovery long
before, and had mentioned it to her niece; but Isabel had
flattered herself at this time that she had a much richer view of
things, especially of the spontaneity of her own career and the
nobleness of her own interpretations, than poor stiffly-reasoning
Mrs. Touchett.
-------------------------------------------------------------
I should like to know what's the matter with you," he said
at last.
"The matter--the matter--!" And here Madame Merle stopped. Then
she went on with a sudden outbreak of passion, a burst of summer
thunder in a clear sky: "The matter is that I would give my right
hand to be able to weep, and that I can't!"
"What good would it do you to weep?"
"It would make me feel as I felt before I knew you."
"If I've dried your tears, that's something. But I've seen you
shed them."
"Oh, I believe you'll make me cry still. I mean make me howl like
a wolf. I've a great hope, I've a great need, of that. I was vile
this morning; I was horrid," she said.
"If Isabel was in the stupid state of mind you mention she
probably didn't perceive it," Osmond answered.
"It was precisely my deviltry that stupefied her. I couldn't help
it; I was full of something bad. Perhaps it was something good;
I don't know. You've not only dried up my tears; you've dried up
my soul."
"It's not I then that am responsible for my wife's condition,"
Osmond said. "It's pleasant to think that I shall get the benefit
of your influence upon her. Don't you know the soul is an
immortal principle? How can it suffer alteration?"
"I don't believe at all that it's an immortal principle. I
believe it can perfectly be destroyed. That's what has happened
to mine, which was a very good one to start with; and it's you I
have to thank for it. You're VERY bad," she added with gravity in
her emphasis.
"Is this the way we're to end? " Osmond asked with the same
studied coldness.
"I don't know how we're to end. I wish I did--How do bad people
end?--especially as to their COMMON crimes. You have made me as
bad as yourself."
-------------------------------------------------------------
"I've seen better what you have been to your wife than I ever saw
what you were for me. Please be very careful of that precious
object."
"It already has a wee bit of a tiny crack," said Osmond dryly as
he put it down. "If you didn't understand me before I married it
was cruelly rash of you to put me into such a box. However, I
took a fancy to my box myself; I thought it would be a
comfortable fit. I asked very little; I only asked that she
should like me."
"That she should like you so much!"
"So much, of course; in such a case one asks the maximum. That
she should adore me, if you will. Oh yes, I wanted that."
Rosier gave her a sharp look. "Do you mean that without my
bibelots I'm nothing? Do you mean they were the best thing about
me? That's what they told me in Paris; oh they were very frank
about it. But they hadn't seen HER!"
"My dear friend, you deserve to succeed," said Isabel very
kindly.
"You say that so sadly that it's the same as if you said I
shouldn't." And he questioned her eyes with the clear trepidation
of his own. He had the air of a man who knows he has been the
talk of Paris for a week and is full half a head taller in
consequence, but who also has a painful suspicion that in spite
of this increase of stature one or two persons still have the
perversity to think him diminutive.
Pansy, who faced her stepmother, at first kept her eyes fixed on
her lap; then she raised them and rested them on Isabel's. There
shone out of each of them a little melancholy ray--a spark of
timid passion which touched Isabel to the heart. At the same
time a wave of envy passed over her soul, as she compared the
tremulous longing, the definite ideal of the child with her own
dry despair. "Poor little Pansy!" she affectionately said.
Her voice was strange, and her eyes, widely opened, had an
excited, frightened look. "You're not going away!" Isabel
exclaimed.
"I'm going to the convent."
"To the convent?"
Pansy drew nearer, till she was near enough to put her arms round
Isabel and rest her head on her shoulder. She stood this way a
moment, perfectly still; but her companion could feel her
tremble. The quiver of her little body expressed everything she
was unable to say. Isabel nevertheless pressed her. "Why are you
going to the convent?"
"Because papa thinks it best. He says a young girl's better,
every now and then, for making a little retreat. He says the
world, always the world, is very bad for a young girl. This is
just a chance for a little seclusion--a little reflexion." Pansy
spoke in short detached sentences, as if she could scarce trust
herself; and then she added with a triumph of self-control: "I
think papa's right; I've been so much in the world this winter."
-------------------------------------------------------------
One's daughter should be fresh and fair; she should be
innocent and gentle. With the manners of the present
time she is liable to become so dusty and crumpled.
Pansy's a little dusty, a little dishevelled; she has knocked
about too much. This bustling, pushing rabble that calls itself
society--one should take her out of it occasionally. Convents are
very quiet, very convenient, very salutary. I like to think of
her there, in the old garden, under the arcade, among those
tranquil virtuous women. Many of them are gentlewomen born;
several of them are noble. She will have her books and her
drawing, she will have her piano. I've made the most liberal
arrangements. There is to be nothing ascetic; there's just to be
a certain little sense of sequestration. She'll have time to
think, and there's something I want her to think about." Osmond
spoke deliberately, reasonably, still with his head on one side,
as if he were looking at the basket of flowers. His tone,
however, was that of a man not so much offering an explanation as
putting a thing into words--almost into pictures--to see,
himself, how it would look. He considered a while the picture he
had evoked and seemed greatly pleased with it. And then he went
on: "The Catholics are very wise after all. The convent is a
great institution; we can't do without it; it corresponds to an
essential need in families, in society. It's a school of good
manners; it's a school of repose.
Isabel gave an extreme attention to this little sketch; she found
it indeed intensely interesting. It seemed to show her how far
her husband's desire to be effective was capable of going--to the
point of playing theoretic tricks on the delicate organism of his
daughter. She could not understand his purpose, no--not wholly;
but she understood it better than he supposed or desired, inasmuch
as she was convinced that the whole proceeding was an elaborate
mystification, addressed to herself and destined to act upon her
imagination. He had wanted to do something sudden and arbitrary,
something unexpected and refined; to mark the difference between
his sympathies and her own, and show that if he regarded his
daughter as a precious work of art it was natural he should be
more and more careful about the finishing touches. If he wished
to be effective he had succeeded; the incident struck a chill
into Isabel's heart.
Osmond took a sip of a glass of wine; he looked perfectly
good-humoured. "My dear Amy," he answered, smiling as if he were
uttering a piece of gallantry, "I don't know anything about your
convictions, but if I suspected that they interfere with mine it
would be much simpler to banish YOU."
"Excuse me for disturbing you," she said.
"When I come to your room I always knock," he answered, going on
with his work.
"I forgot; I had something else to think of. My cousin's dying."
"Ah, I don't believe that," said Osmond, looking at his drawing
through a magnifying glass. "He was dying when we married; he'll
outlive us all."
Isabel gave herself no time, no thought, to appreciate the
careful cynicism of this declaration; she simply went on quickly,
full of her own intention "My aunt has telegraphed for me; I must
go to Gardencourt."
-------------------------------------------------------------
"Leave him alone then. Don't run after him."
Isabel turned her eyes away from him; they rested upon his little
drawing. "I must go to England," she said, with a full
consciousness that her tone might strike an irritable man of
taste as stupidly obstinate.
"I shall not like it if you do," Osmond remarked.
"Why should I mind that? You won't like it if I don't. You like
nothing I do or don't do. You pretend to think I lie."
Osmond turned slightly pale; he gave a cold smile. "That's why
you must go then? Not to see your cousin, but to take a revenge
on me."
"I know nothing about revenge."
"I do," said Osmond. "Don't give me an occasion."
"You're only too eager to take one. You wish immensely that I
would commit some folly."
"I should be gratified in that case if you disobeyed me."
"If I disobeyed you?" said Isabel in a low tone which had the
effect of mildness.
"Let it be clear. If you leave Rome to-day it will be a piece of
the most deliberate, the most calculated, opposition."
"How can you call it calculated? I received my aunt's telegram
but three minutes ago."
"You calculate rapidly; it's a great accomplishment. I don't see
why we should prolong our discussion; you know my wish." And he
stood there as if he expected to see her withdraw.
But she never moved; she couldn't move, strange as it may seem;
she still wished to justify herself; he had the power, in an
extraordinary degree, of making her feel this need. There was
something in her imagination he could always appeal to against
her judgement. "You've no reason for such a wish," said Isabel,
"and I've every reason for going. I can't tell you how unjust you
seem to me. But I think you know. It's your own opposition that's
calculated. It's malignant."
-------------------------------------------------------------
"You say I've no reason? I have the very best. I dislike,
from the bottom of my soul, what you intend to do. It's
dishonourable; it's indelicate; it's indecent. Your cousin
is nothing whatever to me, and I'm under no obligation to
make concessions to him. I've already made the very handsomest.
Your relations with him, while he was here, kept me on pins and
needles; but I let that pass, because from week to week I
expected him to go. I've never liked him and he has never liked
me. That's why you like him--because he hates me," said Osmond
with a quick, barely audible tremor in his voice. "I've an ideal
of what my wife should do and should not do. She should not
travel across Europe alone, in defiance of my deepest desire, to
sit at the bedside of other men. Your cousin's nothing to you;
he's nothing to us. You smile most expressively when I talk about
US, but I assure you that WE, WE, Mrs. Osmond, is all I know. I
take our marriage seriously; you appear to have found a way of
not doing so. I'm not aware that we're divorced or separated; for
me we're indissolubly united. You are nearer to me than any human
creature, and I'm nearer to you. It may be a disagreeable
proximity; it's one, at any rate, of our own deliberate making.
You don't like to be reminded of that, I know; but I'm perfectly
willing, because--because--" And he paused a moment, looking as if
he had something to say which would be very much to the point.
"Because I think we should accept the consequences of our
actions, and what I value most in life is the honour of a thing!"
He spoke gravely and almost gently; the accent of sarcasm had
dropped out of his tone. It had a gravity which checked his
wife's quick emotion; the resolution with which she had entered
the room found itself caught in a mesh of fine threads. His last
words were not a command, they constituted a kind of appeal; and,
though she felt that any expression of respect on his part could
only be a refinement of egotism, they represented something
transcendent and absolute, like the sign of the cross or the flag
of one's country. He spoke in the name of something sacred and
precious--the observance of a magnificent form. They were as
perfectly apart in feeling as two disillusioned lovers had ever
been; but they had never yet separated in act. Isabel had not
changed; her old passion for justice still abode within her; and
now, in the very thick of her sense of her husband's blasphemous
sophistry, it began to throb to a tune which for a moment
promised him the victory. It came over her that in his wish to
preserve appearances he was after all sincere, and that this, as
far as it went, was a merit. Ten minutes before she had felt all
the joy of irreflective action--a joy to which she had so long
been a stranger; but action had been suddenly changed to slow
renunciation, transformed by the blight of Osmond's touch. If she
must renounce, however, she would let him know she was a victim
rather than a dupe. "I know you're a master of the art of
mockery," she said. "How can you speak of an indissoluble union
--how can you speak of your being contented? Where's our union
when you accuse me of falsity? Where's your contentment when you
have nothing but hideous suspicion in your heart?"
-------------------------------------------------------------
"How can it be anything but a rupture?" she went on; "especially
if all you say is true?" She was unable to see how it could be
anything but a rupture; she sincerely wished to know what else it
might be.
He sat down before his table. "I really can't argue with you on
the hypothesis of your defying me," he said. And he took up one
of his little brushes again.
She lingered but a moment longer; long enough to embrace with her
eye his whole deliberately indifferent yet most expressive
figure; after which she quickly left the room. Her faculties, her
energy, her passion, were all dispersed again; she felt as if a
cold, dark mist had suddenly encompassed her.
-------------------------------------------------------------
And then she cared enough for Isabel's trouble to forget
her own, and she saw that Isabel's trouble was deep. It
seemed deeper than the mere death of a cousin, and the
Countess had no hesitation in connecting her exasperating
brother with the expression of her sister-in-law's eyes.
Her heart beat with an almost joyous expectation, for if
she had wished to see Osmond overtopped the conditions
looked favourable now.
It seemed to her that only now she fully measured the great
undertaking of matrimony. Marriage meant that in such a case
as this, when one had to choose, one chose as a matter of
course for one's husband. "I'm afraid--yes, I'm afraid,"
she said to herself more than once, stopping short in her
walk. But what she was afraid of was not her husband--his
displeasure, his hatred, his revenge; it was not even her
own later judgement of her conduct a consideration which
had often held her in check; it was simply the violence there
would be in going when Osmond wished her to remain. A gulf of
difference had opened between them, but nevertheless it was his
desire that she should stay, it was a horror to him that she
should go. She knew the nervous fineness with which he could feel
an objection. What he thought of her she knew, what he was
capable of saying to her she had felt; yet they were married, for
all that, and marriage meant that a woman should cleave to the
man with whom, uttering tremendous vows, she had stood at the
altar. She sank down on her sofa at last and buried her head in a
pile of cushions.
She continued to smile, and there was something communicative
and exultant in her expression. She appeared to have a deal to
say, and it occurred to Isabel for the first time that her
sister-in-law might say something really human. She made play
with her glittering eyes, in which there was an unpleasant
fascination. "After all," she soon resumed, "I must tell you,
to begin with, that I don't understand your state of mind. You
seem to have so many scruples, so many reasons, so many ties.
When I discovered, ten years ago, that my husband's dearest
wish was to make me miserable--of late he has simply let me alone
--ah, it was a wonderful simplification! My poor Isabel, you're
not simple enough."
"No, I'm not simple enough," said Isabel.
-------------------------------------------------------------
"I've guessed nothing. What should I have suspected? I don't know
what you mean."
"That's because you've such a beastly pure mind. I never saw a
woman with such a pure mind!" cried the Countess.
Isabel slowly got up. "You're going to tell me something
horrible."
"You can call it by whatever name you will!" And the Countess
rose also, while her gathered perversity grew vivid and dreadful.
She stood a moment in a sort of glare of intention and, as seemed
to Isabel even then, of ugliness; after which she said: "My first
sister-in-law had no children."
-------------------------------------------------------------
"He never recognised Miss Pansy, nor, knowing what he was about,
would have anything to say to her; and there was no reason why
he should. Osmond did, and that was better; though he had to
fit on afterwards the whole rigmarole of his own wife's having
died in childbirth, and of his having, in grief and horror,
banished the little girl from his sight for as long as possible
before taking her home from nurse."
-------------------------------------------------------------
"As for her veritable mother--!" But with this Pansy's
wonderful aunt dropped--as, involuntarily, from the
impression of her sister-in-law's face, out of which
more eyes might have seemed to look at her than she
had ever had to meet.
She had spoken no name, yet Isabel could but check, on her own
lips, an echo of the unspoken. She sank to her seat again,
hanging her head. "Why have you told me this?" she asked in a
voice the Countess hardly recognised.
"Because I've been so bored with your not knowing. I've been
bored, frankly, my dear, with not having told you; as if,
stupidly, all this time I couldn't have managed! Ca me depasse,
if you don't mind my saying so, the things, all round you, that
you've appeared to succeed in not knowing. It's a sort of
assistance--aid to innocent ignorance--that I've always been a
bad hand at rendering; and in this connexion, that of keeping
quiet for my brother, my virtue has at any rate finally found
itself exhausted. It's not a black lie, moreover, you know," the
Countess inimitably added. "The facts are exactly what I tell
you."
"I had no idea," said Isabel presently; and looked up at her in a
manner that doubtless matched the apparent witlessness of this
confession.
"So I believed--though it was hard to believe. Had it never
occurred to you that he was for six or seven years her lover?"
"I don't know. Things HAVE occurred to me, and perhaps that was
what they all meant."
-------------------------------------------------------------
She spoke as one troubled and puzzled, yet the poor Countess
seemed to have seen her revelation fall below its
possibilities of effect. She had expected to kindle some
responsive blaze, but had barely extracted a spark. Isabel showed
as scarce more impressed than she might have been, as a young
woman of approved imagination, with some fine sinister passage of
public history. "Don't you recognise how the child could never
pass for HER husband's?--that is with M. Merle himself," her
companion resumed. "They had been separated too long for that,
and he had gone to some far country--I think to South America. If
she had ever had children--which I'm not sure of--she had lost
them. The conditions happened to make it workable, under stress
(I mean at so awkward a pinch), that Osmond should acknowledge
the little girl. His wife was dead--very true; but she had not
been dead too long to put a certain accommodation of dates out of
the question--from the moment, I mean, that suspicion wasn't
started; which was what they had to take care of. What was more
natural than that poor Mrs. Osmond, at a distance and for a world
not troubling about trifles, should have left behind her,
poverina, the pledge of her brief happiness that had cost her
her life? With the aid of a change of residence--Osmond had been
living with her at Naples at the time of their stay in the Alps,
and he in due course left it for ever--the whole history was
successfully set going. My poor sister-in-law, in her grave,
couldn't help herself, and the real mother, to save HER skin,
renounced all visible property in the child."
"Ah, poor, poor woman!" cried Isabel, who herewith burst into
tears. It was a long time since she had shed any; she had
suffered a high reaction from weeping. But now they flowed with
an abundance in which the Countess Gemini found only another
discomfiture.
"It's very kind of you to pity her!" she discordantly laughed.
"Yes indeed, you have a way of your own--!"
"He must have been false to his wife--and so very soon!" said
Isabel with a sudden check.
"That's all that's wanting--that you should take up her cause!"
the Countess went on. "I quite agree with you, however, that it
was much too soon."
-------------------------------------------------------------
Ah, my dear," cried the Countess,"why did you ever inherit
money?" She stopped a moment as if she saw something singular
in Isabel's face. "Don't tell me now that you'll give her a
dot. You're capable of that, but I would refuse to believe it.
Don't try to be too good. Be a little easy and natural and
nasty; feel a little wicked, for the comfort of it, once in your life!"
"It's very strange. I suppose I ought to know, but I'm sorry,"
Isabel said. "I'm much obliged to you."
"Yes, you seem to be!" cried the Countess with a mocking laugh.
"Perhaps you are--perhaps you're not. You don't take it as I
should have thought."
-------------------------------------------------------------
Isabel rose from her sofa again; she felt bruised and scant of
breath; her head was humming with new knowledge. "I'm much
obliged to you," she repeated. And then she added abruptly, in
quite a different tone: "How do you know all this?"
This enquiry appeared to ruffle the Countess more than Isabel's
expression of gratitude pleased her. She gave her companion a
bold stare, with which, "Let us assume that I've invented it!"
she cried. She too, however, suddenly changed her tone and,
laying her hand on Isabel's arm, said with the penetration of her
sharp bright smile: "Now will you give up your journey?"
Isabel started a little; she turned away. But she felt weak and
in a moment had to lay her arm upon the mantel-shelf for support.
She stood a minute so, and then upon her arm she dropped her
dizzy head, with closed eyes and pale lips.
"I've done wrong to speak--I've made you ill!" the Countess
cried.
"Ah, I must see Ralph!" Isabel wailed; not in resentment, not in
the quick passion her companion had looked for; but in a tone of
far-reaching, infinite sadness.
She knew they were good women, and she saw that the large rooms
were clean and cheerful and that the well-used garden had sun
for winter and shade for spring. But she disliked the place,
which affronted and almost frightened her; not for the world
would she have spent a night there. It produced to-day more
than before the impression of a well-appointed prison; for it
was not possible to pretend Pansy was free to leave it. This
innocent creature had been presented to her in a new and violent
light, but the secondary effect of the revelation was to make
her reach out a hand.
The effect was strange, for Madame Merle was already so present
to her vision that her appearance in the flesh was like suddenly,
and rather awfully, seeing a painted picture move. Isabel had
been thinking all day of her falsity, her audacity, her ability,
her probable suffering; and these dark things seemed to flash
with a sudden light as she entered the room. Her being there at
all had the character of ugly evidence, of handwritings, of
profaned relics, of grim things produced in court. It made
Isabel feel faint;
-------------------------------------------------------------
"I went afterwards to see Mother Catherine, who has a very good
room too; I assure you I don't find the poor sisters at all
monastic. Mother Catherine has a most coquettish little toilet-
table, with something that looked uncommonly like a bottle of
eau-de-Cologne."
-------------------------------------------------------------
So Madame Merle went on, with much of the brilliancy of a woman
who had long been a mistress of the art of conversation. But
there were phases and gradations in her speech, not one of which
was lost upon Isabel's ear, though
her eyes were absent from her
companion's face. She had not proceeded far before Isabel noted a
sudden break in her voice, a lapse in her continuity,
which was
in itself a complete drama. This subtle modulation marked
a
momentous discovery --the perception of an entirely new attitude
on the
part of her listener. Madame Merle had guessed in the
space of an instant
that everything was at end between them, and
in the space of another instant
she had guessed the reason why.
The person who stood there was not the same
one she had seen
hitherto, but was a very different person--a person who knew
her
secret. This discovery was tremendous, and from the moment she
made it
the most accomplished of women faltered and lost her
courage. But only for that moment. Then the conscious stream of
her perfect manner gathered itself
again and flowed on as
smoothly as might be to the end. But it was only because she had
the end in view that she was able to proceed. She had been
touched with a point that made her quiver, andshe needed all the
alertness of her will to repress her agitation. Her only safety
was in her not betraying herself. She resisted this, but the
startled quality of her voice refused to improve--she couldn't
help it--while she heard herself say
she hardly knew what. The
tide of her confidence ebbed, and she was able only just to glide
into port, faintly grazing the bottom.
She saw, in the crude light of that revelation which had already
become a part of experience and to which the very frailty of the
vessel in which it had been offered her only gave an intrinsic
price, the dry staring fact that she had been an applied handled
hung-up tool, as senseless and convenient as mere shaped wood and
iron. All the bitterness of this knowledge surged into her soul
again; it was as if she felt on her lips the taste of dishonour.
There was a moment during which, if she had turned and spoken,
she would have said something that would hiss like a lash.
Pansy wore, as Madame Merle had said, a little black dress; it
was perhaps this that made her look pale. "They're very good to
me--they think of everything!" she exclaimed with all her
customary eagerness to accommodate.
"We think of you always--you're a precious charge," Madame
Catherine remarked in the tone of a woman with whom benevolence
was a habit and whose conception of duty was the acceptance of
every care. It fell with a leaden weight on Isabel's ears; it
seemed to represent the surrender of a personality, the authority
of the Church.
-------------------------------------------------------------
"He thinks I've not had enough," said Pansy. "But I have. The
ladies are very kind to me and the little girls come to see me.
There are some very little ones--such charming children. Then my
room--you can see for yourself. All that's very delightful. But
I've had enough. Papa wished me to think a little--and I've
thought a great deal."
"What have you thought?"
"Well, that I must never displease papa."
"You knew that before."
"Yes; but I know it better. I'll do anything--I'll do anything,"
said Pansy. Then, as she heard her own words, a deep, pure blush
came into her face. Isabel read the meaning of it; she saw the
poor girl had been vanquished. It was well that Mr. Edward Rosier
had kept his enamels! Isabel looked into her eyes and saw there
mainly a prayer to be treated easily. She laid her hand on
Pansy's as if to let her know that her look conveyed no diminution
of esteem; for the collapse of the girl's momentary resistance
(mute and modest thought it had been) seemed only her tribute to
the truth of things.
-------------------------------------------------------------
Then they held each other a moment in a silent embrace, like two
sisters; and afterwards Pansy walked along the corridor with her
visitor to the top of the staircase. "Madame Merle has been
here," she remarked as they went; and as Isabel answered nothing
she added abruptly: "I don't like Madame Merle!"
Isabel hesitated, then stopped. "You must never say that--that
you don't like Madame Merle."
Pansy looked at her in wonder; but wonder with Pansy had never
been a reason for non-compliance. "I never will again," she said
with exquisite gentleness.
She had plenty to think about; but it was neither reflexion
nor conscious purpose that filled her mind. Disconnected visions
passed through it, and sudden dull gleams of memory, of expectation.
The past and the future came and went at their will, but she saw
them only in fitful images, which rose and fell by a logic of
their own. It was extraordinary the things she remembered. Now
that she was in the secret, now that she knew something that so
much concerned her and the eclipse of which had made life resemble
an attempt to play whist with an imperfect pack of cards, the
truth of things, their mutual relations, their meaning, and for
the most part their horror, rose before her with a kind of
architectural vastness. She remembered a thousand trifles;
they started to life with the spontaneity of a shiver.
Gardencourt had been her starting-point, and to those muffled
chambers it was at least a temporary solution to return. She
had gone forth in her strength; she would come back in her
weakness, and if the place had been a rest to her before, it
would be a sanctuary now. She envied Ralph his dying, for if
one were thinking of rest that was the most perfect of all.
To cease utterly, to give it all up and not know anything
more--this idea was as sweet as the vision of a cool bath
in a marble tank, in a darkened chamber, in a hot land.
It concerned Isabel no more; she only had an impression that
she should never again see Madame Merle. This impression carried
her into the future, of which from time to time she had a
mutilated glimpse. She saw herself, in the distant years,
still in the attitude of a woman who had her life to live,
and these intimations contradicted the spirit of the present
hour. It might be desirable to get quite away, really away,
further away than little grey-green England, but this privilege
was evidently to be denied her. Deep in her soul--deeper than any
appetite for renunciation--was the sense that life would be her
business for a long time to come. And at moments there was
something inspiring, almost enlivening, in the conviction. It was
a proof of strength--it was a proof she should some day be happy
again. It couldn't be she was to live only to suffer; she was
still young, after all, and a great many things might happen to
her yet. To live only to suffer--only to feel the injury of life
repeated and enlarged--it seemed to her she was too valuable, too
capable, for that. Then she wondered if it were vain and stupid
to think so well of herself. When had it even been a guarantee to
be valuable? Wasn't all history full of the destruction of
precious things? Wasn't it much more probable that if one were
fine one would suffer?It involved then perhaps an admission that
one had a certain grossness; but Isabel recognised, as it passed
before her eyes, the quick vague shadow of a long future. She
should never escape; she should last to the end. Then the middle
years wrapped her about again and the grey curtain of her
indifference closed her in.
-------------------------------------------------------------
"One can't explain one's marriage," Isabel answered. "And yours
doesn't need to be explained. Mr. Bantling isn't a riddle."
"No, he isn't a bad pun--or even a high flight of American
humour. He has a beautiful nature," Henrietta went on. "I've
studied him for many years and I see right through him. He's as
clear as the style of a good prospectus. He's not intellectual,
but he appreciates intellect. On the other hand he doesn't
exaggerate its claims. I sometimes think we do in the United
States."
-------------------------------------------------------------
Isabel was duly diverted, but there was a certain melancholy in
her view. Henrietta, after all, had confessed herself human and
feminine, Henrietta whom she had hitherto regarded as a light
keen flame, a disembodied voice. It was a disappointment to find
she had personal susceptibilities, that she was subject to common
passions, and that her intimacy with Mr. Bantling had not been
completely original. There was a want of originality in her
marrying him--there was even a kind of stupidity; and for a
moment, to Isabel's sense, the dreariness of the world took on a
deeper tinge.
-------------------------------------------------------------
She thinks she knows everything; but she doesn't understand a woman
of my modern type. It would be so much easier for her if I were
only a little better or a little worse. She's so puzzled; I
believe she thinks it's my duty to go and do something immoral.
She thinks it's immoral that I should marry her brother; but,
after all, that isn't immoral enough. And she'll never understand
my mixture--never!"
"She's not so intelligent as her brother then," said Isabel. "He
appears to have understood."
"Oh no, he hasn't!" cried Miss Stackpole with decision. "I really
believe that's what he wants to marry me for--just to find out
the mystery and the proportions of it. That's a fixed idea--a
kind of fascination."
"It's very good in you to humour it."
"Oh well," said Henrietta, "I've something to find out too!" And
Isabel saw that she had not renounced an allegiance, but planned
an attack. She was at last about to grapple in earnest with
England.
-------------------------------------------------------------
Mrs. Osmond was a stranger; so that instead of being conducted to
her own apartment she was coldly shown into the drawing-room and
left to wait while her name was carried up to her aunt. She waited
a long time; Mrs.Touchett appeared in no hurry to come to her. She
grew impatient at last; she grew nervous and scared--as scared as
if the objects about her had begun to show for conscious things,
watching her trouble with grotesque grimaces.
Mrs. Touchett appeared at last, just after Isabel had returned to
the big uninhabited drawing-room. She looked a good deal older,
buther eye was as bright as ever and her head as erect; her thin
lips seemed a repository of latent meanings. She wore a little
grey dress of the most undecorated fashion, and Isabel wondered,
as she had wondered the first time, if her remarkable kinswoman
resembled more a queen-regent or the matron of a gaol. Her lips
felt very thin indeed on Isabel's hot cheek.
-------------------------------------------------------------
"Is there really no hope?" our young woman asked as she stood
before her.
"None whatever. There never has been. It has not been a
successful life."
"No--it has only been a beautiful one." Isabel found herself
already contradicting her aunt; she was irritated by her dryness.
"I don't know what you mean by that; there's no beauty without
health. That is a very odd dress to travel in."
Isabel glanced at her garment. "I left Rome at an hour's notice;
I took the first that came."
-------------------------------------------------------------
Here, after a little, Isabel saw her aunt not to be so dry as
she appeared, and her old pity for the poor woman's inexpressiveness,
her want of regret, of disappointment, came back to her.
Unmistakeably she would have found it a blessing to-day to be
able to feel a defeat, a mistake, even a shame or two. She wondered
if she were not even missing those enrichments of consciousness
and privately trying--reaching out for some aftertaste of life,
dregs of the banquet; the testimony of pain or the cold recreation
of remorse. On the other hand perhaps she was afraid; if she should
begin to know remorse at all it might take her too far. Isabel
could perceive, however, how it had come over her dimly that she
had failed of something, that she saw herself in the future as an
old woman without memories. Her little sharp face looked tragical.
-------------------------------------------------------------
Mrs. Touchett was silent; then she gave a sharp little shake of
the head. "Ah, my dear, you're beyond me!" she cried suddenly.
They went on with their luncheon in silence; Isabel felt as if
she had heard of Lord Warburton's death. She had known him only
as a suitor, and now that was all over. He was dead for poor
Pansy; by Pansy he might have lived. A servant had been hovering
about; at last Mrs. Touchett requested him to leave them alone.
She had finished her meal; she sat with her hands folded on the
edge of the table. "I should like to ask you three questions,"
she observed when the servant had gone.
"Three are a great many."
"I can't do with less; I've been thinking. They're all very good
ones."
"That's what I'm afraid of. The best questions are the worst,"
Isabel answered. Mrs. Touchett had pushed back her chair, and as
her niece left the table and walked, rather consciously, to one
of the deep windows, she felt herself followed by her eyes.
"Have you ever been sorry you didn't marry Lord Warburton?" Mrs.
Touchett enquired.
Isabel shook her head slowly, but not heavily. "No, dear aunt."
"Good. I ought to tell you that I propose to believe what you
say."
"Your believing me's an immense temptation," she declared,
smiling still.
"A temptation to lie? I don't recommend you to do that, for when
I'm misinformed I'm as dangerous as a poisoned rat. I don't mean
to crow over you."
"It's my husband who doesn't get on with me," said Isabel.
"I could have told him he wouldn't. I don't call that crowing
over YOU," Mrs. Touchett added. "Do you still like Serena Merle?"
she went on.
"Not as I once did. But it doesn't matter, for she's going to
America."
"To America? She must have done something very bad."
"Yes--very bad."
"May I ask what it is?"
"She made a convenience of me."
"Ah," cried Mrs. Touchett, "so she did of me! She does of every
one."
"She'll make a convenience of America," said Isabel, smiling
again and glad that her aunt's questions were over.
-------------------------------------------------------------
"I feel better to-night," he murmured, abruptly, in the soundless
dimness of her vigil; "I think I can say something." She sank
upon her knees beside his pillow; took his thin hand in her own;
begged him not to make an effort--not to tire himself. His face
was of necessity serious-- it was incapable of the muscular play
of a smile; but its owner apparently had not lost a perception of
incongruities."What does it matter if I'm tired when I've all
eternity to rest? There's no harm in making an effort when it's
the very last of all. Don't people always feel better just before
the end? I've often heard of that; it's what I was waiting for.
Ever since you've been here I thought it would come. I tried two
or three times; I was afraid you'd get tired of sitting there."
He spoke slowly, with painful breaks and long pauses; his voice
seemed to come from a distance. When he ceased he lay with his
face turned to Isabel and his large unwinking eyes open into her
own. "It was very good of you to come," he went on. "I thought
you would; but I wasn't sure."
-------------------------------------------------------------
"Not for you--no. There's nothing makes us feel so much alive as
to see others die. That's the sensation of life--the sense that
we remain. I've had it--even I. But now I'm of no use but to give
it to others .With me it's all over." And then he paused. Isabel
bowed her head further, till it rested on the two hands that were
clasped upon his own. She couldn't see him now; but his far-away
voice was close to her ear. "Isabel," he went on suddenly, "I
wish it were over for you." She answered nothing; she had burst
into sobs; she remained so, with her buried face. He lay silent,
listening to her sobs; at last he gave a long groan. "Ah, what is
it you have done for me?"
"What is it you did for me?" she cried, her now extreme agitation
half smothered by her attitude. She had lost all her shame, all
wish to hide things. Now he must know; she wished him to know,
for it brought them supremely together, and he was beyond the
reach of pain. "You did something once--you know it. O Ralph,
you've been everything! What have I done for you--what can I do
to-day? I would die if you could live. But I don't wish you to
live; I would die myself, not to lose you." Her voice was as
broken as his own and full of tears and anguish.
"You won't lose me--you'll keep me. Keep me in your heart; I
shall be nearer to you than I've ever been. Dear Isabel, life is
better; for in life there's love. Death is good--but there's no
love."
"I never thanked you--I never spoke--I never was what I should
be!" Isabel went on. She felt a passionate need to cry out and
accuse herself, to let her sorrow possess her. All her troubles,
for the moment, became single and melted together into this
present pain.
-------------------------------------------------------------
"I always understood," said Ralph.
"I thought you did, and I didn't like it. But now I like it."
"You don't hurt me--you make me very happy." And as Ralph said
this there was an extraordinary gladness in his voice. She bent
her head again, and pressed her lips to the back of his hand. "I
always understood," he continued, "though it was so strange--so
pitiful. You wanted to look at life for yourself--but you were
not allowed; you were punished for your wish. You were ground in
the very mill of the conventional!"
-------------------------------------------------------------
"I don't care for anything but you, and that's enough for the
present. It will last a little yet. Here on my knees, with
you dying in my arms, I'm happier than I have been for a long
time. And I want you to be happy--not to think of anything
sad; only to feel that I'm near you and I love you. Why should
there be pain--? In such hours as this what have we to do with
pain? That's not the deepest thing; there's something deeper."
-------------------------------------------------------------
She heard no knock,but at the time the darkness began vaguely
to grow grey she started up from her pillow as abruptly as if
she had received a summons. It seemed to her for an instant
that he was standing there--a vague, hovering figure in the
vagueness of the room. She stared a moment; she saw his white
face--his kind eyes; then she saw there was nothing. She was
not afraid; she was only sure. She quitted the place and in
her certainty passed through dark corridors and down a flight
of oaken steps that shone in the vague light of a hall-window.
Outside Ralph's door she stopped a moment, listening, but she
seemed to hear only the hush that filled it. She opened the
door with a hand as gentle as if she were lifting a veil from
the face of the dead, and saw Mrs. Touchett sitting motionless
and upright beside the couch of her son, with one of his hands
in her own. The doctor was on the other side, with poor Ralph's
further wrist resting in his professional fingers.
She went to her aunt and put her arm around her; and Mrs.
Touchett, who as a general thing neither invited nor enjoyed
caresses, submitted for a moment to this one, rising, as might
be, to take it. But she was stiff and dry-eyed; her acute white
face was terrible.
"Dear Aunt Lydia," Isabel murmured.
"Go and thank God you've no child," said Mrs. Touchett,
disengaging herself.
Her errand was over; she had done what she had left her husband
to do. She had a husband in a foreign city, counting the hours
of her absence; in such a case one needed an excellent motive.
He was not one of the best husbands, but that didn't alter the
case. Certain obligations were involved in the very fact of marriage,
and were quite independent of the quantity of enjoyment extracted
from it. Isabel thought of her husband as little as might be; but
now that she was at a distance, beyond its spell, she thought
with a kind of spiritual shudder of Rome. There was a penetrating
chill in the image, and she drew back into the deepest shade of
Gardencourt.
Mrs. Touchett accepted Isabel's company, but offered her no
assistance; she appeared to be absorbed in considering, without
enthusiasm but with perfect lucidity, the new conveniences of her
own situation. Mrs. Touchett was not an optimist, but even from
painful occurrences she managed to extract a certain utility.
This consisted in the reflexion that, after all, such things
happened to other people and not to herself. Death was
disagreeable, but in this case it was her son's death, not her
own; she had never flattered herself that her own would be
disagreeable to any one but Mrs. Touchett. She was better off
than poor Ralph, who had left all the commodities of life behind
him, and indeed all the security; since the worst of dying was,
to Mrs. Touchett's mind, that it exposed one to be taken
advantage of. For herself she was on the spot; there was nothing
so good as that.
At the end of a few minutes she found herself near a rustic bench,
which, a moment after she had looked at it, struck her as an
object recognised. It was not simply that she had seen it before,
nor even that she had sat upon it; it was that on this spot
something important had happened to her--that the place had an
air of association. Then she remembered that she had been sitting
there, six years before, when a servant brought her from the
house the letter in which Caspar Goodwood informed her that he
had followed her to Europe; and that when she had read the letter
she looked up to hear Lord Warburton announcing that he should
like to marry her. It was indeed an historical, an interesting,
bench; she stood and looked at it as if it might have something
to say to her. She wouldn't sit down on it now--she felt rather
afraid of it. She only stood before it, and while she stood the
past came back to her in one of those rushing waves of emotion
by which persons of sensibility are visited at odd hours.
She had a new sensation; he had never produced it before; it
was a feeling of danger. There was indeed something really
formidable in his resolution. She gazed straight before her;
he, with a hand on each knee, leaned forward, looking deeply
into her face. The twilight seemed to darken round them. "I
want to speak to you," he repeated; "I've something particular
to say. I don't want to trouble you--as I did the other day
in Rome. That was of no use; it only distressed you. I
couldn't help it; I knew I was wrong. But I'm not wrong now;
please don't think I am," he went on with his hard, deep voice
melting a moment into entreaty. "I came here to-day for a
purpose. It's very different. It was vain for me to speak to
you then; but now I can help you."
She couldn't have told you whether it was because she was
afraid, or because such a voice in the darkness seemed of
necessity a boon; but she listened to him as she had never
listened before; his words dropped deep into her soul. They
produced a sort of stillness in all her being; and it was
with an effort,in a moment, that she answered him. "How can
you help me?" she asked in a low tone, as if she were taking
what he had said seriously enough to make the enquiry in
confidence.
She checked the movement she had made to leave him; she
was listening more than ever; it was true that he was not the
same as that last time. That had been aimless, fruitless
passion, but at present he had an idea, which she scented in
all her being. "But it doesn't matter!" he exclaimed, pressing
her still harder, though now without touching a hem of her
garment. "If Touchett had never opened his mouth I should have
known all the same. I had only to look at you at your cousin's
funeral to see what's the matter with you. You can't deceive
me any more; for God's sake be honest with a man who's so
honest with you. You're the most unhappy of women, and your
husband's the deadliest of fiends."
She turned on him as if he had struck her. "Are you mad?" she
cried.
"I've never been so sane; I see the whole thing. Don't think it's
necessary to defend him. But I won't say another word against
him; I'll speak only of you," Goodwood added quickly. "How can
you pretend you're not heart-broken? You don't know what to do--
you don't know where to turn. It's too late to play a part;
didn't you leave all that behind you in Rome? Touchett knew all
about it, and I knew it too--what it would cost you to come here.
It will have cost you your life? Say it will"--and he flared
almost into anger: "give me one word of truth! When I know such a
horror as that, how can I keep myself from wishing to save you?
What would you think of me if I should stand still and see you go
back to your reward? 'It's awful, what she'll have to pay for
it!'--that's what Touchett said to me. I may tell you that,
mayn't I ? He was such a near relation!" cried Goodwood, making
his queer grim point again."
"To think of 'you'?" Isabel said, standing before him in the
dusk. The idea of which she had caught a glimpse a few moments
before now loomed large. She threw back her head a little; she
stared at it as if it had been a comet in the sky.
"You don't know where to turn. Turn straight to me. I want to
persuade you to trust me," Goodwood repeated. And then he paused
with his shining eyes. "Why should you go back--why should you go
through that ghastly form?"
"To get away from you!" she answered. But this expressed only a
little of what she felt. The rest was that she had never been
loved before. She had believed it, but this was different;this
was the hot wind of the desert, at the approach of which the
others dropped dead, like mere sweet airs of the garden. It
wrapped her about; it lifted her off her feet, while the very
taste of it, as of something potent, acrid and strange, forced
open her set teeth.
"I want to prevent that, and I think I may, if you'll only
for once listen to me. It's too monstrous of you to think of
sinking back into that misery, of going to open your mouth to
that poisoned air. It's you that are out of your mind. Trust
me as if I had the care of you. Why shouldn't we be happy--when
it's here before us, when it's so easy? I'm yours for ever--for
ever and ever. Here I stand; I'm as firm as a rock. What have
you to care about? You've no children; that perhaps would be
an obstacle. As it is you've nothing to consider. You must save
what you can of your life; you mustn't lose it all simply because
you've lost a part. It would be an insult to you to assume that
you care for the look of the thing, for what people will say,
for the bottomless idiocy of the world. We've nothing to do
with all that; we're quite out of it; we look at things as
they are. You took the great step in coming away; the next is
nothing; it's the natural one. I swear, as I stand here, that
a woman deliberately made to suffer is justified in anything
in life--in going down into the streets if that will help her!
I know how you suffer, and that's why I'm here. We can do
absolutely as we please; to whom under the sun do we owe
anything? What is it that holds us, what is it that has the
smallest right to interfere in such a question as this? Such a
question is between ourselves--and to say that is to settle it!
Were we born to rot in our misery--were we born to be afraid? I
never knew YOU afraid! If you'll only trust me, how little you
will be disappointed! The world's all before us--and the world's
very big. I know something about that."
Isabel gave a long murmur, like a creature in pain; it was as if
he were pressing something that hurt her. "The world's very
small," she said at random; she had an immense desire to
appear to resist. She said it at random, to hear herself say
something; but it was not what she meant. The world, in
truth, had never seemed so large; it seemed to open out, all
round her, to take the form of a mighty sea, where she floated in
fathomless waters. She had wanted help, and here was help; it had
come in a rushing torrent. I know not whether she believed
everything he said; but she believed just then that to let him
take her in his arms would be the next best thing to her dying.
This belief, for a moment, was a kind of rapture, in which she
felt herself sink and sink. In the movement she seemed to beat
with her feet, in order to catch herself, to feel something to
rest on.
"Ah, be mine as I'm yours!" she heard her companion cry. He had
suddenly given up argument, and his voice seemed to come, harsh
and terrible, through a confusion of vaguer sounds.
This however, of course, was but a subjective fact, as the
metaphysicians say; the confusion, the noise of waters, all the
rest of it, were in her own swimming head. In an instant she
became aware of this. "Do me the greatest kindness of all," she
panted. "I beseech you to go away!"
"Ah, don't say that. Don't kill me!" he cried.
She clasped her hands; her eyes were streaming with tears. "As
you love me, as you pity me, leave me alone!"
He glared at her a moment through the dusk, and the next instant
she felt his arms about her and his lips on her own lips. His
kiss was like white lightning, a flash that spread, and spread
again, and stayed; and it was extraordinarily as if, while she
took it, she felt each thing in his hard manhood that had least
pleased her, each aggressive fact of his face, his figure, his
presence, justified of its intense identity and made one with
this act of possession. So had she heard of those wrecked and
under water following a train of images before they sink. But
when darkness returned she was free. She never looked about her;
she only darted from the spot. There were lights in the windows
of the house; they shone far across the lawn. In an
extraordinarily short time--for the distance was considerable--
she had moved through the darkness (for she saw nothing) and
reached the door. Here only she paused. She looked all about her;
she listened a little; then she put her hand on the latch. She
had not known where to turn; but she knew now. There was a very
straight path.
Henrietta kept him waiting a moment for her reply; but there was
a good deal of expression about Miss Stackpole even when she was
silent. "Pray what led you to suppose she was here?"
"I went down to Gardencourt this morning, and the servant told me
she had come to London. He believed she was to come to you."
Again Miss Stackpole held him--with an intention of perfect
kindness--in suspense. "She came here yesterday, and spent the
night. But this morning she started for Rome."
Caspar Goodwood was not looking at her; his eyes were fastened on
the doorstep. "Oh, she started--?" he stammered. And without
finishing his phrase or looking up he stiffly averted himself.
But he couldn't otherwise move.
Henrietta had come out, closing the door behind her, and now she
put out her hand and grasped his arm. "Look here, Mr. Goodwood,"
she said; "just you wait!"
On which he looked up at her--but only to guess, from her face,
with a revulsion, that she simply meant he was young. She stood
shining at him with that cheap comfort, and it added, on the spot,
thirty years to his life. She walked him away with her, however,
as if she had given him now the key to patience.